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Gone Novel Series

In the Philippines, there is a well-known and commonly practiced superstitious belief called pagpag, loosely translated as "to dust-off." One should never go home directly after visiting a wake or a funeral, because the ghost of the deceased might latch on and cause hauntings or attract evil. Now, where can Filipinos pagpag and lead spirits astray? It could be anywhere: a restaurant, a mall, that house down the street where your toxic ex lives… but usually, people opt for 7-Eleven convenience stores and nobody knows why. Follow the story of Akira Basilio: a part-time staff who mans the Luntian Street 7-Eleven on Thursday and Friday nights, which sounds completely normal; except Akira had the ability to communicate with the dead. She maintained a quiet life by keeping her sixth sense a secret from both the living and the departed, until a particularly persistent spirit flips everything into chaos when he entangles Akira in a hunt for a murderer.

11 Chapters

Once Gone, Gone for Good

After dating him for five years, my boyfriend, Jayden Porter, sends me 10 dollars. He asks me to buy our future matrimonial home with that money. That same day, he transfers 3 million dollars to his dream girl, Lina Doux, to buy her a grand detached villa in Centralis. I decided to break up with him out of frustration, but he accuses me of being greedy for money. "Your house is still livable, so why buy another one? When did you become such a gold digger?" "Lina and I are childhood friends, so what's wrong with me giving her money? "On the other hand, you're scheming to get your hands on my wealth despite us not being married yet. I'm so disappointed in you!" He turns around and proposes to Lina. Six years later, we encounter each other again in the werewolf kingdom based in Centralis—the Darkmoon Kingdom. He's about to become Centralis' Beta. Lina is by his side, wearing a haute couture dress. When he sees me covered in mud and rummaging through trash, he mocks me with disgust, "You looked down on 10 dollars back then, Emily Everhart, but now you're digging through trash cans like a beggar. "Do you think you'll be able to earn money by selling scraps? Even if you put on a sorry act in front of me, I won't show you any pity!" I glance coldly at him and continue to search for my pup's favorite ring. I had unknowingly discarded it like common trash. My pup, Cassidy Holstrom, is incredibly upset about it. As such, I have to find it quickly to cheer her up.

10 Chapters

Spark's Gone

Jonas Ezekiel Martin sets his standard in dating a woman. He prefers to date a decent one. He doesn't like her to be a party girl, reckless and wild. Then he meets Etincelle Joy Reyes- the opposite of his dream girl who will wreck his standards in love. Etincelle Joy Reyes doesn't like the idea of a family. For her, babies will only stop her from doing the things she used to do. Babies will restrict her and will only give her responsibility. But something happens between Jonas and Etincelle that night! A one night stand that changes their lives forever. Welcome to motherhood! Will she be able to be a good mother? Can she still pursue her dreams despite her responsibility to her child?

Not enough ratings

65 Chapters

Royalty Gone Bad

WARNING: STRONG ADULT CONTENT/EXPLICIT LANGUAGE 18+ Prince Asahd Usaïd, Prince of seduction and sensuality. He has everything he wants, from the ladies to the sultanate's riches. Only son and child to his parents, he is sure to take over the throne. But he is spoiled, way too egocentric, rude, careless and proud. He hangs out with the wrong people and leaves his name in every nightclub. All these, bother his parents that are honorable people. They come up with the best form of punishment for him. One that is sure to make him change. Will pretty boy survive, living the common life?" A seducer, a sex god, a Prince. Read to discover his adventures and see how he handles the situation his parents will put him in. But most importantly, watch him seduce and prey, until he gets what he wants. 'Who' he wants. (SEXUAL CONTENT WARNING)

9.7

115 Chapters

Love Gone Hollow

By the fifth year of my marriage to Noah Lester, everyone insisted that I, Emma Newman, was his eternal muse. But I knew the truth. Behind my back, Noah cycled through a parade of fresh-faced, eager lovers. He even flaunted them at social gatherings, swapping one for another with shameless ease. When friends teased him—"Didn’t you swear Emma was the love of your life? Why the revolving door of mistresses?"—he’d just laugh, arms slung around his latest conquests. "Once you’ve caught your muse the glow fades. Give me someone new and tender any day—at least they keep things exciting." So I began plotting my escape. What Noah never realized was that I had grown tired of him, too. Tired of this life, of these performances. I was done.

8 Chapters

Going, Going, Gone

On my way home from picking wild berries in the woods, I see my mate, Ethan Volkov, feeding our pups roast chicken. His childhood sweetheart, Zoe Hathaway, is snuggling next to them. While chatting with Ethan about her experiences studying on the northern grasslands, she entertains the children. My five-year-old daughter is happily swinging her legs as she holds out a piece of roast chicken to Zoe, while My son carefully wipes the grease off Zoe's hands. Ethan never once looks away from Zoe. It is as if he only has eyes for her. Seeing my beloved mate and the pups I've tirelessly raised so attached to another she-wolf leaves me devastated. I draft a Bond Breaking Agreement, give up custody of the children, and leave. Pursue the herbal research career that I gave up for my family Yet later, the always calm and composed Ethan loses his composure. My daughter Katrina and my son James search everywhere for me, openly expressing their love and begging me to come home.

10 Chapters

What Are The Most Memorable Quotes From The Gone Novel Series?

5 Answers2025-04-29 19:05:05

The 'Gone' series is packed with lines that stick with you long after you’ve turned the last page. One that always hits hard is Sam’s realization: 'We’re not just kids anymore. We’re survivors.' It’s a raw moment that captures the weight of their situation—how the FAYZ forces them to grow up too fast. Another unforgettable line is Caine’s chilling declaration: 'Power isn’t given. It’s taken.' It’s a stark reminder of the ruthless world they’re trapped in and how far some will go to control it.

Then there’s Astrid’s quiet but powerful observation: 'Fear doesn’t make you weak. It makes you human.' It’s a line that resonates with anyone who’s ever felt overwhelmed but kept going anyway. And who could forget Drake’s menacing threat: 'Pain is just a reminder that you’re still alive.' It’s horrifying yet oddly profound, encapsulating the twisted logic of the series’ villains. These quotes aren’t just words—they’re windows into the characters’ souls and the brutal world they navigate.

What Are The Fan Theories About The Ending Of The Gone Novel Series?

5 Answers2025-04-29 02:12:17

The ending of the 'Gone' series has sparked a lot of fan theories, and one of the most compelling is that the FAYZ was a test by a higher power or alien intelligence. Many believe the dome wasn’t just a random event but a controlled experiment to see how humanity, especially kids, would react under extreme pressure. The way the characters evolved—some becoming heroes, others villains—suggests a deeper purpose. Some fans think the FAYZ was a way to prepare humanity for a larger threat, like an alien invasion or a cosmic event. The fact that the kids developed powers points to this being a trial run for something bigger. The ending, where the dome disappears and the kids return to the real world, feels like a reset, but with the knowledge that they’re now different, more capable. It’s as if the FAYZ was a crucible, forging them into something stronger for what’s to come.

Another layer to this theory is the idea that the FAYZ wasn’t just about the kids but about humanity as a whole. The way the adults were removed from the equation suggests that the experiment was focused on the next generation, the ones who would inherit the Earth. The ending, with the kids returning to a world that’s still flawed but now with their newfound abilities, hints at a future where they’ll be the ones to lead and protect. It’s a hopeful yet ominous ending, leaving fans wondering if the FAYZ was just the beginning of a much larger story.

What Are The Most Shocking Plot Twists In The Gone Novel Series?

5 Answers2025-04-29 21:45:30

The most shocking twist in the 'Gone' series is when we discover that the FAYZ, the dome trapping everyone, is actually a result of a government experiment gone wrong. The kids aren’t just randomly trapped; they’re part of a larger, sinister plan. The reveal that the adults were removed because they were deemed 'unnecessary' for the experiment is chilling. It flips the whole narrative, making you question who the real villains are. The series does a great job of layering this twist, so it hits hard when it finally comes out.

Another jaw-dropper is the death of Sam’s brother, Caine. Just when you think Caine might redeem himself, he sacrifices himself to save the others. It’s a moment that redefines his character and leaves you reeling. The series constantly keeps you on edge, making you question who will survive and who will fall. The twists aren’t just shocking; they’re emotionally gut-wrenching, making the series unforgettable.

What Are The Critical Reviews Saying About The Gone Novel Series?

5 Answers2025-04-29 07:28:41

The 'Gone' novel series has been praised for its intense, fast-paced storytelling and its ability to keep readers on the edge of their seats. Critics often highlight how Michael Grant masterfully blends elements of science fiction, horror, and dystopia to create a world that feels both terrifyingly real and utterly fantastical. The character development is another strong point, with each character’s journey being deeply personal and relatable, despite the extraordinary circumstances they face. The series doesn’t shy away from dark themes, which some reviewers find refreshing in a genre often aimed at younger audiences. However, there are criticisms about the pacing in later books, with some feeling that the plot becomes convoluted. Despite this, the series is widely regarded as a gripping read that challenges its audience to think about morality, survival, and the human condition.

One of the most talked-about aspects is the way the series handles the concept of power and its corrupting influence. The FAYZ, a world without adults, becomes a microcosm of society, where the lines between right and wrong blur. This has led to discussions about the series’ deeper philosophical undertones, making it a favorite among readers who enjoy thought-provoking narratives. The emotional depth of the characters, especially their struggles with fear, loss, and identity, resonates strongly with readers, making the series more than just a thrilling adventure. Overall, 'Gone' is celebrated for its bold storytelling and its ability to engage readers on multiple levels.

Who Is The Publisher Of The Gone Book Series?

5 Answers2025-07-28 19:37:03

As someone who's been deeply invested in the 'Gone' series since its early days, I can tell you that this gripping young adult dystopian series is published by HarperCollins, specifically under their HarperTeen imprint. HarperCollins is a powerhouse in the publishing world, known for bringing incredible YA series to life. They've been behind some of my all-time favorite reads, which makes perfect sense given how well they handled 'Gone'.

Michael Grant's 'Gone' series has this raw intensity that hooks you from the first page, and HarperCollins did an amazing job packaging it for teens and adults alike. The series has six main books, starting with 'Gone' in 2008, and each one was released under HarperTeen. The covers alone are iconic—minimalist yet striking, perfectly capturing the eerie vibe of the story. It's no surprise HarperCollins continues to be a go-to publisher for dystopian fans.

Is 'When You'Re Gone' Part Of A Series Or Standalone?

3 Answers2025-06-14 21:53:58

I just finished reading 'When You're Gone' and it hit me hard. The emotional depth suggests it could stand alone perfectly, wrapping up its core themes without dangling threads. The protagonist's journey from grief to acceptance feels complete, not needing sequels. That said, the rich world-building leaves room for expansion. The author hinted at exploring side characters' stories in interviews, but nothing's confirmed. The book's strength lies in its self-contained narrative—no cliffhangers, no obvious sequel hooks. If you want a satisfying single read, this delivers. For similar standalone vibes, try 'The Midnight Library' or 'Normal People'. Both pack emotional punches without series commitments.

Is 'Everyone Who Is Gone Is Here' Part Of A Series?

2 Answers2025-06-27 04:29:26

I've been diving deep into 'Everyone Who Is Gone Is Here', and it's one of those books that leaves you craving more. From what I can tell, it stands alone as a complete story, but the world-building is so rich that it could easily spawn a series. The author creates this immersive universe with complex characters and unresolved threads that feel like they could be explored further. The ending wraps up the main plot nicely, but there are enough lingering questions and untapped potential in the setting to justify sequels. I wouldn't be surprised if the writer decides to expand this into a series later, given how much depth there is to explore.

What makes this interesting is how the book balances closure with possibility. While the central mystery is solved, the protagonist's journey hints at larger conflicts brewing in the background. The mythology introduced suggests there's a bigger picture we're only seeing part of. If this does become a series, I'd expect future installments to delve deeper into the supernatural elements and explore other characters' backstories. The way the story is structured gives me 'first book in a potential series' vibes, even if it wasn't initially planned that way. The author's style reminds me of other writers who started with standalone novels that later grew into expansive series.

Which Characters In The Gone Novel Series Have The Most Significant Character Development?

5 Answers2025-04-29 03:41:52

In the 'Gone' series, Sam Temple stands out with the most significant character development. At the start, he’s just a regular kid, unsure of himself and reluctant to lead. But as the FAYZ crisis unfolds, he’s thrust into the role of protector and decision-maker. Watching him grapple with the weight of responsibility, especially when it comes to using his powers, is gripping. He evolves from a hesitant teenager to a determined leader, willing to make the hard choices for the greater good. His journey isn’t just about survival—it’s about understanding the cost of leadership and the sacrifices it demands.

Another character who undergoes profound growth is Astrid Ellison. She starts as the brainy, logical one, often seen as cold or detached. But as the series progresses, her emotional depth becomes evident. She struggles with her faith, her relationship with Sam, and her role in the FAYZ. Her transformation from a pragmatic thinker to someone who embraces vulnerability and compassion is compelling. Together, Sam and Astrid’s arcs show how extreme circumstances can bring out the best—and worst—in people.

What Are The Key Differences Between The Gone Novel Series And The TV Adaptation?

5 Answers2025-04-29 05:20:13

The 'Gone' novel series and its TV adaptation diverge significantly in pacing and character depth. The books, written by Michael Grant, take their time to build the eerie atmosphere of Perdido Beach, where everyone over 15 disappears. The slow unraveling of the FAYZ (Fallout Alley Youth Zone) and the psychological toll on the kids are meticulously detailed. In contrast, the TV series speeds through these moments, focusing more on action and visual effects. The novels delve into the internal struggles of characters like Sam and Caine, exploring their fears and moral dilemmas. The show, however, often simplifies these complexities, opting for more straightforward hero-villain dynamics. Additionally, the books include graphic descriptions of violence and mature themes, which the TV adaptation tones down to cater to a broader audience. The novels also have a richer subplot involving mutations and the mysterious entity, the Darkness, which the series barely touches upon. Overall, the books offer a more immersive and nuanced experience, while the TV adaptation prioritizes entertainment and accessibility.

How Does The Gone Novel Series Handle The Concept Of Power And Control?

5 Answers2025-04-29 18:17:32

In the 'Gone' series, power and control are central themes, explored through the lens of a society where adults vanish, leaving kids to fend for themselves. The sudden vacuum of authority creates chaos, and power becomes a survival tool. Characters like Caine and Sam grapple with leadership, each embodying different facets of control—Caine’s ruthless ambition versus Sam’s reluctant heroism. The series delves into how power corrupts, even in the young, as factions form and alliances shift. It’s not just about physical abilities like Sam’s light powers or Caine’s telekinesis; it’s about the psychological weight of responsibility and the moral dilemmas that come with it. The kids’ struggle to govern themselves mirrors real-world issues, making the series a gripping commentary on human nature and the fragility of societal structures.

What’s fascinating is how the series doesn’t shy away from showing the darker side of power. Characters like Drake, with his sadistic tendencies, highlight how control can be weaponized. Meanwhile, characters like Astrid use intelligence and strategy to influence others, proving that power isn’t always about brute force. The series also explores the idea of collective power, like when the kids band together to face external threats. It’s a nuanced portrayal of how power can both unite and divide, and how control, when unchecked, can lead to destruction.