it's less about 'topics' in a rigid sense and more about rigorous intellectual discussion of anything that matters. You'll find deep dives into recent political histories, like a 10,000-word piece dissecting the fall of the Soviet Union, right next to a critical essay on a new translation of Dante. The throughline is depth and argument.
It covers current affairs, but with a historian's eye, and literature, but with a critic's rigor. A recent issue had an article on AI ethics that quoted 18th-century philosophy, a review of a biography of a forgotten Renaissance painter, and a polemic on healthcare policy. It assumes its readers are broadly curious and patient enough for long-form analysis. The ads for academic presses and literary tours tell you a lot about the audience they're writing for.
I sometimes skip entire sections if I'm not in the mood for, say, a dense treatise on macroeconomic theory, but I always feel smarter for having read the pieces I do finish. The tone can be sharp, even arrogant occasionally, but it's never shallow.