Afton Family Deaths

Isaac Chance and Madeline Snow were once the model couple of Shorestone City and the target of everyone's envy. After getting engaged, everyone thought they would soon walk down the aisle together. However, there is no news of a wedding for six years. In the end, all Madeline gets is the news of Isaac returning to the country with another woman by his side. He doesn't hesitate to hurt her countless times for the woman's sake. When her grandmother is on the brink of death after an illness, Madeline has no choice but to get into a shotgun marriage. After leaving city hall with her marriage certificate, she ponders the situation. It turns out getting married is simple… as long as her husband isn't Isaac.

After I'm abducted, I call my mother, a policewoman, for help. However, she hangs up on me and stays by my adoptive sister's side. "Go to hell if you're so keen on it!" she snaps. I calmly watch as the abductors pluck my nails and torment me until none of my skin is left unharmed. In my past life, my mother actually came to my rescue. She left my adoptive sister by the roadside, and the latter ended up being violated and murdered. From then on, I became a criminal in my mother's eyes. She received an anonymous text on my adoptive sister's death anniversary. "I bet a good girl like you wouldn't want your mother to know you hired us to abduct you, right?" She thought I orchestrated the abduction because I wanted to vie for her attention. She thought that was the cause of my adoptive sister's death. "I've saved people all my life. I never would've expected my flesh and blood to be such a shameless monster! You should go to hell as atonement for killing Charlene!" She sewed my mouth shut, shattered every bone in my body, and threw my ashes into a junkyard. When I open my eyes again, I find myself back to the day my mother makes her choice.

My son is dead. He dies in a cramped toilet cubicle after having his skull smashed in. My husband, the school principal, arrives on the scene. The first thing he does is carry his true love's son, the one who killed my son, into an ambulance. They hurriedly leave. Before his death, my son tells me, "Don't cry, Mom. I'm not sad that Dad doesn't believe me. It's enough that you do…" I call Joshua Tucker during my son's funeral. He roars angrily, "Kenny had to get two stitches on his arm because of your son! If you keep pestering me like this, I'll beat him up when I get home!" My son? I look at the gaping hole in my son's head, the one that won't ever bleed anymore. I shut my eyes. Yes, he's my son. My son is dead, Joshua. From now on, there's nothing between us.

I, Taylor Laurent, go to the hospital's emergency department because of severe abdominal pain. When I wake up, my mom, Jocelyn Nord, stares at me in terror and asks, "You are not my daughter. Who are you?" Helpless and regretful, Hank Gibson, the doctor, says to my mom, "She is your daughter, it's just… an accident." My mom can't accept it and jumps off the hospital building, killing herself instantly. Hank is suspended because of this incident and, under my questioning, chooses to kill himself by hitting a wall. When I finally find my life partner and take the premarital medical exam, the staff tells me something that chills me to my bones.

Mom and Aunt Denise Taylor fell off the balcony in the midst of their heated argument. Dad rushed in just as they hit the ground, each with a broken arm. Without hesitation, he left Mom behind and hurriedly took Denise to the hospital instead. Later, Mom filed for divorce. Dad's face twisted in anger as he yelled, "Enough, Nicole! So what if you broke an arm and can't hold a scalpel anymore? What's the big deal? Dee is a genius designer. If she had lost her hand, her life would've been over! Of course, I had to save her first!" Watching all this in my ghostly state, I couldn't help but laugh. Did Dad really think that Mom had only lost the use of her hand? Mom didn't just lose her hand. She lost me. After all, I had severe heart failure, and the only person who could perform the life-saving surgery was Mom, the medical master herself. But none of that matters now, because I'm already gone.

After the cruise ship strikes a hidden reef, panicked passengers shove me and Kristen Langford into the sea. My boyfriend, Elijah Jensen, is the ship's captain, so he plunges into the water. But instead of saving me, he grabs Kristen and boards the last lifeboat. I thrash and cry for help, but he slaps my hand away. "You can swim. Stop pretending for attention!" Elijah snaps. "Kristen's body temperature is dropping. I have to get her to a hospital!" The waters around me are pitch-black, and his words feel like a death sentence. When the tracking bracelet I always wear is discovered inside a shark, Elijah dives alone into shark-infested waters, searching for three days and nights. In the end, the brilliant captain who once ruled the oceans can never sail again.

My mother-in-law spreads lies about me having contracted an STD during my sister-in-law's wedding. When I hear this, I want to demand an explanation. However, my sister-in-law stops me and begs me to prioritize her happiness since it's her wedding. I hold myself back and wait until the reception is over. Later, my mother-in-law merely sweeps the matter under the rug and say she doesn't remember anything because she was drunk. However, the lies spread like wildfire. My neighbors scorn me, and my colleagues isolate me, treating me like a walking bacteria. I become dispirited from the constant mental distress and end up getting knocked by a car when I leave the house one day. I die from the accident. When I open my eyes again, I'm taken back to the day my mother-in-law lies about me having contracted an STD.

The fifth year of my marriage to Silas marked a turning point I would never forget. Our son, Yael, was kidnapped. The ransom was set at ten million dollars, an insignificant amount for Silas, yet his response chilled me to the core. “No rush. A Gardner needs to experience some hardships to grow.” Ten million meant nothing to him, but Yael’s life meant everything to me. I dropped to my knees, tears streaming down my face, and begged him relentlessly, pleading for Yael to be brought home as soon as possible. Silas, however, remained unmoved. Three days later, Yael was returned to us, but the cheerful boy I knew was gone. He had been so traumatized that he could not speak. Far from showing concern, Silas coldly remarked, “Yuna said Yael keeps telling everyone at school she’s a fatherless child. Let’s see how he spreads lies now.” His words cut through me like a knife. I picked Yael up in my arms and whispered softly in his ear, “Don’t be afraid, Yael. Mommy will take you away from here.”

My husband and mother-in-law fell off the cliff in my past life. I was pregnant and fell into a coma. I could not take the blow and had a miscarriage. A few days later, the neighbors informed me that my child could not be saved and urged me to see him for the last time. The corpses of my husband and mother-in-law were nowhere to be found. A year later, our house was demolished. However, I accidentally consumed paraquat. I saw my husband and my mother-in-law when I was dying. "Finally, we got rid of you. My grandson and my daughter-in-law can finally marry." Next to my mother-in-law was Jessie Charles, the girl next door, and a little boy.

When 19-year-old waitress Millie takes a summer job as companion to wealthy Lady Vera Ashington at her Suffolk stately home, she has no idea that a mystery will unfold which puts her own life and her family's business at risk. Unexplained deaths will test her morality. Can the end justify the means? Lady Ashington (Vera) fears a breakdown due to personal regrets. She has one last go at seeking long-term happiness. Having taken Millie as a companion, the two women become friends and enjoy arguing about Vera's wealth and her inability to use it wisely. ‘ Too much cake', is the problem. Millie empowers Vera. She keeps a first person diary, and includes Vera's viewpoint. This diary is the novel. It tells how the talents of two very different women, when harnessed, move mountains. But, Vera's local influence means every good deed, leaves a loser. Millie had not appreciated this and conflicts mount. Things reach a head when a couple in the village, are murdered . The evidence isn't clear. Who would profit from their deaths? Is Vera implicated? Must Millie fear for her life?