LOGINThe private rooms don't smell like the main floor.
Out there it's sweat and cologne and the particular desperation of men who came in alone. Back here it's just quiet. Dim lighting. The hush of money being spent carefully.
I've never been nervous walking into one before.
I open the door.
The room is dark except for a single spotlight over the chair in the center. A small stage. A pole. And sitting in the chair, wearing all black and a masquerade mask that covers the upper half of his face, is a man. Tall. Broad shoulders. Dark hair.
I don't let myself look too long.
I lock the door behind me. The music starts automatically, low and slow, and I walk toward the stage. This is the job. Just the job.
His eyes track every movement. I can't see his full face behind the mask but I can see his jaw, strong and defined, and I look away from it fast. I step onto the stage and let the music do what it always does — pull me out of my own head and into my body, into the place that has nothing to do with wanting and everything to do with control.
I run my hands down my body, over my waist and hips. He doesn't move, just watches, but I can see his hands tighten on the armrests and the tension gather in his shoulders. Good. I turn around, give him my back, unhook my bra slowly and let it fall. Look over my shoulder at him. His jaw tightens. I smile and face forward again, let my hands slide down my stomach and into my underwear without taking anything off, just teasing the edge of it.
And then it hits me.
Not a choice. Not anything I reach for. An ambush.
One second I'm working and focused and I'm Diamond, and then the angle of his jaw in the half-dark sends it arriving before I can stop it.
Cain.
I kill it instantly. It comes back. That pull low in my stomach that I've been outrunning since last night, the warmth I can't explain away, the ghost of his weight that my body keeps returning to without asking permission. I hear the man in the chair shift, hear his breathing change, and my body responds before my brain catches up, still back in that guest house, still—
Stop. It's not him. It's the dark and the music and the worst night of my life still living under my skin. I turn back around and walk toward him, down the steps of the stage.
He's right there. I straddle his lap, hands on his shoulders.
The rules say no touching. My rules. The ones I made eighteen months ago and kept every single night since without exception.
"You can touch."
The words leave my mouth before I understand I'm saying them.
The cold that moves through me is immediate and specific — not fear, just the clean sharp recognition of what I just did. I broke my one rule. For a man whose face I can't even see clearly. Because my body is still somewhere in that guest house and I can't pull it forward into the present.
His hand moves toward my hip. I let him. I let this stranger put his hands on me and then his fingers brush my skin and I see it.
The tattoo.
Black scales wrapping around his wrist, disappearing up his arm in the pattern I have been trying not to think about since last night. I go very still. His knuckles are split and bruised, fresh, and on his middle finger there's a silver ring I felt against my throat last night.
No.
I'm off his lap before the thought finishes forming. Backing away. My heart so loud I can hear it over the music. He stands slowly, reaches up, and takes off the mask.
Cain Russo.
Smirking at me like he just won the lottery.
"Hello, Diamond."
I slap him. Hard. His head snaps to the side and he laughs.
"I was wondering when you'd figure it out."
"What the fuck are you doing here."
"Getting a dance." He touches his jaw. "A very good one actually. You should finish."
"Get out."
"I paid for an hour."
"I don't care." I'm shaking. "Get the fuck out."
"Make me." He's across the room in two steps, backing me into the wall, hands on either side of my head.
"You knew," I breathe. "You knew I worked here."
"I found out tonight." The smirk drops. What replaces it isn't readable, isn't any expression I've seen on him before, and I don't have a name for it and that is somehow more unsettling than anything else he's done tonight. "A friend dragged me here last week. I saw a dancer. Couldn't see her face but there was a tattoo on her hip and I couldn't stop thinking about it." His eyes drop briefly to my hip. Come back up. "Last night I saw it again. On you. And I had to know."
The silence stretches.
"So no," he says, quieter. "I wasn't looking for you. You just have a way of showing up."
I don't know what to do with that. With the way he said it, like it cost him something to admit. So I do the only thing I know how to do with Cain Russo.
I get angry.
"You had no right—"
"You're right." He doesn't move back. "I didn't."
That stops me cold. He never concedes anything and we both know it and the fact that he just did makes me more unsettled than if he'd kept pushing.
"Get out of my way."
"Were you going to let me fuck you too?" His voice drops back into that register that has no business making my spine do what it does. "Or is that extra?"
There he is.
I shove his chest hard. "Last night was a mistake. It's never happening again."
"You sure about that?" His hand catches my hip. "Because you broke your rule tonight. The no touching rule. You said it yourself, and you said it to a man whose face you couldn't even see." He leans in close. "Were you imagining it was me?"
"No—"
"Liar." His thumb brushes my hipbone, right over the tattoo. "You're wet right now, aren't you."
Heat floods my face. "Stop—"
"Admit it." His mouth is right next to my ear. "You were pretending I was the one in that chair. Watching you. Getting hard for you."
"Stop talking—"
"Why?" His other hand slides up my side slowly. "Don't want to admit you've been thinking about last night? How good it felt?"
"It didn't—"
"Your body says otherwise." His hand cups my breast and I hate the sound that almost leaves my throat. "Your nipples are hard. You're breathing fast. And if I put my hand between your legs right now—"
I grab his wrist. "Don't."
"Scared you'll like it?"
"No." I push him back, actually move him this time. "Because last night was the biggest mistake of my life and I'm not making it again."
He steps back. Puts his hands in his pockets. "Okay."
I stare at him. "What?"
"Okay." He shrugs. "If that's what you want."
"It is."
"Then I'll go." He turns and walks toward the door and I stand there topless and breathing hard watching him leave.
He pauses at the door. Looks back.
"By the way. You dropped something last night." He reaches into his pocket and tosses it across the room. I catch it automatically.
My underwear. The red lace from the lingerie set. The ones he ripped off me.
"Keep them," he says. "As a reminder of the mistake you're never making again."
The door clicks shut.
The room is very quiet. The music has stopped. I'm standing here alone holding my own torn underwear in both hands.
I look down at the lace. Feel where the straps snapped.
Three shifts at the diner. That's what this cost.
My mother walks me down the aisle.Not Marcus. Not both of them. My mother. Because my father isn’t here and the person who raised me in his absence, who made pasta and gave love and got it wrong sometimes and got it right more often and drove to a hospital in the shirt she sleeps in, that person is the one whose arm belongs through mine.We walk. Bare feet on sand. The guests stand. The ocean sounds like what the ocean always sounds like, indifferent and eternal and perfect.I look at the chairs as I pass. Amelia, sobbing openly, waving a handkerchief. Ryan, eyes wet, arm around her. Faces from college, from the dance studio, from Cain’s gym. Cain’s coach with his arms crossed and his chin trembling.And in the last row, on the edge, Tyler.He’s sitting with his shoulders straight and his jaw squared and he looks different from the last time I saw him. Broader. Older. His hair is shorter and his face has lost the boyishness and what replaced it is something solid and still. He nods a
The dress is hanging on the back of the door and I’ve been staring at it for eleven minutes.White. Simple. A neckline that dips the way every neckline I’ve ever loved dips, low enough to show the pendant resting against my chest, the tiny red ballerina in her rose tutu that hasn’t left my body since the night Cain put it back on. The fabric is light enough that the ocean breeze will move through it and fitted enough that the bump shows. Just barely. Fourteen weeks. The smallest curve below my navel that only I can see when I turn sideways in the mirror, but I know it’s there and he knows it’s there and today every person sitting in a white chair on the beach behind this house will know it’s there.The Russo beach house. The house where everything that broke and burned, started again.The house where I fell asleep in his arms on a dock listening to the ocean. The house where I told myself the truth after to myself for three years about what I felt every time he walked into a room.We’
The arena is loud and bright and packed.Cain's name is on the banner above the entrance. RUSSO in block letters. The sight of it still does something to my chest every time, this boy from a pool house and a betting game and a kitchen where we circled each other for years, his name on a building, his fists carrying a career, his body doing the thing it was always meant to do.I have a seat ringside. I always have a seat ringside. The other fighters' wives and girlfriends sit further back. I sit where he can see me between rounds when his corner wipes the sweat from his face and squeezes water into his mouth and he looks past all of them and finds me.The fight starts. I press my bag against my side where the test is zipped into the inner pocket and I watch him.He fights the way he loves. Total commitment. No half measures. His body moving with the precision and violence that boxing demands, each punch delivered with the full weight of a man who decided years ago what he was fighting
LaylaThe girls are mid-plié when the room tilts.Not dramatically. Not a blackout. Just the floor shifting under my feet like someone nudged the building sideways, and I grip the barre with one hand and blink and wait for the studio to straighten itself out.It doesn't."One more set," I say. My voice steady because twelve little girls in pink leotards don't need to see their teacher wobble. "Heels together. Backs straight. Chin up, Maisie, you're looking at the floor again."Maisie lifts her chin. She's seven. Missing one front tooth. Takes every correction like a personal challenge and attacks it with the ferocity of a girl who has decided that ballet is war and she intends to win.I love her. I love all of them. Twelve girls between six and fourteen who show up three afternoons a week to my studio in their leotards and their buns and their hand-me-down slippers, and I teach them the thing my father watched me learn in a tutu that was too big because he wanted me to grow into it.I
Ryan is beside me now. Watching Amelia yell at Cain with the serene expression of a man who has seen this show many times. He nudges my shoulder with his."She cried for an hour when she saw the text," he says quietly. "Called her mom. Called his mom's grave. Planned three versions of your engagement party before I got her to eat dinner.""She called his mom's grave?""Left a voicemail on the cemetery's general line. Said Mrs. Russo, your son did good and I'm going to make sure the wedding is perfect. The groundskeeper called back very confused."I laugh so hard my ribs hurt. Ryan grins, that steady quiet grin, and bumps my shoulder again."Missed you, Reed.""Missed you too.""You good? Actually good? Not performing good?"I look at him. Ryan has always done this. Cut through the social layer with one clean question. No buildup. No circling. Just are you actually okay delivered like he genuinely wants the answer and has time to wait for it."Actually good," I say. "For real this time
Lain is sitting on the kitchen counter watching me water the plants and judging me with her entire body.She's not a kitten anymore. Five months old and she's long and sleek and her grey fur has darkened to charcoal along her spine and her green eyes have gone from wide and innocent to narrow and knowing and she looks at me the same way Cain looks at me, like she's cataloguing everything I do and has opinions about most of it."Stop staring," I say.She blinks. Slowly. The cat equivalent of I'll stare as long as I want.I water the pothos on the windowsill. Then the fern on the bookshelf. Then the spider plant hanging from the hook Cain installed above the reading nook after I came home with it from the farmers market and he said we don't need another plant and I said she's not a plant, she's a roommate and he drilled the hook without another word.The apartment has changed in five months. Not the bones of it. The bones are the same, the bookshelves and the green couch and the reading
I am still holding the letter.Amelia is still looking at me.The room is quiet enough that I can hear the garden below. Laughter. Someone’s music. The warmth of a day that has nothing to do with what is happening up here.“The cabin,” she says.I go still.“That night.” Her eyes are red at the edg
“People will notice.”“Mm.” His lips trail to my collarbone. “Probably.”“Cain—”“Two minutes.”I reach between us and find him through his shorts, already hard, and wrap my hand around him through the fabric. He goes completely still.“Layla.” Warning in his voice.I stroke him slowly and feel him
Marcus lives in a mansion.An actual mansion, with gates and a circular driveway and a fountain out front that is definitely running even though it’s February. My mother drives us there in a car I’ve never seen before, new and expensive, probably a gift, and I sit in the passenger seat with my hand
I don’t sleep.I lie on the couch in the changing room staring at the ceiling until my alarm goes off at seven, and when I reach for my phone there are seventeen missed calls. Three from Zara. Two from Jace. Twelve from numbers I don’t recognise, probably people from the party who want to talk abou







