Lesbian Sci-fi

Si Kheene Cuenco ay anak nang nagmamay-ari ng isang Make-up Brand Company. Matalino, mabait, gwapo at mapagmahal but still iniwan pa din siya ng kaniyang kasintahan. Kagagaling lang niya sa isang break-up nang magkaroon ng malaking problema ang kanilang kompanya, at para ma-resolba ito ay kailangan niyang pakasalan ang lesbian na anak ng kaibigan ng kaniyang ama. Inaasahan niya na hindi ito matutuloy, ngunit nagka-mali siya. Sa kanilang matagal na pagsa-sama ay hindi namamalayan ni Kheene na nahuhulog na pala siya dito. Pilit man niyang pigilin ang nararamdaman pero mas lalo lang ito lumala. Ngunit naisip niya, paano siya nito mamahalin pabalik kung ang gusto nito ay babae? Matatagalan ba siya nito maka-sama o tulad ng una niyang kasintahan ay iiwan din siya nito sa huli?

Femme is most often a term used to describe a lesbian who exhibits a feminine identity. It is sometimes used by feminine gay men, bisexuals, and transgender individuals.The word femme itself comes from French and means 'woman'. Heavily associated with lesbian history and culture, femme has been used among lesbians to distinguish traditionally feminine lesbians from their butch (i.e. masculine) lesbian counterparts and partners.[a] Derived from American lesbian communities following World War II when women joined the work force, the identity became a characteristic of the working class lesbian bar culture of the 1940s–1950s. By the 1990s, the term femme had additionally been adopted by bisexual women.

Sa edad na bente otso ay kilalang kilala si Laura Samonte sa loob at labas ng bansa. Tinaguriang syang dead threat eater sa mundo ng pagaabugasya, marami na syang naipakulong na kilalang tao na sumalungat sa tama at katotohanan. Ayaw man pero napilitan si Laura na pumayag sa kahilingan ng kanyang Ama na maghire ng body guard na poprotekta sa kanya umaga man o gabi. Don't steal my story, this is my original. No part of this book maybe reproduced, disturbed, or transmitted in any form or by any means or stored in a datebase or retrieval system without thr prior permission of the author.

"อ้าขาให้ฉันสักคืน...น้องฉันมันจ่ายเธอเท่าไหร่ ฉันจ่ายหนักกว่านั้น" #โคแก่ #นิยายวายหญิงหญิง #lesbian #นิยายyuri #นิยายยูริ

Un mois ! Quatre semaines ! Trente jours ! Sept cents vingt heures ! Est-ce suffisant pour relever ce défi ? Et qu'en sera-t-il de moi et de ma vie après ce défi ?

After experiencing an unjust death, a girl wakes up in an era where the human population is steadily decreasing. Fate brings her to a man's embrace who is willing to give her everything in this damned world. Facing an endless, unpredictable battle, can she survive? Will the Lieutenant General's love for her stay forever?

Year 2061, an era where science and technology are at the peak of evolution that will changed people's lives. However, behind its heyday, an unknown force has emerged that seeks to control the world. Nine young people venture to unravel the past and discover the secrets that have long been hidden. A mystery that would put them in great danger, which is the only path to save the world from chaos.

Now everything is changing...with everyone of us sweeping under the carpet the scars of yesterday's sins. Those scars are what kept me alive until you are all born to hear the story. The world government was powerful and taking advantage of the human colonial minds, they buried our freedom and equity. But now that we the Elites whom they educated and rose to revolts against the fingers that had fed us... What do you call it? Oh! yes they had termed it Rebellion. They did call us rebels, for seeking a small ration part of the best that nature has given to mankind. Al-sural-tu-Nas. This for mankind, tell ye that the beast you trained in the dark had turned to an angel in the day. We are filled from the pot of lies now that our bellies cannot contain what they obtain, the promises that were compromised, treaties that were breached, least they covered the black mails and lies with a blanket of Diplomacy. But now is the snatch of the gallon beer from the drunkard because now there is what when diplomacy fails.....is war. "Now we are free." Later in the future a seed germinates bearing fruits of the YESTERDAYS as she possess the abilities to time travel and set broken pieces together but this has consequences in the future of mankind. Read along

Di kota futuristik Singapura, Ayesha, seorang ahli perkembangbiakan serangga, menjalani hidupnya dengan tenang hingga cintanya dihancurkan oleh pengkhianatan Daren, kekasihnya yang ambisius. Demi memenangkan pemilihan walikota, Daren meninggalkan Ayesha untuk menikahi wanita dari keluarga terpandang. Hati yang hancur membawa Ayesha ke jalan gelap—jalan yang mempertemukannya dengan Alexei, presdir dari salah satu perusahaan kriminal paling ditakuti. Ayesha dan Alexei menjalin persekutuan berbahaya untuk menggulingkan Daren. Mereka menciptakan “Operasi Vespa”, sebuah proyek rahasia yang melibatkan tawon raksasa Asia (Vespa mandarinia), serangga agresif dan mematikan yang dimodifikasi untuk bertahan dari insektisida. Ketika wabah serangga mulai melumpuhkan distrik-distrik di bawah kepemimpinan Daren, kota Singapura berubah menjadi medan pertempuran antara politik, kekuasaan, dan balas dendam. Namun, konflik terbesar terjadi di hati Ayesha. Sementara dendam mendorongnya untuk melanjutkan kehancuran, kerja sama dengan Alexei membangkitkan perasaan yang tak pernah ia duga. Alexei, yang dikenal sebagai pria kejam dan tak pernah dekat dengan wanita, mulai terobsesi dengan Ayesha. Di tengah ambisi Alexei dan kebrutalan rencana mereka, Ayesha dihadapkan pada pilihan sulit: apakah ia akan membiarkan dunia terbakar demi balas dendam, atau menghentikan kekacauan ini dengan risiko mengkhianati rekan yang telah jatuh hati padanya? “Operasi Vespa” menjadi permainan takdir yang penuh intrik dan drama, di mana cinta, kekuasaan, dan pengkhianatan terjalin dalam alur yang rumit. Apakah hati yang terluka seperti milik Ayesha dapat menemukan cinta sejati di tengah ambisi dan kehancuran? Ataukah semuanya akan berakhir dalam kehancuran total?

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.