Male Couple

On the first day back after the New Year break, I returned to find my workstation gone—replaced by two large trash bins sitting side by side. "Josh, even though you've been with the company for ten years, you still have to comply with company arrangements. "You were supposed to be reassigned before the holiday. We held off so you could enjoy your New Year. You should be grateful." As he spoke, my boss pointed toward a corner beside the restroom. There sat a set of low, worn desk and chair—something that looked like it had been discarded by an elementary school. I set my bag on it. The desk wobbled twice, then collapsed outright. Amid the muffled snickers around me, I didn't argue or make a scene. I simply looked at the boss, calm and steady. "You don't have to go through all this trouble to force me out. I'll resign now. I'll forfeit the compensation—just process it as quickly as possible." His eyes lit up, though his face feigned regret. "Since you've made up your mind, there's not much I can say. But the Vespere chip you've spent ten years developing belongs to the company—you have no right to take it with you. "Oh, and when you handle the paperwork, don't forget to pay for that cup of coffee in your hand. It's an employee benefit. As an outsider now, you'll have to cover the cost." I nodded and signed the termination agreement without resistance. But the moment I stepped out of the company, I activated the self-destruct program embedded deep within the chip's core.

My fiancee, Isabelle Bailey, engages in a passionate kiss with her stage partner, Shawn Sanders, in a theater play. While the audience is wholly touched by the romance depicted by the main characters of the play, I know for a fact that the actual script doesn't feature the kissing scene at all. Guilt flickers across Isabelle's face at my confrontation. But she argues, "We were just acting! Are you saying that I can't act out romance scenes anymore?" I no longer demand answers from Isabelle like a hysterical fool. Instead, I give the roses that are cultivated from a new breed to the background actors. After leaving the afterparty, I call my mentor, Patrick White. "Professor, I'm willing to travel to the northwest to plant roses there."

Tracie Conner has saved my mom's life before, so I've given her ten chances to make mistakes. On the day of our engagement, Tracie fled the venue with her first love, Elton Stafford. I chose to forgive her. On the day my mom gets discharged from the hospital, Tracie and Elton can be seen making out passionately with each other at the main entrance. I merely ignore them. In the year after that, Tracie keeps making all sorts of mistakes because of Elton. But I treat her like the same and never take her behavior to heart. That's why Tracie begins acting out of hand, thinking that I will always love her. The tenth chance is used up when Tracie brings Elton to our marital home on our wedding day. When her best friend, Erica Frey, accidentally stumbles upon them during their deed, Tracie doesn't give a damn at all. "Elton is my first love. What's wrong with us using this bedroom to get closure? Besides, Jonas loves me so much. Even if he sees me cheating on him, he'll forgive me." I chuckle softly as I watch everything unfold from a corner. Tracie has used up her tenth chance. Now, I no longer owe her anything.

Misty Lawrence has an ex-boyfriend whom she can't forget—Zach Sterling. Carter Flanagan has always hoped that he would one day replace Zach's place in Misty's heart. In the eighth year of his and Misty's marriage, he accidentally breaks a bowl that Zach randomly bought. Misty screeches, "Get the hell out of here! I don't want to see you anymore!" That's when Carter realizes he'll never win when it comes to Zach, especially since the latter is dead. This time, he prepares a divorce agreement and leaves after signing it. It's Misty's turn to panic…

When my wife brought her lover home for the fifth time, I decided enough was enough. I said nothing, not a word of complaint or protest. Instead, I superglued the windows shut and locked the bedroom door from the outside. From the bedroom came the muffled sounds of her little escapade, breathless and feverish, carrying through the walls like a shameful melody no one asked to hear. Calmly, I sat in the living room, picked up the phone, and called my mother-in-law. "Jessie," I said, putting on my best tone of urgency, "it's bad—real bad! Your daughter's locked herself in the bedroom and says she's gonna end it all!"

When I'm paying the pension for my jobless wife, Lilith Ingram, I accidentally find out that she's had a job this whole time. She's paid a salary of two thousand dollars, which is wired into her personal bank account. Every month, the money will be transferred elsewhere, leaving her without a single cent. I've never seen the money before. Back when our daughter, Maisy Ingram, was severely ill, we were 200 dollars short to pay for her hospital bills. I was so poor that I had to sell my blood and beg everyone around me just to get them to lend me money. But during that time, Lilith never thought of sharing the burden with me. She merely comforted me with empty words before transferring two thousand dollars to her first love, Hayden Grant, the next day. Our marriage of 30 years is reduced to nothing but a laughingstock. I place the divorce agreement that I've printed out in front of Lilith. It's a silent confrontation between us. "Must you really resort to this method?" Lilith snaps impatiently. "It's just two thousand dollars! You have an annual salary of 200 thousand dollars! Why care so much about chum change?" Even Maisy takes her side by calling me a petty, stingy geezer. "Everyone has an unattainable first love when they're still young! You should be grateful that Hayden has been holding back his urges without crossing the line for so many years!" I feel as though I got struck by lightning at that moment. It's then that I belatedly realize I'm the only outsider in this family. "Getting a divorce is fine by me. Hayden's getting on with the years. I just want to take care of him and send him off when his time eventually arrives." Maisy adapts a righteous tone. "As compensation for me, I get the house, the car, and the savings. You're leaving this marriage without a single cent under your name."

At midnight, I accidentally stumble upon the boss' daughter, Julianne Carter, pleasuring herself in the dimly-lit adult store. Her eyes are blindfolded, and her legs are spread on a special chair, where they are propped up on the arms. At the moment, she's cruising through the waves of pleasure uncontrollably. But when the chair malfunctions, Julianne is unable to free herself from the restraints no matter how hard she tries. That's when she starts calling for help. "Please… Please help me…" But I crouch down instead, allowing my fingers to glide across her thighs, past her calves, and back to her inner thighs. "Don't move. This chair's mechanisms are very complex. I need to study them thoroughly and slowly." "P-Please… hurry up…" I watch as Julianne's expression shifts from embarrassment to yearning. She finally stops struggling against the restraints when she breaks down from all the overwhelming sensations. "Give it to me… Please give everything to me…" Just as I'm about to yield, I hear the sounds of the boss, George Carter, opening the door coming from the outside. So, I quickly wheel Julianne into a nearby storeroom. That's where I see hyper-realistic molds that look exactly like Julianne.

On the fourth day after our son died, I decided to end my military marriage. Before that, I spent three days taking care of what remained of him. On the first day, I tricked my wife into signing the cremation papers. On the second day, I went to my son's school and collected the textbooks he never had the chance to use. On the third day, I prepared a table full of his favorite dishes and begged my wife to come home so we could celebrate his birthday one last time. She agreed. Then she turned around, claimed she had a mission, and spent the entire night setting off fireworks with her childhood sweetheart. That night, I sat beside my son's memorial photo and ate alone. The next day, she came home looking guilty and handed me a brand new backpack. She said it was a gift for our son to use at school. She did not know that our child would never live to see his first day of school.

I’m the public lover of Tara Brewer, the underworld queen. She often dotes on me and treats me like I'm her most precious treasure, and she goes as far as to claim that she wants to give birth to ten children for me. But when I'm getting beaten up by others while completely drenched in my own blood, Tara doesn't recognize me at all. Instead, she turns to comfort her beau, Brandon Holden. "That filthy bastard has crossed you, honey! You can just beat him to death! I'll be your safety net!" Only then do I realize that Brandon is Tara's lover this whole time. As soon as Tara's words fall, she snatches the boxing gloves from Brandon and begins punching my face, which has a mixture of blood and tears streaking down my cheeks. At the same time, she says icily, "Don't worry. Once you're dead, I'll inform your wife so that she can pick up your corpse."

When I'm about to apply for medical insurance for my son, Connor Sawyer, who's about to start his first year in kindergarten, I'm told that I'm not his biological father at all. "Are you sure this is your son? The system shows that his father is an entirely different person." I don't respond at all. Instead, I secretly take a photo of the unfamiliar-looking address before tracking it down. It turns out that it's actually a residential area right by my own. The moment my wife, Giselle Lambert, sees me, she freezes momentarily. At the same time, she blocks the door subconsciously with her hand. "In the end, you still found out about the truth. But there's no use kicking up a fuss, you know. I never mistreated you in any way over the past three years, after all." When I notice the familiar figure standing behind Giselle, I feel my limbs going cold. That person is actually my younger brother, Vincent Sawyer, who has just graduated from college. Vincent hands Giselle a glass of water before smiling at me apologetically. "Don't blame me, Hayden. The doctor says that I'm severely depressed, so I can't handle hearing a child's cries at all. I'm really thankful to you for raising Connor on my behalf in the past few years." At that moment, Connor, who's supposed to be waiting for me in my car, rushes into the apartment. He runs into Vincent's arms happily before turning to look at me. "Don't cry, Uncle Hayden. Daddy says you're a good person, so he's asked you for help. Mommy tells me that if I call you 'daddy' in your home, I'll get to visit my real daddy during the weekends."