Library Tales Publishing

In a tale of revenge, rebirth, and romance, Ashlyn Knight rises from the ashes of public humiliation to become one of the most powerful figures in the business world. After being betrayed at her wedding by her fiancé Christopher White and his mistress Penelope, Ashlyn transforms through a strategic marriage to mysterious billionaire Richard Walker, who shares a connection to her past life as a military commander named Hannah. Ashlyn methodically dismantles the White and Knight families' empires, revealing dark secrets including Penelope's involvement in her mother's death and Christopher's illegitimate status. Her revenge plot takes an unexpected turn when she discovers she's actually Steven White's granddaughter through his illegitimate daughter, giving her a legitimate claim to both family empires. Richard, initially a partner in her revenge scheme, proves to be more than just an ally. Their marriage of convenience evolves into a powerful love story as they discover their shared past lives - he was a fellow commander who failed to protect Hannah in their previous existence and has spent this life making amends. The story climaxes at the International Business Summit, where Christopher's desperate attempt to destroy the couple backfires spectacularly. Multiple confrontations lead to Penelope's arrest, Christopher's imprisonment, and the public recognition of Ashlyn's birthright. In a dramatic moment, Richard renews their vows, transforming their tactical alliance into a declaration of true love. The narrative concludes with Ashlyn and Richard's unified empire becoming a model of ethical business leadership. They establish a foundation in her mother's name, helping others who face similar injustices. Their story becomes legendary in both business and social circles, proving that the sweetest revenge isn't just in destroying enemies, but in building something greater from the ashes of trauma while finding true love along the way.

On Valentine's Day, I set up a candlelit dinner and waited. At 9 PM, my husband, Alfred Johnston, finally texted. [Something came up at work. Don't wait for me.] Then I saw her post. [On a business trip with the CEO for Valentine's Day. Every hotel is fully booked—awkward...] Vivian Bianca, his secretary. Attached was a photo of a guy in a bathrobe, standing by a floor-to-ceiling window. The comments were all 'ooh, CEO's so hot and girl, you're in for a night.' Vivian? Just dropped a smug emoji. So that's what "something came up" meant—a romantic getaway with his secretary. I screenshotted it, posted it on my own feed, and added a smiling emoji. A second later, Alfred called, fuming. "Vivian was joking! Why are you so petty? She's young, not as calculating as you!" I didn't let him finish. "Then let's get a divorce. That way, I won't have to care when you screw around and catch something."

Raised by a monster from Transamagei since being abandoned at birth, Zea is hunted down and forced to become a part of the Soul Stealers that killed his family and stole his name. Everything he has known no longer exists. Moon is nothing but a demon with a false name and a murderous desire to slaughter and devour anyone who stands in his way of becoming a true Soul Stealer. Having to work with the young Soul who killed his father, Moon must carry out his own Mission to earn his survival; capture the illusive White Wolf and her family. But as the sinister truth behind the capture is discovered, Moon must decide if his life and those of his friends are worth more than what is morally right.

Tunnels deconstructs the individual’s Romantic fascination with ‘love’ or the grammaticality of beauty. Ideally, the ‘tunnels’ in the collection are subterranean love poems from the suburban imaginary. These seemingly syntactic tunnels travel through one’s literary imagination or heterotopic dreamscapes, and while αγάπη (Greek for ‘love’) inspires these rhizomic tunnels to navigate the abysmal ‘meta-spectacle’ of gesture, language or moment of poemness, the mind like the many-colored jeepneys of Manila, where driving past roast goose restaurants in Shek Kip Mei or spotting stilt houses in Kampong Kleang, attempt to explore the transgeneric textualities of the everyday, alongside the unstructurality of time and space, the littoral and the liminal.

Noong unang beses na nakita ni Euphie ang lalaki, naisip niya: Love at first sight ba iyon? O isang nakatalagang soul mate? Pag-uwi niya, nakita niya ang isang lumang larawan ng isang matangkad at guwapong lalaki. Naglakbay siya pabalik sa panahon sa larawan, nakilala ang lalaking iyon, at natagpuan ang sagot sa tanong na iyon. Inisip niya ang lahat, ang kanyang kasintahan.