Novel Gone

In the Philippines, there is a well-known and commonly practiced superstitious belief called pagpag, loosely translated as "to dust-off." One should never go home directly after visiting a wake or a funeral, because the ghost of the deceased might latch on and cause hauntings or attract evil. Now, where can Filipinos pagpag and lead spirits astray? It could be anywhere: a restaurant, a mall, that house down the street where your toxic ex lives… but usually, people opt for 7-Eleven convenience stores and nobody knows why. Follow the story of Akira Basilio: a part-time staff who mans the Luntian Street 7-Eleven on Thursday and Friday nights, which sounds completely normal; except Akira had the ability to communicate with the dead. She maintained a quiet life by keeping her sixth sense a secret from both the living and the departed, until a particularly persistent spirit flips everything into chaos when he entangles Akira in a hunt for a murderer.

11 챕터

Once Gone, Gone for Good

After dating him for five years, my boyfriend, Jayden Porter, sends me 10 dollars. He asks me to buy our future matrimonial home with that money. That same day, he transfers 3 million dollars to his dream girl, Lina Doux, to buy her a grand detached villa in Centralis. I decided to break up with him out of frustration, but he accuses me of being greedy for money. "Your house is still livable, so why buy another one? When did you become such a gold digger?" "Lina and I are childhood friends, so what's wrong with me giving her money? "On the other hand, you're scheming to get your hands on my wealth despite us not being married yet. I'm so disappointed in you!" He turns around and proposes to Lina. Six years later, we encounter each other again in the werewolf kingdom based in Centralis—the Darkmoon Kingdom. He's about to become Centralis' Beta. Lina is by his side, wearing a haute couture dress. When he sees me covered in mud and rummaging through trash, he mocks me with disgust, "You looked down on 10 dollars back then, Emily Everhart, but now you're digging through trash cans like a beggar. "Do you think you'll be able to earn money by selling scraps? Even if you put on a sorry act in front of me, I won't show you any pity!" I glance coldly at him and continue to search for my pup's favorite ring. I had unknowingly discarded it like common trash. My pup, Cassidy Holstrom, is incredibly upset about it. As such, I have to find it quickly to cheer her up.

10 챕터

Spark's Gone

Jonas Ezekiel Martin sets his standard in dating a woman. He prefers to date a decent one. He doesn't like her to be a party girl, reckless and wild. Then he meets Etincelle Joy Reyes- the opposite of his dream girl who will wreck his standards in love. Etincelle Joy Reyes doesn't like the idea of a family. For her, babies will only stop her from doing the things she used to do. Babies will restrict her and will only give her responsibility. But something happens between Jonas and Etincelle that night! A one night stand that changes their lives forever. Welcome to motherhood! Will she be able to be a good mother? Can she still pursue her dreams despite her responsibility to her child?

평가가 충분하지 않습니다.

65 챕터

Royalty Gone Bad

WARNING: STRONG ADULT CONTENT/EXPLICIT LANGUAGE 18+ Prince Asahd Usaïd, Prince of seduction and sensuality. He has everything he wants, from the ladies to the sultanate's riches. Only son and child to his parents, he is sure to take over the throne. But he is spoiled, way too egocentric, rude, careless and proud. He hangs out with the wrong people and leaves his name in every nightclub. All these, bother his parents that are honorable people. They come up with the best form of punishment for him. One that is sure to make him change. Will pretty boy survive, living the common life?" A seducer, a sex god, a Prince. Read to discover his adventures and see how he handles the situation his parents will put him in. But most importantly, watch him seduce and prey, until he gets what he wants. 'Who' he wants. (SEXUAL CONTENT WARNING)

9.7

115 챕터

Love Gone Hollow

By the fifth year of my marriage to Noah Lester, everyone insisted that I, Emma Newman, was his eternal muse. But I knew the truth. Behind my back, Noah cycled through a parade of fresh-faced, eager lovers. He even flaunted them at social gatherings, swapping one for another with shameless ease. When friends teased him—"Didn’t you swear Emma was the love of your life? Why the revolving door of mistresses?"—he’d just laugh, arms slung around his latest conquests. "Once you’ve caught your muse the glow fades. Give me someone new and tender any day—at least they keep things exciting." So I began plotting my escape. What Noah never realized was that I had grown tired of him, too. Tired of this life, of these performances. I was done.

8 챕터

Going, Going, Gone

On my way home from picking wild berries in the woods, I see my mate, Ethan Volkov, feeding our pups roast chicken. His childhood sweetheart, Zoe Hathaway, is snuggling next to them. While chatting with Ethan about her experiences studying on the northern grasslands, she entertains the children. My five-year-old daughter is happily swinging her legs as she holds out a piece of roast chicken to Zoe, while My son carefully wipes the grease off Zoe's hands. Ethan never once looks away from Zoe. It is as if he only has eyes for her. Seeing my beloved mate and the pups I've tirelessly raised so attached to another she-wolf leaves me devastated. I draft a Bond Breaking Agreement, give up custody of the children, and leave. Pursue the herbal research career that I gave up for my family Yet later, the always calm and composed Ethan loses his composure. My daughter Katrina and my son James search everywhere for me, openly expressing their love and begging me to come home.

10 챕터

What Are The Most Memorable Quotes From The Novel Gone?

5 답변2025-04-29 20:36:57

One of the most unforgettable quotes from 'Gone' is when Sam says, 'Sometimes, you have to do the wrong thing to do the right thing.' This line hits hard because it captures the moral dilemmas the characters face in the FAYZ. It’s not just about survival; it’s about the choices they make when there’s no clear right or wrong. Sam’s struggle with leadership and the weight of his decisions resonate deeply, especially when he’s forced to confront the consequences of his actions. Another standout is Caine’s chilling, 'Power isn’t control—it’s the illusion of control.' This quote reveals the fragility of his authority and the desperation that drives him. It’s a stark reminder of how power can corrupt and how easily it can slip away. These lines stick with you because they’re not just words; they’re reflections of the characters’ inner battles and the harsh realities of their world.

Who Are The Main Antagonists In The Novel Gone?

5 답변2025-04-29 01:28:54

In 'Gone', the main antagonists are a group of kids led by Caine Soren and his second-in-command, Drake Merwin. Caine is this smooth-talking, manipulative guy who’s always got a plan, but it’s usually at someone else’s expense. He’s got this charisma that makes people follow him, even when they know he’s bad news. Drake, on the other hand, is pure chaos. He’s violent, sadistic, and thrives on fear. Together, they’re a nightmare.

What makes them so terrifying is how they exploit the power vacuum after all the adults disappear. Caine uses his intelligence to control the town, while Drake enforces his will through sheer brutality. They’re not just bullies; they’re leaders of a twisted regime. The kids in Perdido Beach are forced to choose between survival and morality, and Caine and Drake make that choice as hard as possible. They’re the kind of villains you love to hate because they’re so good at being bad.

Does 'Gone, Baby, Gone' Have A Happy Ending?

3 답변2025-06-20 03:58:49

As someone who's read 'Gone, Baby, Gone' multiple times, I can say the ending is brilliantly ambiguous rather than conventionally happy. Patrick Kenzie makes a gut-wrenching decision to return the kidnapped child to her unfit mother because it's legally right, despite morally feeling wrong. The kid is safe physically, but you're left wondering if she'll ever be safe emotionally. The protagonist's relationship with his partner Angie fractures over this choice, adding another layer of tragedy. It's the kind of ending that sticks with you for weeks - not happy, but profoundly human in its messy complexity. If you want resolution with rainbows, this isn't your book; if you want thought-provoking realism, it delivers perfectly.

What Is The Moral Dilemma In 'Gone, Baby, Gone'?

3 답변2025-06-20 14:39:29

The moral dilemma in 'Gone, Baby, Gone' hits hard—do you follow the law or do what’s right? The protagonist Patrick faces this when he discovers a kidnapped girl is actually better off with her captors because her drug-addict mother is neglectful and abusive. Returning her means condemning her to a miserable life, but keeping her away violates the law and denies the mother’s legal rights. The film doesn’t sugarcoat it: justice isn’t always black and white. It forces you to question whether protecting a child’s future justifies breaking rules, or if sticking to principles matters more than outcomes. Gut-wrenching stuff.

How Does The Novel Gone Compare To Its Anime Adaptation?

5 답변2025-04-29 19:36:51

The novel 'Gone' dives deep into the psychological turmoil of its characters, something the anime adaptation only skims. In the book, every internal monologue feels like a raw nerve, exposing fears and desires that the anime glosses over with action scenes. The novel’s pacing is slower, letting you marinate in the tension, while the anime speeds through, focusing on visual spectacle. The anime’s vibrant colors and dynamic animation bring the world to life, but it sacrifices the novel’s nuanced exploration of morality and survival. The book’s ending leaves you with lingering questions, while the anime wraps things up neatly, almost too neatly, losing some of the novel’s haunting ambiguity.

One thing the anime does better is the soundtrack. The music amplifies the emotional beats, making certain moments hit harder than in the book. But overall, the novel feels more intimate, like you’re inside the characters’ heads, while the anime feels like you’re watching from a distance. Both have their strengths, but if you want the full emotional weight, the novel is the way to go.

What Inspired The Author To Write The Novel Gone?

5 답변2025-04-29 02:46:44

I think the author of 'Gone' was deeply influenced by the chaos and unpredictability of the world we live in. The novel feels like a response to the fragility of societal structures and how quickly they can collapse. The idea of an entire town’s adults vanishing overnight taps into that primal fear of abandonment and the unknown. It’s not just a story about survival; it’s a commentary on how power dynamics shift when the usual rules no longer apply.

The characters, especially the kids, are forced to confront their own morality and leadership in ways that mirror real-life crises. The author might have been inspired by events like natural disasters or political upheavals, where people are left to rebuild from scratch. The novel also explores themes of identity and responsibility, which are universal but feel especially urgent in today’s world. It’s a gripping reminder of how thin the veneer of civilization really is.

What Are The Key Plot Twists In The Novel Gone?

5 답변2025-04-29 22:09:14

In 'Gone', the biggest twist hits when the kids realize the adults didn’t just disappear—they’re trapped in a parallel dimension called the FAYZ. It’s not just about survival anymore; it’s about understanding this bizarre new reality. The moment Sam discovers he has powers, and that others do too, flips the script entirely. Suddenly, it’s not just about finding food or shelter—it’s about figuring out who’s a threat and who’s an ally. The reveal that the FAYZ is a dome, not just an isolated town, adds another layer of dread. The kids aren’t just cut off from the world—they’re in a literal prison. And then there’s Caine’s betrayal. You think he’s just another kid trying to lead, but his hunger for power turns him into a villain. The final twist, where they realize the FAYZ is a test, a cruel experiment by some higher force, leaves you reeling. It’s not just about getting out—it’s about why they’re there in the first place.

What makes these twists so gripping is how they shift the stakes. It’s not just a story about kids surviving without adults—it’s a story about power, morality, and the lengths people will go to when they’re desperate. The twists keep you guessing, and just when you think you’ve got it figured out, the ground shifts again.

How Does The Novel Gone Explore Its Central Themes?

5 답변2025-04-29 10:08:11

In 'Gone', the central themes of survival, leadership, and morality are explored through the lens of a world where everyone over the age of 15 suddenly disappears. The novel dives deep into how the remaining kids cope with the sudden absence of adults, creating a microcosm of society. The protagonist, Sam, is thrust into a leadership role he never asked for, and his journey is a compelling study of responsibility and the burden of power. The kids form factions, and the struggle for control over resources and territory mirrors real-world conflicts. The theme of morality is particularly striking as the characters are forced to make difficult decisions in a lawless environment. The novel doesn’t shy away from showing the darker side of human nature, but it also highlights the resilience and capacity for good in people, even in the most dire circumstances.

The exploration of these themes is further enriched by the diverse cast of characters, each representing different facets of human behavior. The tension between order and chaos is palpable, and the novel raises important questions about what it means to be a leader and the ethical dilemmas that come with it. The setting of a small town cut off from the rest of the world adds to the intensity, making the themes even more relatable and thought-provoking. 'Gone' is not just a story about survival; it’s a profound exploration of human nature and the complexities of society.

How Does The Novel Gone Handle Character Development?

5 답변2025-04-29 22:32:58

In 'Gone', character development is deeply tied to survival and moral dilemmas. The kids in Perdido Beach are thrust into a world without adults, forcing them to grow up overnight. Sam, the protagonist, starts as a reluctant leader but evolves into someone who shoulders the weight of responsibility. His journey is marked by tough decisions, like confronting Caine and dealing with the Darkness.

Astrid, initially seen as the brains, reveals her emotional depth and vulnerability, especially in her relationship with Sam. Her growth is about balancing intellect with empathy. Little Pete’s transformation is subtle but profound, as his autism becomes both a challenge and a key to understanding the FAYZ.

The novel also explores how power changes people. Caine’s descent into tyranny contrasts with Sam’s rise as a protector. Even secondary characters like Quinn and Edilio show significant growth, from self-serving to selfless. 'Gone' doesn’t just develop characters—it tests their humanity under extreme pressure.

What Are The Fan Theories About The Ending Of The Novel Gone?

5 답변2025-04-29 02:52:24

I’ve spent hours diving into fan theories about the ending of 'Gone', and one that really sticks with me is the idea that the FAYZ was never a physical barrier but a psychological one. The kids were trapped in their own fears and insecurities, and the moment they faced them, the barrier 'disappeared.' It’s a metaphor for growing up—how the walls we build in our minds are the hardest to break. Some fans even think the FAYZ was a test by some higher power, maybe aliens or even a government experiment gone rogue. The ending, where Sam and the others emerge, feels like a rebirth, but it’s left ambiguous whether they’re truly free or just in a new kind of prison. The theory that the FAYZ was a simulation is also popular, with the kids being part of some advanced VR experiment. It’s wild how many layers fans have uncovered in what seems like a straightforward survival story.

Another angle I love is the idea that the FAYZ was a purgatory of sorts. The kids who died inside it were the ones who couldn’t move on, while the survivors were given a second chance. The ending, with the world moving on without them, feels like a commentary on how trauma isolates us. Some fans think the final scene, where Sam looks back at the FAYZ, is him realizing he’ll never truly leave it behind. It’s haunting and beautiful, and it makes me want to reread the series with this lens.