LOGINDr. Kate Hooper has spent years building a life nobody can take away from her. As the owner of an after-hours emergency veterinary clinic, she's accustomed to blood, difficult patients, and making impossible decisions. But when a dangerously handsome stranger arrives with a bullet in his shoulder, Kate breaks more than a few rules to save his life. Antonio Cagliari is thirty-eight, ruthless, powerful, and accustomed to absolute obedience. As the head of a notorious crime family, he has enemies everywhere and trusts almost no one. The last thing he expects is a sharp-tongued veterinarian who treats his gunshot wound, mocks his intimidating reputation, and demands he say please. Antonio is fascinated. Kate is attracted. Neither realizes how dangerous that combination will become. When a trusted associate is murdered and another disappears, Antonio discovers that someone close to him may be orchestrating his downfall. His enemies are closing in, and the woman who saved his life has become an unexpected vulnerability. But Kate has secrets of her own. Born Caterina Barone, she abandoned her powerful Italian mafia family after refusing an arranged marriage. She sacrificed her name, her protection, and everything she knew for the freedom to choose her own future. Falling for another mafia boss was never part of the plan. Antonio's instinct is to protect what he considers his, regardless of the cost. Kate has already escaped one controlling family and refuses to surrender her independence to another. As betrayal, violence, and old enemies threaten everything they've built, Kate must decide whether trusting Antonio means losing herself—or finally finding someone dangerous enough to stand beside her. He rules through fear. She refuses to be afraid. And loving each other might be the most dangerous decision either has ever made.
View MoreThe fluorescent lights in the lobby buzzed at a frequency designed by someone who hated comfort. I'd replaced three bulbs last month, and the new ones had already settled into that same tired hum, casting everything in a shade of pale that made healthy skin look cadaverous. Pickles was draped across the office chair like a furry comma, his orange tail flicking in whatever dream-cycle he'd entered around midnight. My coffee had gone cold two hours ago, and I'd been using the mug as a paperweight for the inventory spreadsheet I'd been ignoring since eleven.
Then the door slammed open, and five men walked in carrying a sixth. The first thing I registered was the blood. Not the dramatic arterial spray they show in films—more of a steady, dark saturation through what had been a white dress shirt, now pressed against a shoulder wound by hands that were themselves covered in it. The man being carried was conscious, which told me either he had a remarkable tolerance for pain or the wound wasn't immediately life-threatening. Both possibilities were equally annoying at three in the morning. The second thing I registered was that every single one of them looked like they'd been carved out of concrete and decorated by someone with a tattoo gun and too much free time. “Ten grand to get the bullet out, stitch the wound closed, and keep your mouth shut," said the dark-haired man closest to me. I let out a bitter laugh. "Well, I'm not going to let him die in my lobby. Bad for business." I sighed. Not one of them cracked a smile. "Back room," I said, already moving. Not a question. Not an invitation. A statement of fact, because I'd learned long ago that showing hesitation in front of large, blood-soaked men was a poor survival strategy. "Table's through there. Don't touch anything on the counters." The one who seemed to be in charge—the conscious one being half-carried, half-dragged—had amber eyes that cut toward me with an intensity that felt almost physical. His skin had gone the color of old paper, and the tattoos crawling up his neck stood out like ink on parchment. Handsome, but with an undeniable predatory energy. The kind of face that made you understand why certain women throughout history had made catastrophically bad decisions. "Thank you," he said, and his voice carried that particular gravel that came from either pain or a lifetime of giving orders. Probably both. I pushed through the swinging door and hit the lights for the back room. The examination table was clean—not operating-room sterile, but I'd wiped it down with chlorhexidine after the last patient, a Labrador with an ear infection who'd tried to bite me twice. Good enough for government work, as my mother used to say, though she'd been referring to something considerably less bloody. "Set him down here. Carefully. That means without dropping him, which I shouldn't have to specify, but experience has taught me otherwise." The dark-haired guy who'd made the offer I couldn't refuse had a build that suggested he lifted cars for his Tuesday workout, and I idly wondered how many cows had perished to make the leather jacket he wore. He helped ease the wounded man onto the table with surprising gentleness, hands that could probably crush a skull handling their boss like he was made of wet tissue paper. "Name?" I pulled on surgical gloves. The latex snapped against my wrists with a sound that had become as familiar as my own heartbeat. "Cagliari. Antonio Cagliari." This was from the amber-eyed one on the table. Wonderful. Just what I needed. I'd known he was trouble the moment I saw him. I did not expect my newest patient to be one of the most notorious mafia dons on the East Coast. Fuck my life. He settled back against the stainless steel with a controlled exhale, and I noticed he didn't grimace. Interesting. Most people with that much blood loss and a fresh gunshot wound couldn't stop their faces from doing involuntary things. His expression remained fixed in that particular mask of masculine composure that I'd seen in men who'd rather die than admit discomfort. "Cute. I meant his name." I pointed at the guy who seemed to be second-in-command without looking at him, already reaching for scissors to cut away the ruined shirt. "And yours." I pointed at the one with muttonchop sideburns that had been fashionable approximately never. " Otherwise, I'm going to call you Fonzi and Muttonchops. Everyone else can wait in the lobby. This room isn't built for a committee." Muttonchops looked at his boss. Cagliari gave a slight nod. Three of them filed out, and the door swung shut behind them with a pneumatic hiss. "Gino," the dark-haired one said, with a smile that belonged on a recruitment poster for trouble. "And this is—" "I can introduce myself," Cagliari cut in. His amber eyes tracked my hands as I peeled the shirt away from the wound. The fabric had started to adhere to the congealed blood, and removing it required a patience that most people didn't associate with veterinarians. They should. We spent half our careers coaxing reluctant materials off sensitive tissues. "Well, Antonio," I said, examining the wound now that I could see it properly. Entrance wound, left shoulder, no exit wound visible. The bullet was still in there. "You're going to want to tell me what happened, because 'gunshot wound' covers a lot of territory and some of those territories require me to call people you probably don't want me to call." "Hunting accident," he said. I looked up at him. He looked back at me with those amber eyes, and his expression was so perfectly, confidently blank that I almost admired the commitment. "Hunting accident," I repeated. "At three in the morning. In the city." "I'm very dedicated." Gino made a sound that might have been a suppressed laugh. I filed that away. The one with a sense of humor was always the one you could work with.I should have been watching the pasta. I was not watching the pasta. I was watching his hands. The way his long fingers pressed into the dough, folding it, guiding it, the flour catching in the lines of his knuckles and the creases of his palms. The tendons in his forearms shifting beneath the ink — dark patterns I couldn't fully see from this angle, but which I knew from previous close inspection involved script and geometric shapes and at least one image that looked like a family crest.He had surgeon's hands. That was what I'd thought the first time I'd treated his gunshot wound, when I'd had to cut through his shirt and examine the entry wound in his left shoulder. Steady, precise, capable of both violence and gentleness depending on the instruction they received."You're staring," he said."I'm observing the pasta.""You're observing my hands.""The hands are part of the pasta process. They're instrumental. I'm being thorough."He set down th
The GPS announced I had arrived at my destination, and I sat in my parked car for a full thirty seconds, staring at the iron gates and the stone house beyond them. Not a restaurant. Not a hotel rooftop with linen tablecloths and a sommelier. A house. Antonio's house. Unlike the day I came to check Rico's paw, we would be entirely alone tonight.The gates opened on their own, and I pulled my secondhand Civic up a gravel drive that curved between trimmed hedges. The house was old stone, sprawling, the kind of place that probably had a name etched above the door in Italian. But the lights glowing from the ground-floor windows were warm and yellow, and when I stepped out of the car, I could smell something that made my stomach clench with immediate, Pavlovian hunger.Garlic. Butter. Something herbal and rich, drifting from an open window.I'd dressed for an extravagant evening. Fitted black shirt, dark jeans, the one pair of boots I owned that didn't have animal sedative splashed across t
I kissed him harder. My hands moved higher beneath his shirt, mapping the ridges of his ribs, the ink I couldn't see but could feel under my fingertips. His hand slid from my waist to my lower back, pressing me against him, and I felt the hard length of him against my thigh.Then the world tilted, and I was on my back, the couch cushions soft beneath my shoulders, Antonio above me. His weight settled between my hips, his forearms braced on either side of my head, and he kissed my neck with slow, open-mouthed kisses, his tongue tracing the line of my pulse. My fingers fisted in his shirt, pulling it up his back, and my hips arched against him without my permission.He groaned against my throat. The sound traveled through me like a current, pooling low in my belly, and I wrapped my leg around his calf, pulling him closer.Then he stopped.His mouth left my neck. His weight shifted. He braced himself above me, breathing hard, his amber eyes dark in the low light. I made an involuntary so
After dinner, Antonio found a speaker and connected his phone to it. Music filled the house. It was something old and Italian, with a guitar line that wound through the room like smoke. He offered his hand.I kicked off my sneakers. He pulled off his boots. We danced in the living room, barefoot on the hardwood floor, the lake visible through the windows, the last light of the day turning the water copper.He was a graceful dancer. He was deliberate, leading with his shoulders, his hand on the small of my back, his steps measured and slightly off-beat. I followed because the alternative was stepping on his feet, and because his hand on my back made me want to stay exactly where I was."Why did you start the clinic?" he asked as he spun me in time to the music."Because I couldn't work anywhere else," I told him, my cheek near his shoulder. "I applied to three corporate practices. They all wanted production quotas. They demanded their vets push unnecessary procedures, sell prescription
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