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Ella James has spent most of her life being overlooked, underestimated, or laughed at. At school, she’s the girl in the oversized hoodies. The girl people make jokes about. The girl no one chooses. After years of disappointment, Ella has learned not to expect much from anyone—especially not from Beckett Cross. Popular, confident, and seemingly perfect, Beckett has always been everything Ella avoids. He’s the kind of boy who belongs at the center of every room while she’s spent years trying to disappear into the background. Then a family emergency forces Ella to move in next door. Suddenly, the boy who barely notices her at school becomes impossible to avoid. Inside his home, Beckett is different. Kinder. Softer. Protective in ways that leave Ella questioning everything she thought she knew about him. But every morning when they walk back into school, the walls go back up, leaving Ella trapped between two versions of the same boy. One who looks at her like she’s special. And one who acts like she doesn’t matter. As feelings grow and old insecurities refuse to stay buried, Beckett finds himself facing a truth he never expected: somewhere between late-night conversations, family dinners, and stolen moments, Ella became the first person he looks for. But loving Ella means more than feeling something when nobody is watching. It means choosing her when everyone is. And for a girl who’s spent her entire life feeling like someone’s second choice, that may be the one thing she can never compromise on. A slow-burn emotional romance about self-worth, first love, healing old wounds, and learning that being seen can be the scariest—and most beautiful—thing of all.

Adrian Wells just wants to be left alone. Quiet nights, warm tea, and his sketchpad are all he needs to survive in a world that has taken too much from him already. Scarred by the fire that claimed his family and plagued by anxiety that keeps him from truly living, Adrian has grown used to solitude. But someone else has been watching—and waiting. When a black box appears at his doorstep, filled with unsettlingly personal gifts, Adrian brushes it off as a prank. But the messages grow bolder. The intrusions into his life become impossible to ignore. Someone knows him. Someone sees him. And that someone is Evan Thorn. Evan isn’t just a stalker—he’s a protector in his own twisted way. Rich, intelligent, and obsessive, he believes Adrian is his to love, to shield, to possess. From anonymous letters to watching from the shadows, Evan orchestrates a careful descent into Adrian’s world, eliminating anyone who gets too close. But he isn’t the only one watching. When a more violent rival stalker emerges, Adrian finds himself caught between two versions of danger: the chaos of the unknown and the devil he’s slowly come to understand. As the walls close in, Adrian is forced to rely on Evan—the very man who shattered his sense of safety. What begins as fear turns into something darker: a toxic intimacy that blurs the line between captor and comfort. As Adrian starts to feel seen for the first time in his life, he questions whether love can grow in the shadows—or if it’s just another kind of cage. In a story about obsession, trauma, what, If someone breaks you just to put you back together, is that still love? And when you finally escape them, do they ever really leave?

I have died twice. And both times, the same man killed me. My name is Amara. I am an Omega, which in this world means I am the last to eat, the first to be sold, and the easiest to forget. I was born into a cold house, into a family that looked through me like glass. And I carry inside my chest the memories of two other lives, two other versions of me who stood in the same place I'm standing now and did not make it out. I know his name. Corvus. Dark Alpha. The man who rejected me the first time like I was something he scraped off his boot, and the second time handled me like something he needed to erase quietly before anyone noticed. I know what he's capable of. I know what his eyes look like right before the end. And I know that whatever arrangement my useless excuse for a family has made with his people, I am not going to stand here and let it happen a third time. I have a plan. It has holes in it. It might get me killed again. And then two men kick my door open and the plan becomes irrelevant. "We're taking you with us," the serious one says. Just like that. Like it's already done. Like I don't have a single thing to say about it. And then there's the other one, leaning against my wall with that infuriating almost-smile, who adds: "You can say no. It won't change anything. But you can say it." I say no. It doesn't change anything. I go with them anyway, because Corvus is coming and these two impossible men are the better option. That's what I tell myself. That's the only reason.