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Johnny Gravano
Johnny Gravano
Alessia Berlusconi works at a bar in Rome. She thinks she escaped her past but one day after work she almost gets kidnapped if it wasn't for Johnny who happens to be there saving her from the men. Johnny Gravano the Mafia king who is a womanizer and dangerous. He will kill anyone who gets in his way, he always gets what he wants. When he meets Alessia after saving her he thinks their paths won't cross again but as fate has it the two of them meet again.. He thinks she works for the Russian Mafia and Alessia thinks his sent to take her back to her monsters she's been running from... Will they overcome their past fears and move on or will they let their past control their future?
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64 Chapters
Bite-Size Luna
Bite-Size Luna
Born an Omega, Sorrell came into the world with very few prospects in life but refused to let those stand in her way. For as long as she could remember she has dreamed of being a pack warrior, wanting to fight for her pack and prove that Omegas are more than just servants. Determined to not let anything stop her, she holds firm despite catching the eye of the new Alpha. She can't understand why the obnoxiously good-looking Alpha has taken such an interest in her, but it all makes sense when on her 18th birthday she learns they have been fated. Sorrell was ready to become a pack warrior but becoming a Luna to a pack who definitely don't want her is not something she was ready to sign up for. Will she turn her back on fate, or can Alpha Alden convince her to take her rightful place as his Luna? Bite-Size Luna is a prequel novella to A Queen Among Alphas, book 1 in the Queen Among series. It is set 49 years before the events of that book. It can be read as a standalone book, but you will enjoy the references more if you have read A Queen Among Alphas. Here are the books in the series: A Queen Among Alphas - Book 1 Bite-Size Luna - A Queen Among Alphas Prequel A Queen Among Snakes - Book 2 Runaway Empress - A Queen Among Snakes Prequel A Queen Among Blood - Book 3 Whole Again - A Queen Among Alpha's spin-off A Queen Among Darkness - Book 4 Dark Invocation - A Queen Among Darkness spin-off A Queen Among Tides - Book 5 Valor, Virtue, and Verve - A Queen Among Tides Prequel Spin-off A Queen Among Gods - Book 6 A Queen Among Tempests - Book 7
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32 Chapters
Unforgiven Sins
Unforgiven Sins
Love that no one can't break. A love that continues the history itself. A love that she can't forget. The more you hate, the more you want. Cinyla will fall in love with a man that he really doesn't know. She will allow the man who is also part of their past. What to choose? The power of love or the dictates of the other to stop the wrong from being done? Many struggles will rise, the truth will come; and the past will return and repeat in the present. Until where? Until when? Is it still right? "Stay with me, Cinyla. I will give you everything even if I die. I can't lose you... Not only that, I am fallen in love with you.”
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63 Chapters
CAPTIVE SINS
CAPTIVE SINS
"You are mine. And no one can own you except me," Dimitri commanded, his voice cold as ice. "I am not your property," Natasha shot back, her eyes burning with defiance. "You have no right to own me." But in the dark underworld of the mafia, rights don't exist. Only power. Dimitri Volkov is a ruthless Mafia billionaire who controls everything- his empire, his enemies, and now her. When he takes Natasha captive after a violent warehouse massacre, he expects her to break like everyone else. She refuses. She fights. She challenges him in ways that ignite an obsession he can't control. Natasha is trapped in a golden cage, caught between two impossible choices. She came to his world for a reason- to access secrets that could destroy him completely. But as Dimitri's possessive love deepens and his obsession consumes them both, staying becomes harder. Leaving becomes impossible. Some prisons are built with steel. Others are built with desire. In the end, love might be the most dangerous cage of all.
Not enough ratings
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71 Chapters
The Plus Size Luna
The Plus Size Luna
All her life, Maxine lived in the shadow of her glamorous stepsister, Coreen. So, at age 18, she was awkward, nerdy, and wolf-power-less, making her an easy target for mockery. She gets the dare to kiss Alph Damore—the handsome alpha of Hanton University—at Coreen's party, and her world spins 180 degrees. Just after this, Maxine's family is evicted on a falsely accused infidelity charge. Months later, her life is going to turn another turn when her mother brings home her new stepfather—Alph's father. The different world to which she is cast, one of power and money, is not what Maxine had expected; now, she will have to contend with Coreen's envy and take up the role of half-sister to Alph. Problems ensue when she learns that Alph has been her fated mate all along. Is Maxine able to sail through this turbulent new life and the hidden bond between her and Alph, or will the chaos consume her? Will she ever find the wolf inside herself that turns everything favor to her?
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91 Chapters
CEO PLUS SIZE CRUSH
CEO PLUS SIZE CRUSH
"Do you think I will ever walk hand in hand with a girl three times my size? I only dated you because I wanted to know what it feels like, being with a plus size". That statement got her speechless,her heartbreaking so hard it hurts. "Look ,shit happens sometimes". "Tim.... it's... my first time". She sobbed loudly. "Get over it, not like I forced you to give me your virginity,I had to go, clean up the red stains before leaving". He snarled. Beauty's heart pounding, and her tears flow endlessly. He left and slammed the door after him. **** Bullied for being a plus size since her childhood. Beauty Hills had to deal with insecurity ,trauma and depression, most especially self hate. Her name( Beauty) was said to be the exact opposite of her appearance. After many failed toxic relationships, she moved on and got a job in a fashion company. There she had a one sided crush on her terribly handsome and reserved boss,but Who wouldn't! Not every day you get to see a terribly good looking billionaire who isn't arrogant or proud of his looks,a top green flag! Every single beauty queen in the company is head over heels! Beauty knows she got no chance to compete with them It's useless to dream that big! Maybe not...
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323 Chapters

Which Podcasts Interview Authors Writing Plus-Size Lesbians?

8 Answers2025-10-24 21:41:22

What a fun niche to explore — I get excited whenever I can point people toward spaces that celebrate both queer love and body diversity. Over the years I’ve followed a handful of shows that routinely interview queer authors and creators, and those are the best hunting grounds for writers who focus on plus-size lesbians. Big-name interview podcasts like LGBTQ&A and The Book Riot Podcast often feature queer novelists and cultural critics; their archives are searchable, so I’ll usually type in keywords like 'lesbian', 'fat positivity', 'body image', or 'fat rep' and surface interviews where those topics come up. Romance-focused shows, especially 'Smart Podcast, Trashy Books', also bring on romance authors who write inclusive characters, and they tend to be relaxed and granular about tropes and representation, which is perfect for finding writers who center plus-size lesbians.

For smaller, community-driven outlets, I keep an eye on queer literary blogs and magazines — Autostraddle and similar platforms sometimes run author interviews or link to podcast episodes that highlight underrepresented characters. Indie romance podcasters and booktubers often spotlight self-published or small-press lesbian authors; those episodes can be gold because hosts dig into character appearance and reader responses. My go-to method is: pick a promising author who writes plus-size lesbian protagonists, then search podcast platforms and the author’s website for interview appearances. It’s a little detective work, but I usually find thoughtful conversations that go beyond surface-level representation. Happy listening — I love when a great interview makes me want to read everything that author’s written.

What Size Should I Order For A Bubble Guppies Costume?

1 Answers2025-11-04 17:08:17

Costume sizing can be surprisingly tricky, so here's the practical guide I use when picking a 'Bubble Guppies' outfit for kids — peppered with what worked for my niece and a few things I learned the hard way. First off, never rely solely on the age label. Instead, grab a soft measuring tape and take these simple measurements: height (top of head to floor), chest (widest point, across the nipples), waist (natural waistline), and head circumference if there's a headpiece or hood. If the costume has legs, also note inseam or pant length; for shoes or booties, get actual foot length in centimeters or inches. Write those numbers down and compare them to the vendor's size chart — different brands mean wildly different fits, from snug lycra suits to roomy plush rompers.

When you find where your kid's measurements fall on a chart, follow a couple of rules I swear by: if they fall between two sizes, size up. Kids move, grow, and inevitably want to layer a sweatshirt under a costume if it’s cold. For toddlers and preschoolers, I usually allow an extra 1–2 inches (2.5–5 cm) in chest and waist and 1–3 inches in height so they can sit, bend, and wear a shirt underneath. For babies, an extra inch or two helps with diaper changes and comfort. If the costume is made of stretchy fabric like spandex or polyester, you can be slightly more conservative; if it’s a rigid foam or heavily embroidered polyester, give more room. Also check sleeve and crotch lengths — a costume that’s perfect across the chest can still be too short in the torso if it’s designed for a different body proportion.

Different styles change the rules a bit. If you’re buying a full-body jumpsuit or onesie inspired by 'Bubble Guppies', prioritize torso and inseam measurements; a tight crotch or short legs will be uncomfortable. If it’s a dress or tutu-style costume, chest and length are the big ones — add room for a leotard underneath in chilly weather. For costumes with attached shoes or booties, make sure footwear is roomy; those attached booties usually run small and aren’t suitable for walking far. Headpieces and masks require head circumference plus a check whether there’s adjustable elastic or Velcro. I also always read product reviews: other buyers often mention whether the costume runs large, small, or has weird proportions like a short torso or narrow shoulders.

A few safety and practical notes I always keep in mind: avoid costumes with loose beads, tiny plastic pieces, or long trailing parts that can be a trip hazard for little kids. Pick flame-resistant materials and double-check zipper quality because a stuck zipper on Halloween night is its own kind of tragedy. If you’re ordering online, check the return policy — some Halloween shops exclude returns, which matters if you guess wrong. Finally, a small tailoring tweak (shorten sleeves, add elastic) can make a so-so fit great, so don't toss the idea of a quick adjustment. My niece ended up in a slightly roomy 'Bubble Guppies' outfit that we cinched with a hidden elastic — she had full range to dance and splash during the party, and her smile said it all. Happy shopping and I hope your little guppy looks adorable and comfy!

What Novels Feature A Plus-Size Young Adult Protagonist?

5 Answers2025-11-04 13:23:01

I keep coming back to these books when folks ask about plus-size protagonists because they actually made me feel seen. 'Dumplin'' by Julie Murphy is the one people usually mention first — Willowdean is loud, snarky, and complicated; the book treats her body as part of her life, not the whole plot, and the movie adaptation captures that warm, messy energy. Another that stuck with me is 'The Upside of Unrequited' by Becky Albertalli: Molly wrestles with crushes and body image in a way that’s tender and real, with humor threaded through the pain.

If you want something with a different flavor, try 'Fat Chance, Charlie Vega' by Crystal Maldonado — it’s vibrant, bilingual at moments, and tackles family expectations along with body-image stuff. 'Fat Angie' by e.E. Charlton-Trujillo is darker and more raw, dealing with grief and identity while centering a larger teen girl. And for a joyful, queer-leaning feel, 'You Should See Me in a Crown' by Leah Johnson gives you a protagonist who’s proud, anxious, brilliant, and not erased into a stereotype.

Representation matters to me: these books let characters be big and complicated without turning their size into a single moral. I keep rereading them when I need a reminder that teenage life is messy and beautiful at any size.

How Do Doctors View Intimate Size Calculator Estimates?

4 Answers2025-11-04 01:16:25

Those online intimate size calculators? I usually treat them like novelty quizzes at the back of a magazine — mildly entertaining but not something to lean on for serious decisions.

From the perspective of someone who spends a lot of time listening to people's health worries, I can tell you clinicians view those tools skeptically because they rarely follow standardized measurement methods. Actual clinical measurements use reproducible approaches (for example, measuring erect length from the pubic bone to the tip along the top) and are done in private, controlled settings. Online calculators typically ask for loose inputs or guesses, and that amplifies error — body temperature, arousal state, recent activity, and even how you hold a ruler can change numbers.

Doctors generally focus on symptoms and function rather than raw numbers. If a person is anxious, obsessing about size, or wanting risky procedures, that's what triggers intervention: counseling, sexual health referral, or exploring medical causes. I always tell people not to treat calculator outputs like a diagnosis; they're conversation starters at best, not medical tools, and my gut reaction is to recommend a calm chat with a professional if the worries are affecting life.

How Does Kailani Kai Johnny Love Evolve Across Seasons?

3 Answers2025-11-04 13:31:08

Watching their relationship unfurl across seasons felt like following the tide—slow, inevitable, and strangely luminous. In the earliest season, their connection is all sparks and awkward laughter: quick glances, brash declarations, and that youthful bravado that masks insecurity. Kailani comes off as sunlit and impulsive, pulling Johnny into spontaneous adventures; Johnny matches with quiet devotion, clumsy sincerity, and an earnest need to belong. The show frames this phase with a light touch—bright colors, upbeat music, and short scenes that let chemistry do the heavy lifting.

The middle seasons are where the real contouring happens. Conflicts arrive that aren’t just external plot devices but tests of character: family expectations, career choices, and withheld truths. Kailani’s independence grows into principled stubbornness; Johnny’s protectiveness morphs into possessiveness before he learns to give space. Scenes that once felt flirty become tense—arguments spill raw emotion, and small betrayals echo loudly. Visual motifs shift too: nighttime conversations replace sunlit meetups, the score thins, and close-ups linger on the tiny gestures that say more than words. Those seasons are messy and honest, and I loved how the writers refused easy fixes.

By the later seasons they settle into a steadier, more layered partnership. It’s not perfect, but it’s reciprocal—both characters compromise, both carry scars, and both show up. They redefine devotion: less about grand gestures and more about showing up for small, ordinary things. Supporting characters stop being mere obstacles and become mirrors that reveal who they’ve become. Watching them reach that place felt earned, and I still find myself smiling at a quiet scene where they share a cup of coffee and say nothing at all. It’s the kind of ending that lingers with warmth rather than fireworks.

Do Revolve Swim Cover Ups Run True To Size Across Styles?

5 Answers2025-11-03 00:43:25

I've noticed that Revolve's swim cover ups don't have a single sizing rule — and honestly, that's kind of the point. Revolve carries a lot of different designers, so whether something runs true to size really depends on the brand, the fabric, and the silhouette. Lightweight chiffons and mesh pieces tend to fit pretty true to size because they drape and aren't meant to hug the body, while knits, crochet, or stretch styles can be tighter or more generous depending on how much give there is.

When I shop there I always check the product measurements and the model info first. Reviews are gold: people will say if a tunic is shorter than expected or if a kaftan runs huge. For fitted cover ups — think bodycon slip or ribbed tunics — I often size up if there's no stretch. For oversized kimonos or ponchos I stick with my normal size because the designers intend that roomy look. Returns at Revolve are straightforward enough that I sometimes order two sizes and send back what doesn't work, but measuring against the provided size chart saves me that extra step. Overall, I'd say many styles are true to size, but the caveats about fabric and cut mean you should double-check each listing; it's a bit of treasure hunting, and I love that part of it.

What Challenges Arise When Casting Plus-Size Roles In Period Dramas?

4 Answers2025-11-03 14:28:47

I get fired up talking about this because period dramas carry such a heavy visual language, and plus-size casting bumps that language right off its rails in interesting ways.

Costume and silhouette are the first hurdles: corsets, stays, waistcoats, and fitted gowns were designed around specific historical ideals — at least as costume departments imagine them. Tailors may not have ready patterns for larger bodies in historical cuts, so fittings become time sinks and budgets balloon. That leads to practical problems on set: duplicated costumes for stunts, continuity issues, and increased costume maintenance. There’s also a persistent historical myth that period eras were universally slender, which producers sometimes use to justify narrow casting choices. That erases real historical diversity and forces actors into prosthetics or padding that can feel demeaning.

Beyond the seams, storytelling and stereotyping crop up. Plus-size characters in period pieces are too often relegated to comic relief, nursemaids, or moralized figures. Casting directors and writers may shy away from romantic leads or complex villainy when considering larger actors. Camera work and lighting can be tuned to flatter a narrow range of body types, so cinematographers need to rethink blocking and lens choices to avoid signaling bias. I love period work, and when productions commit to genuinely inclusive casting — hiring skilled tailors, consulting costume historians, and embracing body-positive storylines — it feels like the genre gets a breath of fresh air. It’s messy, but the payoff in authenticity and representation is worth the extra effort for me.

How Does Dante Influence The 7 Deadly Sins Ranked Bible Ordering?

1 Answers2026-02-01 09:11:34

One thing that fascinates me is how a medieval poet ended up doing more to fix the order of the seven deadly vices in popular imagination than any single church council. Dante’s handling of the sins in the 'Divine Comedy' — most clearly in 'Purgatorio' but with echoes in 'Inferno' — gave a vivid, moral architecture that people kept returning to. The Bible never lays out a neat ranked list called the seven deadly sins; that framework grew out of monastic thought (Evagrius Ponticus’s eight thoughts, later trimmed to seven by Gregory the Great). Dante didn’t invent the list, but he did organize and dramatize it, giving each vice a place in a hierarchy tied to how far it turns the soul away from divine love. That ordering — pride first as the root and lust last as more bodily — is the shape most readers today recognize, and it owes a lot to Dante’s poetic logic. Where Dante really influences the ranking is in his moral reasoning and images. In 'Purgatorio' he arranges the seven terraces so that souls purge the sins in a progression from the most spiritually pernicious to the most carnal: Pride, Envy, Wrath, Sloth, Avarice (or Greed), Gluttony, Lust. Pride is punished first because it’s the most direct perversion of the love of God — an upward-aiming ego that refuses God’s order — while lust is last because it’s an excessive but more bodily misdirection of love. Dante makes these connections concrete through symbolism and contrapasso: proud souls stoop under huge stones, envious souls have their eyes sewn shut, the wrathful are enveloped in choking smoke, and the lustful walk through purifying flames. That sequence communicates a value-judgment: sins that corrupt the intellect and will (pride, envy) are graver than sins rooted in appetite. Beyond ordering, Dante reshaped how people thought about culpability and psychology. Instead of a flat checklist, Dante gives each sin a backstory, a social texture, and a spiritual logic. His sinners are recognizable: petty, tragic, monstrous, or pitiable. This made the list feel less like abstract doctrine and more like a moral map to be navigated. Preachers, artists, and later writers borrowed his images and his ordering because they’re narratively powerful and morally persuasive. Even when theology or moralists tweak the lineup (Thomas Aquinas and medieval theologians offered their own rankings and nuances), Dante’s poetic taxonomy remained the cultural shorthand for centuries. Personally, I love how a literary work can codify theological ideas into something memorable and emotionally charged. Dante didn’t create the seven sins out of thin air, but he gave them a memorable hierarchy and face, steering how generations visualized and ranked vice. That mix of theology, psychology, and dazzling imagery is why his ordering still rings true to me when I think about what really distorts human love and freedom.

Which Church Councils Shaped The 7 Deadly Sins Ranked Bible List?

1 Answers2026-02-01 02:18:14

I've always been drawn to how ideas evolve — and the story of the seven deadly sins is one of those weirdly human, layered histories that feels part psychology, part church politics, and a lot like fanfiction for medieval monks. To be clear from the start: there was no single ecumenical church council that sat down and officially ranked a biblical list called the 'seven deadly sins.' That list is not a direct biblical inventory but a theological and monastic construct that grew over centuries. The main shaping forces were early monastic thinkers, a major reworking by Pope Gregory I in the late 6th century, and scholastic theologians like Thomas Aquinas who systematized the list in the Middle Ages.

The origin story starts with Evagrius Ponticus, a 4th-century monk, who put together a list of eight evil thoughts (logismoi) — gluttony, fornication/lust, avarice, sadness, anger, acedia (spiritual sloth/despondency), vainglory, and pride — as a practical taxonomy for combating temptation in monastic life. John Cassian transmitted these ideas to the Latin West in his 'Conferences,' where he discussed the logismoi in a way that influenced Western monastic practice. The real pruning and popularization came with Pope Gregory I (Gregory the Great). In his 'Moralia in Job' (late 6th century) Gregory reworked Evagrius's eight into the familiar seven: pride, envy, wrath, sloth, avarice, gluttony, and lust. He merged vainglory into pride and translated some of the subtle Greek categories into ethical terms more usable for pastoral care.

From there, the list didn't come from a council decree so much as from monastic rules, penitential manuals, and scholastic theology. St. Benedict's Rule touches on faults monks should avoid, and Irish penitentials and other local pastoral documents categorized sins and assigned penances — these practical sources shaped how the clergy talked to laypeople. In the 13th century Thomas Aquinas incorporated the sevenfold scheme into the theological framework in his 'Summa Theologica,' treating them as root vices that spawn other sins. Those theological treatments, plus sermon literature and art, solidified the seven deadly sins in Western Christian imagination more than any council did.

If you want to trace influence beyond personalities, it's fair to say some church councils and synods affected the broader moral theology that framed sin and penance (the Councils addressing penitential practice, and later major councils like the Fourth Lateran Council and the Council of Trent influenced pastoral and doctrinal approaches to sin and confession). But none of them formally established or ranked the seven in the canonical sense. I love this history because it shows how doctrine and devotional life mix: a monk's practical list becomes papal pruning and then scholastic systematization — all very human and surprisingly visual, which probably explains why the seven sins flourished in medieval sermons and art. It still amazes me how such an influential framework evolved more from conversation and pastoral needs than from a single authoritative decree.

What Is The Main Theme Of Johnny Get Your Gun?

5 Answers2025-12-04 06:22:37

Reading 'Johnny Got His Gun' was a gut punch. The novel dives deep into the horrors of war, but not in the usual battlefield glory way—it strips everything down to the raw, terrifying isolation of Joe Bonham, a soldier who loses his limbs, sight, hearing, and speech. The theme? The dehumanization of war. It's not just about physical loss; it's about being trapped in your own mind, screaming with no voice. Dalton Trumbo doesn't let you look away from the absurdity of sending young men to die for abstract causes. The scenes where Joe tries to communicate by tapping Morse code with his head haunted me for weeks. It's anti-war literature at its most visceral, making you question every platitude about honor and sacrifice.

What stuck with me was how the book contrasts Joe's inner monologue—full of memories, love, and desperation—with his utter silence to the world. It's a metaphor for how society ignores the true cost of war. The ending, where he begs to be displayed as a warning, hits like a sledgehammer. This isn't just a 'war is bad' story; it's about the erasure of humanity in systems that treat soldiers as expendable.

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