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Prologue And Epilogue

At ten years old, Violet stumbled into the Cedar Grove Pack covered in wounds and malnourished from walking for four days. With her memory shattered, she’s taken in and raised by the pack doctor. Nine years later fate takes Violet across the country, to the wealthiest pack in the world. Soon the walls she constructed around herself, and that harrowing night will be threatened. A face from her past set’s things in motion, his smoky eyes risk sending her to her knees. Flashbacks, blackouts, and secrets steeped in lies, prove to Violet that the past always comes back to haunt you.

206 Chapters

Rejected And Reclaimed

Lilith Conner was by all means not a normal 17 year old girl. She has had her fair share of fate and is tired but continues to keep striving forward. All of which is happening in a small town in South Texas. From having her family slaughtered in front of her at the age of 5 to being a outcast in her own Pack. Yes, Lilith Conner is in fact a werewolf, or is supposed to be since she hasn’t been able to Shift everyone says otherwise. Will Lilith live as she is or will destiny have another plan for her?

9.3

35 Chapters

Flames and Roses

"Shayari if you're expecting anything from this Nikkah then don't because this Nikkah is nothing but a compromise to save your dignity. I won't be able to give you any rights on me or love that a wife deserves but I will be loyal with you that I assure you. I won't cheat ever but if you dared to cheat on me I won't think twice before shooting you in the middle of your eyes and after a time period I will divorce you as well don't worry we won't be married for forever." He said emotionlessly Well great start for your married life isn't it?He is talking about divorce on the wedding night itself. Note the sarcasm please " I don't expect anything from you, no love, no rights, nothing. This marriage is a big scandal in my life and nothing else.And I'm not a slut that I will cheat on you. I have no interest in that thing. Think yourself free from my side and one more thing if you want you can keep relationships or sleep with others I don't have a problem with that.Anyways, who is interested in you, not me at least. Do whatever you want. And now if you're done with your clear explanation then excuse me I am sleepy and need my beauty sleep because unlike you I sleep at night like any other normal human being "I said and looked at his face.. ***************** Arhaan is like flames dangerous and has the power to burn someone into ashes Shayari is like Roses soft fragile yet full of thorns to protect herself. What will happen when this both will be tied together in an unwanted marriage?Will love bloom between them or the flames will turn the roses in ashes?

9.3

144 Chapters

Trades And Orgasms

" Don't make me take you all night senoria, be a goodgirl and close your legs. Stop teasing me." Alora only required a small amount of money to get through difficult times, deal with family concerns, and get her college degree. However, things change when her friend offers her a "career" with a company that connects young women with wealthy older guys. Alora is paired with Liam, a talented young businessman. The young, attractive billionaire, however, disbelieves in love. Will Alora be able to overcome the obstacle in Liam's heart, or will the difficulties that come with being a billionaire's arm candy drag her down?

9.9

740 Chapters

Wild and Untamed

***Sequel to Wild and Blood Thirsty***" Can a devil love someone?" Annie asked as she looked up at Stolas through lowered lashes."Why don't you come and find out?" Stolas smirked as he wrapped an arm around her mate. Candy felt her heart beat quicker at the demons touch as Annie glanced at her nervously biting her lower lip.*** Candy knew from the moment she saw Annie that she was her mate, there was just one problem. Stolas had taken an interest in her as well, but can she compete with a devil? Or will he want to join in?Please copy/paste the link to read my interview with Goodnovel: https://tinyurl.com/y3nxgn96

9.6

57 Chapters

THRUSTS AND TEMPTATIONS [Steamy and Short Eroticas)

No safe words. No limits. Just raw, wicked pleasure. Step into a world where boundaries don’t exist, only desire does. This collection of scorching short stories takes you from moonlit rooftops to steamy locker rooms, from public restrooms to private fantasies. Threesomes, breath play, BDSM, and irresistible encounters collide in explosive tales that promise to leave you breathless. Whether it’s a secret tryst with an ex lover, a scandalous game with an athlete, or a lust-fueled session in zero gravity, a fuck by the pool, each story delivers unfiltered, unrelenting heat. Wild. Wet. Wanton. You’ve never read sin like this before. If you’re not dripping by the end of each tale, check your pulse. Content Warning: This book is dark, raw, and unapologetically explicit. It explores the deepest, most tantalizing corners of desire, pushing boundaries and playing with power. For those ready to indulge in their darkest fantasies. If you know you don’t have a partner, don’t read. Haha, just kidding. It’s for everyone above or at 18 years of age. It will leave you hot and bothered, craving sinful things.

103 Chapters

How Long Should A Prologue And Epilogue Be?

4 Answers2025-09-09 03:59:45

Prologues and epilogues are like the appetizers and desserts of storytelling—they should complement the main course without overshadowing it. For a prologue, I’ve noticed that keeping it under 1,500 words works best. It’s just enough to set the mood or drop a tantalizing hint without dragging. Take 'The Name of the Wind'—its prologue is a mere few pages, yet it hooks you instantly with its poetic mystery.

Epilogues, though, can be a bit more flexible. Some stories, like 'Harry Potter and the Deathly Hallows', benefit from a longer epilogue to tie up emotional loose ends. But generally, I prefer epilogues that are concise—maybe 500 to 1,000 words—just enough to give closure without feeling like an afterthought. Too long, and it risks overstaying its welcome.

Do All Books Need A Prologue And Epilogue?

4 Answers2025-09-09 09:59:24

Prologues and epilogues can be powerful tools, but they aren't mandatory for every book. It really depends on the story you're telling. Some narratives benefit from that extra layer—like fantasy novels that need world-building upfront or thrillers that tease a future event. 'The Name of the Wind' uses its prologue masterfully to set a haunting tone, while '1984' drops you straight into the dystopia without one.

That said, forcing them can feel clunky. I've read books where the prologue was just info-dumping, and it made me impatient to get to the real story. Epilogues, too—sometimes they overexplain, ruining the mystery. If your story feels complete without them, trust that. Not every tale needs a bow tied around it; some are better left a little raw.

How To Write A Compelling Prologue And Epilogue?

4 Answers2025-09-09 02:40:59

Writing a prologue that hooks readers feels like laying down the first piece of a puzzle—it should intrigue without giving everything away. I love how 'The Name of the Wind' starts with a haunting, almost poetic prologue that sets the mood for Kvothe's legend. The key is to introduce a question or tension that lingers, making readers desperate to uncover the answers. For fantasy or mystery, dropping a cryptic event or a character’s enigmatic memory works wonders.

Epilogues, on the other hand, are like the aftertaste of a great meal—they should linger satisfyingly. Think of 'Harry Potter and the Deathly Hallows', where the glimpse into the future ties up emotional loose ends without overexplaining. A good epilogue can reflect on the journey, hint at new beginnings, or leave a poignant open-ended moment. Avoid tying everything up too neatly; life isn’t like that, and neither are the best stories.

What'S The Difference Between A Prologue In A Book And An Epilogue?

5 Answers2025-07-09 18:14:37

As someone who’s spent years diving into books, I’ve always found prologues and epilogues fascinating for how they frame a story. A prologue is like a sneak peek or a backstage pass—it sets the stage, often introducing key events, themes, or mysteries before the main story kicks off. Think of 'The Name of the Wind' by Patrick Rothfuss, where the prologue paints this eerie, poetic atmosphere that lingers throughout the book. On the other hand, an epilogue is the curtain call. It wraps up loose ends, shows where the characters end up, or sometimes teases a sequel. For example, the epilogue in 'Harry Potter and the Deathly Hallows' fast-forwards to the characters’ futures, giving closure.

Prologues often feel like a separate vignette, while epilogues are more integrated into the narrative’s aftermath. Some readers skip prologues, but I think they’re essential for stories with complex lore or timelines. Epilogues, though, are like dessert—you’ve already finished the meal, but that extra bite leaves you satisfied.

What Is The Purpose Of A Prologue And Epilogue In Novels?

4 Answers2025-09-09 05:33:20

Prologues and epilogues are like the bookends of a story, holding everything together in a way that feels intentional. A prologue often sets the stage—maybe it’s a glimpse of a pivotal event from the past or a cryptic scene that won’t make sense until later. I love when a prologue leaves me with questions, like in 'The Name of the Wind,' where it hints at the protagonist’s tragic legacy without spoiling the journey.

Epilogues, on the other hand, give closure or tease what’s next. Sometimes they’re bittersweet, like in 'Harry Potter and the Deathly Hallows,' where we fast-forward to the characters’ futures. Other times, they’re open-ended, leaving room for sequels or reader interpretation. It’s fascinating how these framing devices can shape our entire experience of a novel, making the world feel richer or the stakes higher.

Can A Prologue And Epilogue Spoil The Story?

4 Answers2025-09-09 18:10:27

Prologues and epilogues can be double-edged swords when it comes to spoilers. I've seen some, like in 'Attack on Titan,' where the prologue drops cryptic hints that only make sense later, adding layers to the story. On the flip side, 'The Sixth Sense' epilogue outright explains everything, which might ruin the magic for some. It really depends on how they're written—subtle foreshadowing feels rewarding, but heavy-handed reveals can deflate tension.

Personally, I love when prologues tease without giving away the plot. 'One Piece' does this brilliantly with its flashbacks, hinting at future arcs without spoiling the journey. Epilogues, though, should wrap up loose ends without overexplaining. 'Harry Potter and the Deathly Hallows' nailed this by giving just enough closure while leaving room for imagination. If done right, they enhance the story instead of spoiling it.

What Are Famous Books With Prologue And Epilogue?

4 Answers2025-09-09 10:50:17

Man, prologues and epilogues can really make or break a book, right? One that immediately comes to mind is 'The Name of the Wind' by Patrick Rothfuss. The prologue sets this haunting, lyrical tone—'It was night again.'—and the epilogue circles back to it, leaving you with this eerie sense of cyclical storytelling.

Then there's 'The Book Thief' by Markus Zusak, where Death himself narrates both the prologue and epilogue. It’s chilling but oddly comforting, like a dark fairy tale. And don’t even get me started on 'Dune'—Frank Herbert’s prologue with the Bene Gesserit’s prophecy hooks you instantly, while the epilogue ties up Paul’s journey with this bittersweet weight. I love how these framing devices make the story feel like a complete, lived-in world.

What’S The Difference Between Prologue And Epilogue?

4 Answers2025-09-09 16:50:50

Prologues and epilogues are like bookends to a story, but they serve totally different purposes! A prologue is that juicy bit at the beginning—it sets the stage, maybe drops some cryptic hints about the world or a past event that’ll matter later. Like in 'The Name of the Wind,' the prologue gives this eerie, poetic vibe about legends and tragedy before the main story kicks in. It’s the appetizer that primes you for the feast.

An epilogue, though? That’s the dessert after the main course. It wraps up loose ends, shows where characters end up, or sometimes teases a sequel. Think of 'Harry Potter and the Deathly Hallows'—the epilogue jumps years ahead to show the characters all grown up. It’s satisfying but can also leave you craving more. Personally, I love when an epilogue adds a little twist, like in 'Inception,' where you’re left questioning everything.

Are Prologue And Epilogue Necessary In Fantasy Novels?

4 Answers2025-09-09 01:37:53

Prologues and epilogues in fantasy novels? Absolutely! They're like the hidden spices in a gourmet dish—small but transformative. A prologue can drop you into a world-shaking event centuries before the main plot, like in 'The Way of Kings', where it sets up the entire mythology. Without it, you'd miss the weight of Dalinar's visions. Epilogues, on the other hand, tie up loose threads or tease sequels—think 'The Name of the Wind' leaving you haunted by Kvothe's future.

But here's the catch: they shouldn't feel like info dumps. A clumsy prologue is like someone explaining a joke before telling it. The best ones are immersive, like the eerie opening of 'Mistborn' with the Lord Ruler's reign. And epilogues? They're the bittersweet aftertaste. Sanderson's 'The Hero of Ages' epilogue still gives me chills—it reframes the whole trilogy. So yes, they're necessary, but only if they serve the story, not just tradition.

Can A Prologue And Epilogue Be Written In Different POVs?

4 Answers2025-09-09 15:13:45

Man, this question got me thinking about some of my favorite books! Take 'The Book Thief' for example—its prologue is narrated by Death, giving this eerie, omniscient vibe that sets the tone perfectly. Then the main story is from Liesel's perspective, but the epilogue circles back to Death’s voice, tying everything together. It’s like a narrative sandwich, and it works because the shifts feel intentional, not jarring.

Some readers might argue consistency is key, but I love when authors play with POVs to deepen themes. If the epilogue switches to, say, the antagonist’s perspective to reveal lingering consequences, it can add layers. Just make sure the transitions serve the story and don’t feel like a gimmick. Personally, I’d kill for more experimental structures like this!