Let's not forget the quiet, literary horror of 'Ghost Wall' by Sarah Moss. It's a short novel about a family re-enacting Iron Age life, dominated by a controlling father. The haunting here is more subtle—it's the ghost of patriarchal violence, of ancient brutality echoing into the present. The atmosphere is claustrophobic and tense, thick with the threat of real-world human cruelty more than any supernatural entity. The chill comes from the psychological realism, the way the line between historical re-enactment and dangerous obsession blurs. It leaves you with a deep sense of dread about the shadows of our own past and the horrors people enact in the name of tradition.
A graphic novel series that nails this is 'The Nice House on the Lake'. A group of people are invited to a lakeside house by a mysterious friend, only to find the world has ended and they're in a sanctuary. The mystery is: who is their host, what is this place, and what are the rules? The investigation is paranoia-fueled, as they piece together clues about their purpose and the nature of the apocalypse outside. The paranormal/sci-fi element is the central puzzle box. The blend is tense and character-driven, with every revelation about the house's systems deepening the mystery and the horror. It's a masterclass in slow-drip investigative horror.