Does 'With The Fire On High' Have A Sequel Or Spin-Off?

I’ve been obsessed with 'With the Fire on High' since it dropped, and its awards are well-earned. It snagged the Amelia Elizabeth Walden Award for its powerful storytelling that blends food, family, and ambition seamlessly. The book also made the YALSA Best Fiction for Young Adults list, which is huge—it’s basically a stamp of approval for books that resonate with teens. What’s cool is how it balances cultural depth with universal themes; that’s why it landed on the Pura Belpré Honor list, celebrating Latine voices. If you love contemporary YA with heart, this one’s a must-read. Check out 'Clap When You Land' by the same author for another knockout.

The cooking in 'With the Fire on High' isn't just about food—it's survival, identity, and rebellion rolled into one. Emoni, the main character, uses cooking to express herself when words fail. Every dish she makes tells a story, like her Afro-Puerto Rican heritage through sazón or her struggles as a teen mom through humble ingredients turned extraordinary. The kitchen becomes her sanctuary, a place where she controls the narrative in a life full of chaos. It’s also her ticket to independence; her talent could get her out of poverty. The book shows cooking as alchemy—transforming pain into power, one meal at a time.

The recipes in 'With the Fire on High' are a vibrant mix of Afro-Latino flavors that practically jump off the page. Emoni’s signature dish is arroz con pollo, but she adds her own twist with smoked paprika and a splash of citrus that makes it unforgettable. There’s also a killer sancocho recipe that’s basically comfort in a bowl - slow-cooked meats, plantains, and yucca swimming in a rich broth. The book mentions her abuela’s pastelitos, flaky pastries filled with guava and cheese that sound like heaven. Emoni experiments with fusion too, like adding jerk seasoning to mac and cheese or putting a Latin spin on Southern biscuits. Every recipe reflects her Philly roots and Puerto Rican heritage, making the food feel as alive as the characters.

As someone who grew up navigating multiple cultures, 'With the Fire on High' nails the messy beauty of cultural identity. Emoni's Puerto Rican heritage isn't just background flavor - it's woven into her cooking, her relationships, and her toughest decisions. The abuela scenes hit hard, showing how traditions get passed down through generations like secret recipes. What I love is how the book avoids making her identity a problem to solve. Her struggles with school and parenting feel universal, but the way she handles them - leaning on sancocho wisdom, drawing strength from bomba rhythms - makes it uniquely hers. The author treats cultural fusion as a superpower, especially in those magical kitchen moments where Emoni blends Philly staples with abuela's techniques.

As someone who grew up in a single-parent household, 'With the Fire on High' nails the raw, unfiltered reality of teenage motherhood. Emoni's struggle isn't romanticized—she battles exhaustion from balancing school, a baby, and a part-time job while still craving normal teen experiences like prom. What I love is how food becomes her love language; every dish she cooks carries the weight of providing for her abuela and baby girl while honoring her late mother's legacy. The book shows single moms as resilient, not pitiable—Emoni makes tough calls (turning down a dream trip to protect her daughter's routine) without martyring herself. Her relationship with her abuela also highlights how intergenerational support systems make single parenting possible in communities that value collective care over individualism.

High fantasy novels are my absolute favorite because they transport me to entirely new worlds with their own rules, magic systems, and epic struggles. Unlike regular fantasy, high fantasy is set in a completely fictional universe, often with intricate lore and sprawling landscapes. Think 'The Lord of the Rings' by J.R.R. Tolkien or 'The Wheel of Time' by Robert Jordan—these stories aren’t just about knights and dragons; they build entire civilizations, languages, and histories from scratch. What makes high fantasy so captivating is the sheer scale of the storytelling. The stakes are usually world-ending, the conflicts are grand, and the characters often embark on journeys that change the fate of nations. I also love how these novels explore themes like power, destiny, and morality in ways that feel fresh because they’re detached from our reality. 'A Song of Ice and Fire' by George R.R. Martin is another great example, blending political intrigue with fantastical elements in a way that feels both epic and deeply personal. If you’re looking for escapism that’s rich and immersive, high fantasy is the way to go.

I’ve been diving into 'Mile High' lately, and it’s one of those books that sticks with you—partly because the author, Liz Tomforde, has this knack for writing characters that feel like real people. She’s got a background in sports romance, which totally shines in this book. The way she balances the gritty world of professional hockey with slow-burn romance is just *chef’s kiss*. Tomforde doesn’t just write fluff; she layers in emotional depth, like the protagonist’s struggle with anxiety, which makes the love story hit harder. Her style’s conversational but polished, like she’s letting you in on a secret instead of lecturing you. What’s cool about Tomforde is how she avoids clichés. Even the tropes she uses—enemies-to-lovers, forced proximity—feel fresh because she pours so much detail into the setting. You can tell she’s done her homework on hockey culture, from the brutal travel schedules to the locker-room banter. And the chemistry between the leads? It builds so naturally you almost forget you’re reading fiction. If you’re into romances that don’t skimp on realism or steam, Tomforde’s your go-to. Her other works, like 'The Right Move', follow a similar vibe—smart, emotional, and packed with moments that make you clutch your chest. Seriously, once you start her books, it’s hard to stop.

I've been obsessed with 'Mile High' ever since I stumbled upon it—it's one of those stories that grabs you by the collar and doesn't let go. The plot revolves around a high-stakes, adrenaline-fueled world of aviation, where the protagonist, a seasoned pilot with a rebellious streak, finds himself tangled in a web of corporate espionage and personal redemption. The story kicks off with him being framed for a catastrophic airline malfunction, forcing him to clear his name while navigating a cutthroat industry that thrives on secrets. What makes it stand out is how it blends technical precision with raw human drama. The cockpit scenes are so vividly described you can almost hear the engine roar, and the tension between the characters is thicker than storm clouds. The real hook, though, is the emotional turbulence. The pilot's past is a minefield of regrets—failed relationships, a estranged family, and a career hanging by a thread. As he digs deeper into the conspiracy, he's forced to confront his own demons, making the plot as much about internal battles as external ones. The supporting cast is just as compelling: a sharp-witted co-pilot with her own agenda, a ruthless CEO who might be a villain or a pawn, and a shadowy figure pulling strings from behind the scenes. The way their arcs intertwine with the protagonist's journey is masterful, especially when the story delves into themes of trust and betrayal. By the time the climax hits, with a heart-stopping mid-air showdown, you're left breathless. It's not just a thriller; it's a character study wrapped in jet fuel and lightning. What I love most is how the story avoids clichés. The romance subplot, for instance, isn't just tacked on—it's messy, fraught with misunderstandings, and feels painfully real. Even the technical jargon, which could've been dry, is woven seamlessly into the narrative, making the aviation world feel authentic. And that twist in the third act? I never saw it coming. 'Mile High' isn't just about flying; it's about falling—and learning to soar again.