Gone Girl

GONE ASTRAY
GONE ASTRAY
In the Philippines, there is a well-known and commonly practiced superstitious belief called pagpag, loosely translated as "to dust-off." One should never go home directly after visiting a wake or a funeral, because the ghost of the deceased might latch on and cause hauntings or attract evil. Now, where can Filipinos pagpag and lead spirits astray? It could be anywhere: a restaurant, a mall, that house down the street where your toxic ex lives… but usually, people opt for 7-Eleven convenience stores and nobody knows why. Follow the story of Akira Basilio: a part-time staff who mans the Luntian Street 7-Eleven on Thursday and Friday nights, which sounds completely normal; except Akira had the ability to communicate with the dead. She maintained a quiet life by keeping her sixth sense a secret from both the living and the departed, until a particularly persistent spirit flips everything into chaos when he entangles Akira in a hunt for a murderer.
10
11 Chapters
Once Gone, Gone for Good
Once Gone, Gone for Good
After dating him for five years, my boyfriend, Jayden Porter, sends me 10 dollars. He asks me to buy our future matrimonial home with that money. That same day, he transfers 3 million dollars to his dream girl, Lina Doux, to buy her a grand detached villa in Centralis. I decided to break up with him out of frustration, but he accuses me of being greedy for money. "Your house is still livable, so why buy another one? When did you become such a gold digger?" "Lina and I are childhood friends, so what's wrong with me giving her money? "On the other hand, you're scheming to get your hands on my wealth despite us not being married yet. I'm so disappointed in you!" He turns around and proposes to Lina. Six years later, we encounter each other again in the werewolf kingdom based in Centralis—the Darkmoon Kingdom. He's about to become Centralis' Beta. Lina is by his side, wearing a haute couture dress. When he sees me covered in mud and rummaging through trash, he mocks me with disgust, "You looked down on 10 dollars back then, Emily Everhart, but now you're digging through trash cans like a beggar. "Do you think you'll be able to earn money by selling scraps? Even if you put on a sorry act in front of me, I won't show you any pity!" I glance coldly at him and continue to search for my pup's favorite ring. I had unknowingly discarded it like common trash. My pup, Cassidy Holstrom, is incredibly upset about it. As such, I have to find it quickly to cheer her up.
10 Chapters
Spark's Gone
Spark's Gone
Jonas Ezekiel Martin sets his standard in dating a woman. He prefers to date a decent one. He doesn't like her to be a party girl, reckless and wild. Then he meets Etincelle Joy Reyes- the opposite of his dream girl who will wreck his standards in love. Etincelle Joy Reyes doesn't like the idea of a family. For her, babies will only stop her from doing the things she used to do. Babies will restrict her and will only give her responsibility. But something happens between Jonas and Etincelle that night! A one night stand that changes their lives forever. Welcome to motherhood! Will she be able to be a good mother? Can she still pursue her dreams despite her responsibility to her child?
Not enough ratings
65 Chapters
Royalty Gone Bad
Royalty Gone Bad
WARNING: STRONG ADULT CONTENT/EXPLICIT LANGUAGE 18+ Prince Asahd Usaïd, Prince of seduction and sensuality. He has everything he wants, from the ladies to the sultanate's riches. Only son and child to his parents, he is sure to take over the throne. But he is spoiled, way too egocentric, rude, careless and proud. He hangs out with the wrong people and leaves his name in every nightclub. All these, bother his parents that are honorable people. They come up with the best form of punishment for him. One that is sure to make him change. Will pretty boy survive, living the common life?" A seducer, a sex god, a Prince. Read to discover his adventures and see how he handles the situation his parents will put him in. But most importantly, watch him seduce and prey, until he gets what he wants. 'Who' he wants. (SEXUAL CONTENT WARNING)
9.7
115 Chapters
Love Gone Hollow
Love Gone Hollow
By the fifth year of my marriage to Noah Lester, everyone insisted that I, Emma Newman, was his eternal muse. But I knew the truth. Behind my back, Noah cycled through a parade of fresh-faced, eager lovers. He even flaunted them at social gatherings, swapping one for another with shameless ease. When friends teased him—"Didn’t you swear Emma was the love of your life? Why the revolving door of mistresses?"—he’d just laugh, arms slung around his latest conquests. "Once you’ve caught your muse the glow fades. Give me someone new and tender any day—at least they keep things exciting." So I began plotting my escape. What Noah never realized was that I had grown tired of him, too. Tired of this life, of these performances. I was done.
8 Chapters
Going, Going, Gone
Going, Going, Gone
On my way home from picking wild berries in the woods, I see my mate, Ethan Volkov, feeding our pups roast chicken. His childhood sweetheart, Zoe Hathaway, is snuggling next to them. While chatting with Ethan about her experiences studying on the northern grasslands, she entertains the children. My five-year-old daughter is happily swinging her legs as she holds out a piece of roast chicken to Zoe, while My son carefully wipes the grease off Zoe's hands. Ethan never once looks away from Zoe. It is as if he only has eyes for her. Seeing my beloved mate and the pups I've tirelessly raised so attached to another she-wolf leaves me devastated. I draft a Bond Breaking Agreement, give up custody of the children, and leave. Pursue the herbal research career that I gave up for my family Yet later, the always calm and composed Ethan loses his composure. My daughter Katrina and my son James search everywhere for me, openly expressing their love and begging me to come home.
10 Chapters

How Does 'The Girl Before' Compare To 'Gone Girl' In Terms Of Suspense?

4 Answers2025-06-29 12:41:56

'The Girl Before' and 'Gone Girl' both masterfully craft suspense, but their approaches differ starkly. 'Gone Girl' thrives on psychological manipulation, with Amy Dunne's calculated schemes keeping readers guessing at every turn. The unreliable narrators and twisted marital dynamics create a slow burn that explodes into shocking revelations. It's a chess game where every move is a trap.

'The Girl Before', however, leans into architectural claustrophobia. The minimalist house becomes a character itself, its sleek walls hiding dark secrets. The dual timelines—Jane's present and Emma's past—weave a taut, eerie parallel, making you question who's truly in control. The suspense here is quieter but no less oppressive, like a door creaking open in the dead of night. Both novels unsettle, but 'Gone Girl' punches while 'The Girl Before' whispers.

How Does 'The Girl On The Train' Compare To 'Gone Girl' In Themes?

5 Answers2025-03-03 09:50:35

Both novels dissect the rot beneath suburban facades, but through different lenses. 'Gone Girl' weaponizes performative perfection—Amy’s orchestrated victimhood exposes how society romanticizes female martyrdom. Her lies are strategic, a commentary on media-fueled narratives.

In contrast, Rachel in 'The Girl on the Train' is a hapless observer, her alcoholism blurring truth and fantasy. Memory becomes her antagonist, not her tool. While Amy controls her narrative, Rachel drowns in hers. Both critique marriage as a theater of illusions, but 'Gone Girl' feels like a chess game; 'The Girl on the Train' is a drunken stumble through fog. Fans of marital decay tales should try 'Revolutionary Road'.

Who Is The Real Villain In 'Gone Girl'?

3 Answers2025-06-19 00:11:05

Nick Dunne seems like the obvious villain at first glance in 'Gone Girl'. He’s cheating on Amy, acting shady, and even smiles at inappropriate times during press conferences. But digging deeper, Amy’s the true monster here. She fakes her own disappearance, frames Nick for murder, and manipulates everyone around her with chilling precision. Her diary entries are masterpieces of deceit, crafted to paint Nick as abusive. When she returns covered in blood after killing Desi, she forces Nick to stay in their toxic marriage by getting pregnant. Amy’s not just a villain—she’s a psychopath who weaponizes victimhood to control others.

Why Is Gone Girl Rated R

5 Answers2025-08-01 00:03:19

As someone who loves diving into the gritty details of thrillers, 'Gone Girl' is rated R for a mix of intense psychological drama, graphic violence, and strong language. The film doesn’t shy away from dark themes like manipulation, betrayal, and murder, which are central to the plot. There’s a particularly unsettling scene involving blood and a reveal that’s both shocking and visceral.

The R rating also stems from sexual content, including a controversial moment that blurs the lines of consent. The tension is relentless, and the portrayal of a toxic relationship is raw and unflinching. It’s not just about what’s shown but how it’s presented—the cinematography and score amplify the discomfort. For fans of psychological thrillers, these elements are part of what makes 'Gone Girl' so gripping, but they’re definitely not for the faint-hearted.

What Is The Twist Ending In 'Gone Girl'?

3 Answers2025-06-19 11:22:18

The twist in 'Gone Girl' hit me like a truck. Amy frames her husband Nick for her own 'murder' after faking her disappearance. She meticulously plans everything—diaries, staged violence, even planting evidence to make Nick look guilty. The real shocker comes when she returns covered in blood, claiming Nick abused her. Her elaborate scheme isn’t just revenge; it’s a calculated move to control their narrative forever. The ending leaves you unsettled because Nick, now aware of her psychopathy, stays trapped in their toxic marriage. It’s a dark commentary on manipulation and how far someone will go to 'win.'

How Does 'Darkly' Compare To 'Gone Girl'?

3 Answers2025-06-27 23:28:58

I've read both 'Darkly' and 'Gone Girl' multiple times, and while they share the thriller genre, their atmospheres couldn't be more different. 'Gone Girl' feels like a scalpel—precise, clinical, and brutally exposing the rot beneath suburban perfection. The twists hit like gut punches, and Amy's manipulation is terrifyingly methodical. 'Darkly', on the other hand, is a sledgehammer wrapped in velvet. Its darkness is more visceral, leaning into grotesque imagery and moral decay rather than psychological games. The protagonist's descent feels inevitable yet mesmerizing, like watching a car crash in slow motion. 'Gone Girl' dissects marriage; 'Darkly' eviscerates the human soul. For raw shock value, 'Darkly' wins, but 'Gone Girl' lingers in your mind like a poison.

How Does 'Gone Girl' Explore Unreliable Narration?

3 Answers2025-06-19 17:19:36

As a thriller junkie, 'Gone Girl' hooked me with its masterful use of unreliable narration. Amy's diary entries initially paint her as the perfect victim, making Nick seem like the obvious villain. The twist hits like a gut punch when we realize those entries were carefully crafted performances, not truths. What's brilliant is how Flynn makes both narrators unreliable in different ways - Nick lies by omission, hiding his affairs and temper, while Amy fabricates entire realities. The shifting perspectives force readers to constantly reassemble the truth from biased accounts. It's a dark mirror of how we all curate our personas, especially in relationships where love and manipulation blur.

Are There Any New Thrillers Similar To Gone Girl?

4 Answers2025-07-18 10:53:27

I've been diving deep into the thriller genre lately, and 'Gone Girl' set such a high bar that it's tough to find anything that matches its twisty brilliance. However, 'The Girl on the Train' by Paula Hawkins comes close with its unreliable narrator and dark, psychological twists. Another standout is 'The Silent Patient' by Alex Michaelides, which keeps you guessing until the very last page with its shocking revelations and masterful pacing.

For something more recent, 'Rock Paper Scissors' by Alice Feeney delivers that same sense of unease and betrayal, with layers of secrets unraveling in the most unexpected ways. If you enjoy the domestic noir aspect of 'Gone Girl,' 'The Wife Between Us' by Greer Hendricks and Sarah Pekkanen is a must-read—it plays with perceptions and assumptions in a way that’s utterly gripping. Lastly, 'Sharp Objects' by Gillian Flynn, the same author as 'Gone Girl,' is another dark, twisted tale that lingers long after you finish it.

Is Gone Girl Based On A True Story

1 Answers2025-05-14 22:01:23

No, Gone Girl is not based on a true story. The bestselling novel by Gillian Flynn—and its 2014 film adaptation—are entirely fictional. While the story may feel eerily realistic and has drawn comparisons to real-life crime cases, particularly the Laci and Scott Peterson case, Gone Girl is a work of imagination.

What Inspired Gone Girl?
Author Gillian Flynn has acknowledged that media coverage of true crime cases, like the Peterson case, influenced the atmosphere and themes of the book. However, she has been clear that:

The plot is not based on any single real event.

The characters, Nick and Amy Dunne, are original creations, not modeled on real people.

The story explores media sensationalism, public perception, and the complexities of marriage, rather than documenting a true crime.

Author's Statement
Flynn has said:

"I certainly was not trying to do a fictionalized version of any true-life crime story... Gone Girl is entirely made up."

Why the Confusion?
The psychological depth, realistic dialogue, and media-centric plot may remind readers of real cases, but that’s by design. Flynn, a former journalist, used her experience to craft a story that feels plausible—but remains firmly fictional.

Summary: Gone Girl is a fictional psychological thriller that draws inspiration from the tone and media frenzy of real-life cases, but it is not based on a true story. All characters and events are products of Gillian Flynn’s imagination.

Why Is 'None Of This Is True' Compared To 'Gone Girl'?

3 Answers2025-05-29 21:56:38

I just finished 'None of This Is True' and couldn't help but notice the similarities to 'Gone Girl'. Both books feature deeply unreliable female narrators who manipulate the truth to shocking degrees. The psychological intensity is off the charts - you never know when the next twist is coming. What really connects them is how they explore the dark side of relationships through masterful deception. The way Lisa Jewell builds tension mirrors Gillian Flynn's signature style, especially in how ordinary lives spiral into absolute chaos. If you liked peeling back layers of lies in 'Gone Girl', you'll love how 'None of This Is True' makes you question every single revelation.

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