Fake Heiress, Real Desire
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Julia — First-Person POV
I started writing it down in April.
Not for publication — not for the foundation, not for any official record, not for the journalists who had started calling with increasing frequency as the Ashford Foundation's work began to generate its own momentum. For Eliot.
A document that began with no particular structure and quickly revealed one anyway — the natural shape of a story that had been lived rather than constructed, with all the non-linearity that implied.
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