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3.

ผู้เขียน: Crystal Lake Publishing
last update ปรับปรุงล่าสุด: 2022-07-20 18:03:08
3.

A few days later—and three hours late, but who’s counting—Bill’s crumpled soda-can of a jalopy (his personal car, mind you, not that government-funded monster) murmurs its way into the lone empty parking space of a coffee shop near his house, the engine cutting out with a loud fart, Bill emerging in full Sunday-morning glory. From his leather jacket, dry and cracked as the surface of Mars, he extracts a crumpled cigarette and torches up, exhaling a cloud of fragrant smoke. In that moment, taking a fresh jolt of poison into his bruised lungs, he seems almost human again: his spine straightens, his cheeks flush from bloodless pale to heart-attack red (an improvement, trust us), his cloudy gaze clears into the speculative laser-stare of Ye Olden Days, when Bill could still put on a good show of walking the earth larger than life.

Bill power-draws the cigarette in four long pulls, crushes the leftover bit beneath his scuffed heel before heading inside, where his nephew Trent—a hot mess, that one—jitters over his seventh cup of coffee and the last crumbs of a chocolate-chip muffin. The coffee shop is an old-school joint, all chipped Formica and torn vinyl benches, the radio playing Frank Sinatra instead of whatever electronica Trent no doubt prefers.  

Bill takes a seat, offering Trent a close-up view of his wreckage, the bloodshot eyes and flaking lips and graying hairs corkscrewing from his chin. Bill had a bad week: two Chinese restaurants refused to pay his little toll (the nerve) and his Friday jaunt with Janine ended with a bad case of whiskey-dick. When the waitress arrives, he orders a cup of coffee and a doughnut.

“Rough night?” Trent says.

Kid, if you had any idea of what we face on a daily basis. Every time Bill puffs down too many cigarettes, or pops a pill of questionable origin, or decides to drown his sorrows in a tide of flavored vodka, we feel it in the same way that a sailor, clinging to the railing of a freighter during a fierce storm, endures the next monster wave crashing over him. Once upon a time it was fun to take that ride, but those days are fading in our metaphorical rearview mirror. We would hurl, if our parasitic form came with a stomach. We would beg for mercy, if we could actually use Bill’s mouth.

Bill leans back, scanning Trent’s liberal use of eyeliner, the leopard-print jacket with the white fuzzy collar, the strands of fake pearls around the kid’s thin neck.

“What’s that I smell?” he rasps, after taking a loud sniff. “Perfume?”

“Cologne. Trying to be presentable, you know.”

“More like trying to get beat.” Bill makes a great show of shrugging. “Anyway, what you need, kid?”

“Your brother—”

“Your father, you mean. Show some respect.”

“He didn’t leave me any money.”

“That’s why you call me, at eight on a Sunday?”

Trent turns checking his watch into a piece of theater. The dramatics run deep in this family: every slight, every comeback elevated to the level of Shakespeare. “Yeah, and it’s almost ten when you show up.”

“I know what time it is,” Bill says. “You’re nearly seventeen, Trent. You can handle yourself, right? You can get along in the world.”

Trent opens his mouth to respond when the waitress comes around, bearing a fresh pot of coffee and Bill’s doughnut. She fills their coffee cups, and Bill reaches out, very delicately, to pinch her sleeve—holding her in place as he downs the cup in one swallow, places it back on the saucer, and cocks an eyebrow for a refill. The waitress raises the coffee pot, as if to dump it in his lap, but fulfills the request. Everybody pities stray dogs.

“Anyway,” Bill says, after draining his second cup. “I got work all day. Don’t you got a friend you can call? That cute girl you used to hang out with?”

“Nobody’s picking up.” Trent’s breath hitches a little, and we can hear the boy trying hard not to let his voice waver. “They’re all sick of me.”

“Nonsense, they’re probably still asleep.” Bill crams his breakfast down his throat, gifting us with a bright sugar rush. “You need cash? I got cash.”

“I got ten bucks, which should get me through today. No, I want you to take me with you.”

“Where?”

“To work. Show me what you do. How you earn.”

“You know what I do. Besides, it’s Sunday. We don’t usually do inspections on Sunday.”

“I’m not talking about inspections. I’m talking about . . . you know . . . the shakedown.”

“This conversation’s over.” Bill half-stands.

“Not if I tell someone at your office, it isn’t.”

Bill thumps down. “Come on, kid. Give me a break.”

“Trust me, I’ll find it fascinating. Seeing how the world really works.”

Bill rolls his eyes. “You don’t know anything.”

“Besides, I want to hang out with you. I never see you.” Trent picks up his chocolate-smeared knife and runs a thumb along the blade. “Show me. Or I’ll tell.”

“Okay.” He’s a pushover, our Bill. He likes to think he’s a tough guy. If you pour a couple drinks in him, he’ll even try to act the part. But Bill knows he’s a bottom-feeder, and all bottom-feeders like company. Trust us on that one.

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  • Absolute Unit   21.

    21.We can senseTrent deep in the basement of his own mind. He’s built a room down there, with a door impossible for us to unlock, but we can peer through the keyhole. The walls are covered with posters of David Bowie and Marilyn Monroe (always a fan of vintage, dear Trent), and a torn leather couch dominates the floor, facing a widescreen television that plays clips from classic films, music videos, memories of Carrie kissing him all over in that wintery bed. By sifting through the abandoned files in Trent’s hippocampus, we determine this is a replica of his basement at home, his safe space from life’s chaos. For what it’s worth, we whisper through the keyhole, we’re sorry about this.Screw off, Trent says, his eyes never leaving the television.We promise you can come out. You won’t be deleted.Yeah, right. I told you to screw off.We leave him down there. If he’s unwilling to cooperate, his fortress can serve as a prison. Let him watch through the keyhole as we take his

  • Absolute Unit   20.

    20.We’re back onthe gray beach, the water lapping at our tendrils. Trent stands beside us in the surf, naked except for his leopard-print jacket, shivering in the cold wind slicing down the coast. “Great.” Trent says. “Not this again.”Footsteps crunch sand. Bill strides for us, also naked as the day he was born. A thick mass of tendrils dangles from between his legs, dragging on the sand, yellowish and segmented; when it touches a wetter patch of sand, it crackles and sparks with electricity. Smaller coils wave from his ears and the corner of his left eye-socket. His eyes are black with dried blood, making him look more like a bloated carcass than ever.“No more negotiations. No more of this useless equivocating. Here’s the deal,” Bill says. “We’re plugged into your brainstem and your cortex.”“Just leave us alone.” Trent scoops up a handful of wet gray sand and throws it at his uncle. “Please. I just want to be left alone.”Bill ignores him. He walks up to us, places a

  • Absolute Unit   19.

    19.In the elevator, there’s no way to avoid Bill’s stink. He looms over Trent, reminding us of our breakfast meeting a million years ago. Bill barely held it together then, thanks to the magical forces of nicotine, caffeine and pills. Now he seems immense, powerful despite his gray and puckered flesh, seeping wound, messy hospital gown. As the elevator rises, the enormity of the situation appears to fully sink into Trent. Any residual effect of the drugs has dissipated, and our tendrils sense his growing panic, sizzling and sour. Only strategic squirts of adrenaline and dopamine work to keep him in some semblance of working order. “I just don’t get what’s happening here,” he says.How many times do I need to explain it, dumbass?“Patience,” Bill says, glancing at the floor indicator. The elevator stops on five. The doors hiss open, revealing a nurses’ station pocked with gunshots, its countertops smoldering with charred folders. Beyond, the floor-to-ceiling windows of the patient

  • Absolute Unit   18.

    18.Bill waves agray hand, his fingers still jittering madly. “Come here, Trent.”“Are you okay?” Trent says, stepping forward—and then Carrie clutches his arm, her nails digging into his flesh until the pain begins to approach the dulling ache of his bullet wound. “What’s ‘total control’ mean?”He’s got us inside him, we tell Trent. We’ve taken over.Taken over? Trent’s mind rattles like a rat in a cage. You mean that’s not my uncle?No, yes ... we mean ...Trent begins to freak out: Do you want to do THAT to me?Have we said we wanted to do that?Bill lowers his hand. He’s trying to smile, but his lips writhe and jerk. A doctor might diagnose that as a nerve issue, which wouldn’t be too far off. The bit of us that stayed in Bill and took total control, maybe it’s still trying to figure out how to drive that lump of flesh. After just a few hours in Trent’s well-tuned body, we’d started to forget the A-1 horrorshow of Bill’s sagging muscles and dea

  • Absolute Unit   17.

    17. We drift througha snowstorm.White particles flicker in the harsh light stabbing through broken glass. Snowdrifts rise on Trent’s hands and sift into the folds of his shirt, stick to the blood drying on his lips and forehead. We try to stick his tongue out, the better to collect some of it, but Trent’s body must have taken some damage during the crash, because moving it only a millimeter past Trent’s teeth sparks a wave of pain so intense that he moans—Stop complaining, we tell him. We’re trying to get you some medicine.What? I—Before he can say anything more, our efforts with his tongue are rendered moot, because a few flecks drift up his nose, and—zoom. Trent’s next words are lost in a screaming pleasure-storm, his nervous system exploding like the Fourth of July, his every cell a fireworks display, throbbing, pulsing, exploding—My God, my universe, this is AMAAAAAAZING—This is why we exist. To feel, to experience, to taste everything this weird mixture

  • Absolute Unit   16.

    16.Carrie stomps onthe gas, propelling her car down the alley at its laughable top speed. “Duct tape in the glove compartment,” she says. Trent retrieves the tape and wraps three long strips of it around his shoulder. How am I looking in there?Good, we reply. His blood loss slows to a seep as the vessels clot, and his other vitals seem normal enough, considering everything he’s endured over the past several hours. Maybe they can set him up in a hospital room next to Bill.At the end of the alley, Carrie turns onto the main avenue without checking for traffic, leaving startled drivers honking in her wake. She takes a deep breath, exhales loudly, and destroys Trent’s fragile calm: “We messed up back there.” “No shit,” Trent yelps.“Big Jim’s expanding into cocaine. He hates the stuff, says it means too many cartel people up his ass, but since the state’s legalizing weed soon, he’s got to find another line of business.”“Why doesn’t he just sell legal weed?”

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