What Not To Do When Writing A Fantasy Novel

2025-06-10 07:31:57 472
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3 Answers

Kate
Kate
2025-06-11 15:32:40
Writing fantasy is my jam, but I’ve seen so many rookie mistakes that make me cringe. One big no-no is info-dumping. Don’t bombard readers with pages of lore right away. Let the world unfold naturally through the characters’ eyes, like how 'The Name of the Wind' does it. Another pitfall is creating a Chosen One trope without any twist or depth—it’s overdone. Give your protagonist flaws and struggles that feel real. Also, avoid making magic systems with no rules or consequences. If everything can be solved with a wave of a wand, stakes disappear. And please, don’t forget side characters! They shouldn’t just be props for the main hero. Lastly, clichéd dialogue like 'You shall not pass!' needs fresh phrasing. Originality keeps readers hooked.
Ulysses
Ulysses
2025-06-12 09:41:09
I’ve noticed trends that ruin immersion. One major turn-off is inconsistent world-building. If your medieval fantasy suddenly has modern slang or tech, it jars readers out of the story. Stick to your setting’s logic, like 'The Lies of Locke Lamora' does with its Renaissance-inspired thievery. Another mistake is neglecting character arcs. Your protagonist should grow, not stay static like a RPG NPC. Also, avoid deus ex machina endings where a random power-up saves the day. It feels lazy. 'The Wheel of Time' handles progression beautifully with gradual power gains.

Dialogue is another pitfall. Don’t let characters speechify like Shakespeare unless your setting justifies it. Natural conversations drive engagement. Lastly, don’t ignore cultural diversity. A world with only one homogenous culture feels flat. Look at 'The Poppy War' for rich, varied influences. Fantasy should feel vast and alive, not like a cardboard backdrop.
Braxton
Braxton
2025-06-16 00:05:57
Fantasy writing is a playground for creativity, but some mistakes can sink your story fast. Overloading the first chapter with world-building is a common trap. Readers don’t need to know every detail of your elven politics or dragon breeding habits upfront. Show the world through action, like 'Mistborn' does with its heist plot. Another mistake is relying too much on tropes without subverting them. A dark lord threatening a kingdom? Yawn. Give us something unexpected, like 'The Broken Empire' where the 'hero' is morally grey. Magic systems are another landmine. If your magic has no limits, tension evaporates. 'The Stormlight Archive' nails this with its strict rules.

Also, avoid cardboard-cutout villains. Even Sauron had a backstory in 'The Silmarillion'. Flat antagonists make conflicts feel cheap. Lastly, pacing matters. Don’t spend 300 pages on a quest for a magical mcguffin only to resolve the plot in two pages. Balance buildup and payoff. And for the love of Tolkien, don’t name every character with unpronounceable apostrophes. Accessibility matters.
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