The Children's Hour

On the seventh day after my daughter goes missing, I kidnap an entire kindergarten. I lock away all 27 students and two teachers in a classroom. I tell the police that if they can't find my daughter, I will kill a kid every 30 minutes. The principal falls to her knees, wailing and begging, "It's not my fault that your daughter is missing. Why should other children pay for it?" I glance at my watch. "29 minutes left. Find her." I know she's in this kindergarten.

I understood babies. The baby in Room 403 cried out, "My butt itches! It is not a stomachache!" A newborn in the ER screamed, "Something is stuck under my belly button!" A preemie babbled softly, "I want my mommy..." None of that prepared me for that day. Dr. Margot Aldrich, the country's foremost authority in pediatrics, stood before a packed auditorium and examined a baby who had screamed himself purple. "We will keep observing." The mother fell to her knees. "Please, my baby is dying..." Margot let out a short laugh. "Am I the expert here, or are you?" The room went silent. In my ears, a tiny voice raged. "Are you grown-ups blind? Something is stuck under my belly button! It is not a stomachache! Somebody cut me open already!" I did not stop to think. I pushed through the crowd, dropped beside the crib, and looked Margot in the eye. "Dr. Aldrich, let me try."

For nearly five centuries, no child has drawn a first breath. The Creator sealed the womb of the world, and humanity learned to live without its future. But in the depths of Triune, another kind of genesis rose. From the Middle comes a child with power and lineage to rival the Creator. Not born, but woven. Not raised, but awakened. Bodies shaped by design. Souls coaxed from silence. Each one a crafted echo of what humanity once was. Those who survive their emergence ascend to the Upper. Those who falter are reclaimed by the dark. On the night meant to mark their passage into adulthood, five friends stumble upon a truth older than scripture and sharper than prophecy: The first humans were not what they were told. The gods were not who they claimed to be. And the Children of Triune were never meant to ask why. Some truths don't set you free, they come for you.

Everyone deserves a second chance at happiness... even a killer. Serendipity Fizzlestitch wants nothing more than to be left alone. In a small cabin a stone's throw from the house where her sisters and mother breathed their last, Serendipity toils away, making the dolls her late father was working on when he disappeared beneath the ocean waves. Serendipity is content to spend the rest of her existence here, trying to atone for the mistakes of her past by creating the dolls that bring joy to so many others. When a mysterious letter arrives in her fireplace, an unusual stranger shows up at her door, and her favorite mouse friend goes missing, Serendipity is forced to face the outside world--and the ghosts from her past. Will she accept the opportunity to join the most famous toymaker of all time, or will her guilt prevent her from finding the happiness everyone deserves? The Doll Maker's Daughter at Christmas is a whimsical romantic fantasy that proves everyone deserves a second chance, no matter how horrific our past. Perfect for Christmas, or any time of year, The Doll Maker's Daughter at Christmas will bring back the magic we can only find when we truly believe.

Abigail, a struggling writer, time-travels to 19th century France, landing in the lavender fields of Provence. There she meets Vincent, a solitary artist with a mysterious past. Together, they explore the land and inspire each other's work, leading to a passionate, yet doomed, affair. As the hourglass drains, Abigail must choose between her modern life or her love for Vincent in the past

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.