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Claude Cahun

*Book 2 of The Fashion CEO novels* Stephanie Greene one of the few female CEOs in the city and a force to be reckoned with. The men in the industry try to bring her down with every chance they get, but she keeps showing them how she got her nickname of the "Baddest Bitch in Fashion." She has the support of her family behind her, along with her best friend Isaac, who has slowly been trying to win her heart for the last 24 years. When her company hits a financial crisis, she partners with Dominic Knight - the arrogant CEO of a menswear company, for a collaboration. They butt heads every step of the way, and he challenges her patience almost to the brink. She wonders if the partnership is worth the anguish, and tries to put him in his place, only to end up in his bed, much to Isaac's dismay. Trying to ignore following the footsteps of her father and prevent rumors of her sex life to spread, she tells Dominic to forget the whole thing and to keep things between them strictly professional, until two months later when she discovers that she's pregnant. What's going to happen in this love triangle? Will Dominic step up and take responsibility? And even if he does, will Stephanie, the fierce, independent businesswoman, let him in?

85 Chapters

Alpha Daddies And Their Innocent Little Maid (18+)

Content Warning: Smut, Smut and Smut. “Whose cock made you cry the loudest tonight?” Lucien’s voice was a low snarl as he gripped my jaw, forcing my mouth open. “Yours,” I gasped, my voice wrecked from screaming. “Alpha, please—” Silas’s fingers dug into my hips as he slammed back inside me, rough and unrelenting. “Liar,” he growled against my spine. “She sobbed on mine.” “Should we make her prove it?” Claude said, his fangs grazing my throat. “Tie her up again. Let her beg with that pretty mouth until we decide she’s earned our knots.” I was trembling, dripping, used—and all I could do was moan, “Yes, please. Use me again.” And they did. Like they always do. Like they can’t help it. Like I belong to all three of them. --- Lilith used to believe in loyalty. In love. In her pack. But everything was torn away. Her father—the late Beta of Fangspire died. Her mother, heartbroken, drank wolfsbane and never woke up. And her boyfriend? He found his mate and left Lilith behind without a second glance. Wolfless and alone, with hospital debt piling high, Lilith enters the Rite—a ritual where women offer their bodies to the cursed Alphas in exchange for gold. Lucien. Silas. Claude. Three ruthless Alphas, cursed by the Moon Goddess. If they don’t mark their mate before twenty-six, their wolves will destroy them. Lilith was supposed to be a means to an end. But something changed the moment they touched her. Now they want her—marked, ruined, worshipped. And the more they take, the more they crave. Three Alphas. One wolfless girl. No fate. Just obsession. And the more they taste her, The harder she is to let go.

9.7

147 Chapters

Feral Desires

WARNING This book contains mature scenes, explicit content, and potentially triggering themes. It is rated 18+ and is not suitable for readers under the age of 18. Reader discretion is advised. Claude Adams never wanted a mate—especially not her. As the Beta and son to the Alpha of the Rising Moon Pack, he knows fate isn’t something to fight. But when he meets the she-wolf destined to be his, the bond feels all wrong. Suffocating. A trap he can’t escape. So when a cryptic message—meant for a human—draws him onto a luxury cruise liner, he takes it as the perfect excuse to run. What he doesn’t expect is Nikolai Vladimirovich—a ruthless Russian Mafia boss with a dangerous aura and a stare that strips Claude down to something raw. What starts as a reckless, meaningless fling turns into something neither of them can walk away from. But Claude isn’t human. He was never meant to belong to Nikolai. And when the truth comes out, there will be no mercy. Because Nikolai doesn’t share. And fate? It doesn’t make mistakes.

106 Chapters

The Beguiled Bond

As the first female battle commander of the military from the Waevalon Kingdom, Rachelle Simon believes that she does not need a mate in her life until she knows who she really was or where she actually came from before she arrived at the Dark Soul pack. She is living in peace until an annoying mysterious brute named Claude Hackworth arrived at their pack to visit his sister who happened to be her Luna and claimed that Rachelle is Claude's mate. However, she determines that she is not going to utter the words that she is accepting him. What will happen if Rachelle gets to meet and see her mate again in an unexpected moment but he will not introduce himself as her mate but the newly crowned Alpha King of Waevalon Kingdom? ︵‿︵‿୨♡୧‿︵‿︵ Moon Goddess' Daughters series: Ragriel, the Goddess of Mate Bond

8.4

86 Chapters

The Heartless Bride

Compromises were meant to be made. Sacrifices were expected to be given. It was all nothing but the consequences of her own decision; a decision she would begin to regret soon. She was asked to give up on her dreams, but she refused to listen to them. Instead of putting a stop to her ambitions, she chose to pursue them. Ayla chose to fight against all odds which aimed at bringing her down. Meanwhile, she tried her best to make a home out of the unfamiliar place she was thrown into. But who knew that the circumstances would only make her build walls around herself, shutting everyone out, including her own husband. On the other hand, Claude only watched as his wife grew distant. For him, their marriage was nothing but an arrangement carried out under the orders of their elders. What he failed to realize was that she would find a way to creep into his heart, squeezing in between through the cracks. But will it be too late for him to realize the fact that he had indeed fallen for his stubborn wife? What lengths will he be willing to go to mend their relationship? Moreover, will Ayla even allow him to succeed? Join the couple on their journey as they both find their own ways to make their contractual marriage work.

9.7

192 Chapters

Alpha’s Unwanted Mate

{ Eros } I knew Saint Claude was hiding something the second I locked eyes with him, but I never imagined it could be this: supernatural powers and the ability to shift into a huge wolf that likes to cuddle me. Being born into the mafia world made me paranoid, anxious and clingy. So, having a ‘fated mate’ who is stronger than regular men, can run faster than regular men, can heal a bullet wound in a matter of minutes and who was born to literally only ever love me… that’s exactly what I needed. Someone who is obsessed with me to an unhealthy degree and who will never ever die on me. Even if Saint refuses to accept me as a mate because I’m a man. Even if he ONLY likes me when his wolf presence is out. Even if he says he hates me and he keeps repeating he is NOT gay. That werewolf is fucking mine and I’m keeping him by my side forever. On a leash if I have to.

149 Chapters

Ray Gibson And Claude Banks True Story

1 Answers2025-05-16 20:34:16

No, Ray Gibson and Claude Banks are fictional characters created for the 1999 film Life, starring Eddie Murphy and Martin Lawrence. While the movie explores realistic themes such as wrongful imprisonment, racism, and the harsh realities of the American justice system—especially in the Jim Crow South—it is not based on a specific true story or real individuals.

🎬 What Life Is About:
The film follows Ray and Claude, two men from Harlem in the 1930s, who are wrongly convicted of murder during a trip to Mississippi. Sentenced to life in prison, they form a reluctant friendship that deepens over decades as they endure injustice, labor camps, and lost time—until they eventually escape.

📌 Key Facts:
Fictional Narrative: The storyline is original, crafted by screenwriters Robert Ramsey and Matthew Stone, with no direct historical source.

Inspired by Real Struggles: While not a true story, the film draws from real issues faced by Black Americans in the early 20th century, including racial profiling, unfair trials, and systemic injustice.

Emotional Impact: The movie uses humor and drama to shed light on serious topics, contributing to its lasting cultural relevance.

✅ Summary:
Ray Gibson and Claude Banks are not real people. Life is a fictional but emotionally resonant film that uses invented characters to highlight the lived realities of many who suffered under a broken justice system. It’s a powerful story—but not a documentary or dramatization of actual events.

Who Is Claude Cahun And Why Are They Important?

5 Answers2025-12-01 02:14:45

Claude Cahun’s work feels like stumbling upon a hidden gem in an old bookstore—something so ahead of its time that it’s hard to believe it existed when it did. They were a French surrealist photographer, writer, and activist who blurred gender lines long before it became a mainstream conversation. Their self-portraits are wild—sometimes androgynous, sometimes theatrical, always challenging norms. Cahun didn’t just play with identity; they weaponized it against fascism during WWII, distributing anti-Nazi leaflets in occupied Jersey.

What grips me most is how their art feels eerily modern. The way they staged photos with mirrors, masks, and doubles predates today’s discussions about fluid identity by nearly a century. Their book 'Aveux non avenus' (Disavowals) mixes poetry and collage in a way that still feels fresh. It’s bittersweet—knowing they faced obscurity for decades while contemporary artists echo their ideas without realizing it. Cahun’s legacy is proof that radical art doesn’t always need immediate recognition to eventually shake the world.

What Books Are Similar To 'Don'T Kiss Me: The Art Of Claude Cahun & Marcel Moore'?

5 Answers2026-01-01 21:46:22

If you loved the artistic and boundary-pushing vibes of 'Don't Kiss Me: The Art of Claude Cahun & Marcel Moore,' you might want to dive into 'The Argonauts' by Maggie Nelson. It’s a brilliant blend of memoir and critical theory, exploring gender, identity, and love in a way that feels just as radical as Cahun and Moore’s work. Nelson’s writing is poetic yet sharp, making you question norms while feeling deeply personal.

Another gem is 'Gender Outlaw' by Kate Bornstein. This one’s a classic for a reason—it challenges binary thinking with humor and heart, much like how Cahun and Moore played with identity through photography. Bornstein’s voice is irreverent and warm, perfect if you’re craving something that’s both thought-provoking and accessible. For visual art lovers, 'The Passion of According to Others' by Catherine Lord might hit the spot—it’s a collage of queer history and personal narrative that feels like a spiritual cousin to Cahun’s surrealist self-portraits.

Is There A Free PDF Of Claude Cahun'S Novel Available?

5 Answers2025-12-01 13:02:15

Claude Cahun is such a fascinating figure—more known for their surrealist photography and writings than traditional novels, honestly. Their work 'Aveux non avenus' (Disavowals) is often categorized as experimental literature rather than a conventional novel. I’ve scoured the web for free PDFs before, and while some obscure academic sites or shadow libraries might’ve hosted fragments, it’s tricky. Cahun’s stuff isn’t mainstream enough to float around freely like public domain classics. Plus, their estate (or publishers) likely keeps tight control. If you’re desperate, check library archives or university databases—sometimes they have digital loans. But honestly, supporting indie presses that reprint Cahun’s work feels more ethical. Their art deserves that respect.

I once stumbled on a French forum where someone shared scanned pages of 'Aveux non avenus,' but the link was dead by the time I clicked. It’s one of those works that feels like a whispered secret—hard to find, but thrilling when you do. Maybe try interlibrary loans if you’re studying it formally? Cahun’s writing is so densely poetic; reading it in fragments almost fits its disjointed style anyway.

What Are The Most Famous Works By Claude Cahun?

5 Answers2025-12-01 01:22:30

Claude Cahun's work is a mesmerizing blend of photography, writing, and surrealist art that challenges identity and gender norms. Their most famous photographic series, like 'Self-Portraits,' play with androgyny and theatrical costumes, creating unsettling yet beautiful images that feel ahead of their time. Cahun’s book 'Disavowals' (also known as 'Aveux non avenus') is a poetic, fragmented memoir that meshes text and collage—it’s like stepping into a dream where logic dissolves.

What fascinates me most is how Cahun’s life as a queer, non-conforming artist in early 20th-century Europe mirrored their art—bold, subversive, and deeply personal. Collaborating with their partner Marcel Moore, they created work that still feels radical today. If you’re into artists who blur the lines between reality and performance, Cahun’s legacy is a treasure trove waiting to be explored.

How Did Claude Cahun Influence Modern Art And Literature?

5 Answers2025-12-01 04:09:33

Claude Cahun’s impact feels like uncovering a hidden thread woven into modern art and literature—subversive, deeply personal, and way ahead of its time. Their surrealist self-portraits shattered gender norms long before it became a mainstream conversation. Cahun played with identity like a puzzle, dressing in costumes that blurred masculinity and femininity, making the viewer question everything. It’s no wonder contemporary artists like Cindy Sherman cite them as inspiration—Cahun’s work was about performance before 'performance art' was even a term.

In literature, their writing, especially 'Disavowals,' feels like a precursor to today’s autofiction. The way Cahun merged poetry, manifesto, and fragmented narrative mirrors how modern authors explore fluid identities. Their resistance against labels—artistic or personal—resonates with LGBTQ+ creators now. Cahun didn’t just make art; they lived as their art, a radical act that still whispers to anyone who’s ever felt confined by society’s boxes.

Can I Find Claude Cahun'S Photography And Books Together?

5 Answers2025-12-01 10:27:18

Claude Cahun's work is a fascinating blend of photography and literature, and yes, you can absolutely find both together! Her surreal self-portraits and experimental writing often intersect in exhibitions and anthologies. I stumbled upon a collection at a small indie bookstore that paired her photos with excerpts from 'Disavowals'—it felt like stepping into her mind. The way she plays with identity and gender feels eerily modern, even decades later. Galleries like the Jeu de Paume in Paris have also showcased her multidisciplinary genius, merging visual and textual art seamlessly.

If you're hunting for physical copies, some publishers release combined editions, especially in academic or art-focused prints. Online, platforms like JSTOR or museum archives sometimes digitize her work with annotations. But nothing beats holding a well-curated book where her photos and words dialogue on the page. It’s like uncovering a secret manifesto—one that still whispers rebellions.

What Is The Meaning Behind 'Don'T Kiss Me: The Art Of Claude Cahun & Marcel Moore'?

5 Answers2026-01-01 22:48:43

Ever stumbled upon something that feels like a secret whispered across time? That's how 'Don’t Kiss Me: The Art of Claude Cahun & Marcel Moore' hit me. It’s not just a book—it’s a rebellion etched in photographs and words. Cahun and Moore, these two queer artists in early 20th-century France, blurred genders, defied Nazis, and turned their love into art. Their self-portraits aren’t vanity; they’re grenades tossed at society’s rules. Cahun, who identified beyond binary labels, posed as everything from a dandy to a doll, while Moore’s lens captured the chaos. Together, they crafted a visual language of resistance long before hashtag activism.

What guts me is how contemporary it all feels. Their work screams, 'I’ll not be labeled,' in a world that still struggles with that idea today. The title 'Don’t Kiss Me' isn’t about rejection—it’s a provocation. Like their art, it demands you question who gets to define intimacy, identity, and power. After reading, I kept finding echoes of their defiance in modern queer photography, like Zackary Drucker’s work. Makes you wonder: how many artists today are standing on Cahun and Moore’s shoulders without even knowing it?

Is 'Don'T Kiss Me: The Art Of Claude Cahun & Marcel Moore' Worth Reading?

5 Answers2026-01-01 00:42:40

I stumbled upon 'Don't Kiss Me: The Art of Claude Cahun & Marcel Moore' during a late-night dive into queer art history, and it completely reshaped how I view identity and resistance. Cahun and Moore’s work isn’t just photography—it’s a radical act of defiance against the norms of their time. The book dives deep into their surrealist collaborations, their anti-fascist activism, and their lifelong partnership that blurred the lines between art and life.

What hooked me was the way their portraits play with gender and selfhood, decades before such conversations became mainstream. The essays and images together create this visceral sense of how art can be a weapon. If you’re into boundary-pushing creators or hidden chapters of LGBTQ+ history, this is a gem. It left me itching to dig up more forgotten artists who fought with their creativity.

What Is The Main Theme Of Shoah By Claude Lanzmann?

3 Answers2026-01-15 01:27:37

Shoah by Claude Lanzmann isn't just a documentary; it's an overwhelming immersion into the lived reality of the Holocaust. The film strips away archival footage and historical narration, forcing you to confront raw testimonies from survivors, witnesses, and even perpetrators. Lanzmann's refusal to use reenactments or historical footage makes the horror feel immediate—like the past is bleeding into the present. He lingers on landscapes, trains, and empty spaces where atrocities occurred, making silence as loud as screams.

What haunts me most is how the film exposes the bureaucratic, almost mundane nature of genocide. The interviews with former SS officers, casually describing their roles, reveal how evil can become routine. It’s not about 'explaining' the Holocaust but about making you feel its weight, its incomprehensibility. Lanzmann forces you to sit with discomfort, to listen without the relief of closure. After watching, I couldn’t shake the sense that 'Shoah' isn’t just about memory—it’s about the impossibility of forgetting.