What Is Wilhelm Worringer'S Theory In 'Abstraction And Empathy'?

I was nineteen the first time Cole Whitfield broke me. Not with cruelty. With a single word. Why. Not did you — why. Like the answer was already settled and he just wanted the story to make sense. I told him the truth anyway. He said nothing that mattered. So I picked up my bag, walked out of his apartment, and decided that a man who trusted a rumor over two years of me wasn’t worth a correction. I spent the next two years becoming someone I actually liked. New city. Graduate program. A published paper with my name on it. I was done with Cole Whitfield in every way a person can be done. Then I walked into Seminar Room 114 and he was sitting right there, gray eyes already on the door, like some part of him knew. I sat down. I opened my notebook. I did not look up. Here’s the thing about studying how people form beliefs: you understand exactly why he believed it. That doesn’t mean you forgive it. That doesn’t mean two years of silence disappear because he’s learned how to look at you like he’s sorry. He wants a conversation. I want my degree. But the campus is small, the seminar table is round, and the boy who broke my heart at nineteen is doing everything right at twenty-one — and I’m starting to understand that composed isn’t the same thing as healed. I hate that I still know the exact sound of his voice.

I'm the type who has the urge to overshare my life with him. It can be anything, be it the flowers blooming by the side of the road, the unpleasant coffee I end up having, or the sunset I've seen when I'm on my way home from work. Heck, when I think of Edwin Howell all of a sudden, I can't resist texting him at all. His replies are always short and perfunctory, though I suppose they count as a form of response from him. Hence, over the past six months, I've relied on these cold-sounding yet present replies to give me enough strength to deal with the engagement party, go wedding gown shopping, and choose the wedding venue all by myself. Somehow, I've managed to hang in there till the week before the wedding. But five days before the wedding, I discover an AI program that's installed within Edwin's computer. It can categorize every single sentence that I've sent to Edwin and extract the keywords. Then, it'll draft the most perfunctory responses that will never go wrong. If I miss Edwin, the AI will reply, "Mm-hmm." If I feel aggrieved, the AI will reply, "Got it." When I try to vent my frustrations to Edwin, the AI will reply, "Don't make such a big deal out of it." It turns out that Edwin isn't the one who has been responding to my need to overshare. The thing is, he has been texting another woman nonstop in another private chat. They talk about anything and everything under the sun, from exchanging simple good mornings and good nights to asking, "What are you having for lunch today?" and "Do you wanna go to the beach someday?" Finally, I realize that Edwin isn't the silent type who keeps his love in. If anything, he's the flashy type who will proclaim his love anywhere, anytime. It's just that… his love has never been mine to have. As for me, I've finally made up my mind to stop spending my life waiting for a response that will never come.

Anthony Seymour couldn't wrap his mind around it. He was the one who'd saved them. And yet, in the end, they kept pushing him away. They toyed with him using false confessions, treated him as someone else's stand-in, and left him gravely injured. He never got so much as a scrap of the good fortune he deserved. Instead, after one emotional wound too many, he developed a disorder that stripped away his ability to feel, and little by little, he lost all attachment to the world. Then, one day, Anthony made a decision. He would end his life, and when he did, he'd use his own organs to save seven others. That would be his final goodbye to the world. From that day on, he began searching for strangers who needed help, using death as his purpose and his method of choosing who to save. But once word got out, the very women who'd once hurt him came flooding back, begging him through tears not to die. Anthony, who'd already lost every last one of his emotions, only found it puzzling. After everything that had happened, he wondered—what were they even crying for?

Emma Baker is a 22 year old hopeless romantic and an aspiring author. She has lived all her life believing that love could solve all problems and life didn't have to be so hard. Eric Winston is a young billionaire, whose father owns the biggest shoe brand in the city. He doesn't believe in love, he thinks love is just a made up thing and how it only causes more damage. What happens when this two people cross paths and their lives become intertwined between romance, drama, mystery, heartbreak and sadness. Will love win at the end of the day?

I, Darlene Cooley, have an ability. Whenever I touch an object, I can see the scenes it has experienced over the past day. I've been married for five years. Every time I help my husband, Bernard Hoffman, tidy up his suits or organize his briefcase, what I see are conference rooms, whiteboards, and workstations. Once in a while, I appear in those scenes. He'll be secretly reading my messages under his desk, the corners of his mouth lifting unconsciously. Bernard is so gentle that it feels almost unreal. In winter, he places my slippers by the heater to warm them up. No matter how busy his business trips are, he video calls me right on time. When I casually mention I feel like eating caramel popcorn, he drives halfway across the city to stand in line for it. My friends all say I'm blessed, and I feel the same way. That is, until yesterday, when he comes back from a trip. I go to help him unpack, and the moment I touch that gray cashmere sweater, a flood of images rushes in. Bernard is sitting across from a short-haired woman. Her eyes are bright, and a shallow dimple appears when she smiles. He listens to her speak, earnest and focused, with his head tilted slightly to one side. A faint smile lingers at the corner of his mouth. It's been a long time since he has listened to me speak like that. The vision ends. I crouch in front of the suitcase, my hand still resting on the cashmere sweater, unable to snap out of it for a long while. Then, I stand up and walk over to the cabinet, where I pull out my own suitcase.

When we get too much involved in the act of pretending, we lose the idea of knowing the pretense of others. Isn't that how it works? We don't know the acts we do thinking good for the others even to the extent of hurting them to save them from major hurt will cause them to go through much more than we can think of. Sometimes it is not too late to correct the pretenses but sometimes it is late to amend them. Let's see whether it is too late or just in time.