Who Wrote The Best Mystery Book To Read Last Year?

2025-08-03 18:13:44 185

3 Answers

Wyatt
Wyatt
2025-08-05 11:18:38
Last year’s mystery scene was packed with talent, but for me, Richard Osman’s 'The Thursday Murder Club' series stood out. The second installment, 'The Man Who Died Twice,' was even sharper than the first. Osman blends humor and heart with a genuinely clever whodunit, and his elderly sleuths are a refreshing change from the usual gritty detectives. The dialogue crackles, and the twists are satisfying without being convoluted.

Another standout was 'The Sanatorium' by Sarah Pearse. This book nails the locked-room mystery trope with a chilling alpine setting and a protagonist whose past ties eerily into the present crimes. Pearse’s pacing is relentless, and she manages to make a luxury hotel feel claustrophobic and menacing. For fans of atmospheric thrillers, this was a must-read.

Honorable mention goes to S.A. Cosby’s 'razorblade tears,' which isn’t a traditional mystery but a visceral revenge story with mystery elements. Cosby’s prose is raw and kinetic, and the emotional weight of the story elevates it beyond genre conventions.
Tabitha
Tabitha
2025-08-08 07:35:06
I’d argue that Alex Michaelides’ 'The Maidens' was one of the best last year. It’s a dark, academic thriller with a Greek tragedy twist, and Michaelides’ background in psychology shines through in the layered characters. The Cambridge University setting adds a gothic vibe, and the cult-like dynamics of the titular group are creepily compelling.

For a more classic feel, 'The Plot' by Jean Hanff Korelitz was a brilliant meta-mystery about a writer stealing a dead student’s story—only to face consequences. The way Korelitz plays with authorship and guilt is ingenious. Both books offer something distinct: 'The Maidens' is all about atmosphere, while 'The Plot' thrives on its mind-bending narrative structure.
Kelsey
Kelsey
2025-08-09 16:16:52
one author who absolutely blew me away last year was Tana French. Her book 'The Searcher' is a masterpiece of slow-burn tension and character-driven suspense. The way she crafts the rural Irish setting makes it feel like a character itself, and the protagonist’s journey from outsider to uncovering dark secrets is gripping. French has this knack for psychological depth that keeps you hooked without relying on cheap thrills. If you want a mystery that lingers in your mind long after the last page, this is it. Her writing is so atmospheric, it’s like stepping into another world.
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