Tamil Writers Blogs

Kyla Adams is a workaholic. I mean, who wouldn't be when you're working your dream job? She is one of the many writers for a startup business in North Carolina called "Clicked," where the focus is writing about hot gossip, new trends, and out of the ordinary experiences. Think of this social media app as an online magazine, where the workers are gossip hungry millennials and Gen Z'ers all trying to top one another. And the best part- Dakota Kramer; the hot young CEO at the top floor of the office building. Kyla is the job. She thrives on gossip and is a phenomenal writer, but lately her articles have been dryer than her dating life. After Dakota threatens to fire her if she doesn't step out of her comfort zone, Kyla and her friends drunkenly email Dakota an exciting new article proposal titled "EleDATE." What does the hell does this mean? Kyla must ride the elevator every morning, starting from floor 1 up to floor 50-the top floor- with a hand picked single guy from the office. The catch? She's blindfolded. She must rely on her instincts about the "bachelors" and the impressions they make during their limited time riding together- and they must remain anonymous. With over 100 employees in the building, 50 floors, and 20 single men willing to participate, this will sure make for an intriguing article and a literal make or break career moment. And let's face it... there's just something about elevators.

New York’s youngest bestselling author at just 19, India Seethal has taken the literary world by storm. Now 26, with countless awards and a spot among the highest-paid writers on top storytelling platforms, it seems like she has it all. But behind the fame and fierce heroines she pens, lies a woman too shy to chase her own happy ending. She writes steamy, swoon-worthy romances but has never lived one. She crafts perfect, flowing conversations for her characters but stumbles awkwardly through her own. She creates bold women who fight for what they want yet she’s never had the courage to do the same. Until she met him. One wild night. One reckless choice. In the backseat of a stranger’s car, India lets go for the first time in her life. Roman Alkali is danger wrapped in desire. He’s her undoing. The man determined to tear down her walls and awaken the fire she's buried for years. Her mind says stay away. Her body? It craves him. Now, India is caught between the rules she’s always lived by and the temptation of a man who makes her want to rewrite her story. She finds herself being drawn to him like a moth to a flame and fate manages to make them cross paths again. Will she follow her heart or let fear keep writing her life’s script?

“Is this true?” I asked. I can’t believe of what I have read on the posts on the social media account of the two writers that I met, Sketch and Doodle. I read again the post of Sketch. I thought of something, not because there will be no update on his story but because of his post however I can’t remember where I read it before. Then, I read what Doodle had posted. I suddenly remember my story and I read the last scene that I wrote; same words, same scenarios and same comments like how I read their posts. I doubt quite a bit but really it amazed me which I don’t know why. That is why I read some of their last few posts and it was quite surreal which leads to a coincidental from the turn of events on what their real life is and on what I wrote. I won’t pay any attention to what is going on because I know it wouldn’t happen. It seems like my suspicion is true… the things that I’m writing is coming true when there are real people that’s involved on my story however I need to investigate this. Sketch wasn’t talking while driving, I can see on Doodle eyes how amazed he is while we travel, seeing a fine nature is really amazing while I seldom talk just to point where we have to move. I noticed Sketch glanced at me. I smiled. “I’m actually kidnapping both of you and you two are willing victim.” Sketch stepped on the breaks and it made a big screech of the car. “What?!” they both asked.