LOGINShe didn't choose this house. He didn't choose to need her the way he does. Lorenzo built himself out of duty and silence long before he had a reason to want anything else — and the woman circumstance hands him isn't supposed to be able to reach him. But power has a way of shifting when two people are forced to survive the same fire, and Death Bliss doesn't look away from what that survival costs, or what it makes possible. This is a romance that starts in coercion and doesn't pretend otherwise — and asks what love even means once the leverage is gone. For readers who like their mafia romance morally grey and unafraid of hard edges. 18+, explicit content, dark themes throughout.
View MoreMasseria Armenise — Six Years Earlier
I wind my father's watch by candlelight, because the generator has been down since Tuesday and my uncle says a man who cannot live without electricity has already surrendered something he will spend the rest of his life trying to buy back. It is the kind of thing my uncle says to make thrift sound like philosophy. I have stopped correcting him. I am twenty-six years old and I have learned that some men mistake correction for challenge, and my uncle is one of the men in this house who cannot tell the difference, and telling him so would only prove his point.
The watch is heavier than it looks, gold-cased, the crystal cracked in the corner where I dropped it running from a wasp's nest when I was eleven. I never had it fixed. My father wore it whole for thirty years, and I like that mine tells a different story even while it keeps the same time.
Domenico is asleep two doors down, on top of his sheets in the heat, one arm flung over his eyes the way he has slept since he was small, since our mother used to come and move that arm so the light would not wake him and he would let her without ever quite waking. He is eighteen and he still sleeps like a boy who trusts the house around him. I have let him keep that. It is not a large thing to give a younger brother, a few more years of believing the walls are only walls.
Matteo knocks at eleven, the way he always knocks, a single flat sound that means someone wants you and does not intend to explain why. I am dressed already. I have learned, growing up in this family, that you dress for a summons the way you dress for a doctor's appointment you have been putting off — not because you expect bad news, but because bad news arrives whether you are ready or not, and being ready costs nothing.
“Your uncle asks you to walk with him,” Matteo says. “By the well.”
I have walked with my uncle by the well perhaps two hundred times in my life. He likes the well because the stone holds the day's heat into the evening and he says a man thinks better with warmth at his back. I have never once, in two hundred walks, thought he meant anything by it other than what he said.
I strap the watch to my wrist and I do not think about it again, which is the last ordinary thing I will ever do without thinking about it, though I have no way of knowing that yet. That is the cruelty of a good watch. It keeps perfect time and tells you nothing about how much of it you have left.
The courtyard is empty at this hour, the olive trees black shapes against a sky gone the deep unlit blue of an hour before true dark. I can hear the cicadas and, under them, the low tick of the cooling stone. My uncle is already at the well when I reach it, his hands folded behind his back, looking down into water he cannot see. He has done this my whole life — arrived first, so that you come to him, so that the meeting begins on his ground before a word is spoken.
“Lorenzo,” he says, without turning. “You favor your father more every year.”
“So Nonna Carmela tells me.”
“It is not only in the face.” He turns now, and in the last grey light his eyes are unreadable, which is not unusual — my uncle's eyes have been unreadable to me since I was old enough to look for something in them and find nothing looking back. “Your father believed a family survives by keeping its word. Every word. Even the ones that cost something.”
“I believe that too.”
“I know you do.” He says it gently, the way you might say it to a child who has just told you something true and sad about themselves without understanding either. “That is why I am glad you came to walk with me tonight, and not one of the others.”
I do not understand him. I will spend whatever time I have left not understanding him, and I do not know yet that the not-understanding is the mercy, that it is the only mercy he is going to give me. He reaches into his jacket, unhurried, the way a man reaches for reading glasses, and behind him the olive trees stand black and silver-green and utterly indifferent, the way they have stood for four hundred years, the way they will stand tomorrow when someone finds a watch in the grass beside the well, its crystal cracked in one corner, still keeping perfect time for no one.
The blood oath I swore at his grave in Palermo is still fresh in my mind, the words I said with my hand on the stone and my uncle's hand on my shoulder, the promise to use the family's machinery to find the men who killed him and make them answer for it. I believed, when I swore it, that the oath was a straight line from my grief to justice. I believed the syndicate was still the thing my father built, a structure of loyalty and obligation and blood that held its shape because everyone inside it agreed on what the shape was. I am beginning to understand that ten years is a long time to be away, and that the shape may have changed while I was not looking.I walk through the courtyard toward the study. The study is at the back of the house, a small room with a window that looks out over the olive groves and a desk that belonged to my father, and on the desk there is a telephone and a ledger and the leather folder that Matteo placed there three minutes ago. I open the folder. I take out
The unpaved road rises through the olive groves like a scar that never healed right, white limestone dust and broken stone, and I stand in the shadow of the gatehouse arch watching the black sedan climb it. I have been watching for an hour. I knew it was coming before dawn, when the air still held the night's chill and the swallows had not yet begun their work in the eaves, because my uncle's people called from Bari to say the American had landed and was on her way, and because in the three days since I returned to this place I have learned to listen for the things that are already in motion before they arrive.The sedan moves slowly. The driver is one of ours, a man named Rocco who has been with the family since before I left for Buenos Aires, and he knows the road well enough to avoid the worst of the ruts. But the American does not know the road. She is a shape behind the rear window, dark hair and a stillness I can see even from this distance, and as the car climbs the last rise I
My father comes up the stairs from the catering kitchen, and I hear him before I see him. He climbs the way he does everything now, with the distracted gravity of a man whose body is in one place and his mind is in ten others, all of them on fire. He is sixty-one years old, and the last three years have carved lines into his face that I do not remember from before. When he reaches the kitchen doorway, he stops and looks at me, then at Enzo, then at the pan of burned eggs."You're burning the eggs," he says."I know," Enzo says.My father does not say anything else. He crosses to the table and sits down across from me, and I can smell the kitchen on him, the garlic and the fry oil and the clean sharp scent of the bleach he uses on the counters at the end of every shift. He folds his hands on the table. His knuckles are swollen, the way they get in winter, but it is June and the heat is already pressing against the window glass."You're working," he says. It is not a question."Sicilian
I set the coffee cup down on a stack of Sicilian land deeds and watch the steam curl upward into the morning light that cuts through the kitchen window. The cup is the same one I have used since I was fifteen, a heavy ceramic thing with a hairline crack running from rim to base, and I know exactly where to place my thumb so the heat does not reach the fracture. Below me, through the worn linoleum, the catering kitchen is already alive. Garlic hits the hot oil in the big steel pans, a sound I have been hearing since I could stand on a stool and watch my father work, and the smell rises through the floorboards the way it always does, sharp and familiar and a little tired.The deed in front of me is from 1923. I have been translating it for the better part of an hour, my pen moving in the margins, turning the formal Italian of a long-dead notary into English that a Manhattan lawyer can bill for. The property in question is a small vineyard outside Marsala, and the clause I keep circling






Welcome to GoodNovel world of fiction. If you like this novel, or you are an idealist hoping to explore a perfect world, and also want to become an original novel author online to increase income, you can join our family to read or create various types of books, such as romance novel, epic reading, werewolf novel, fantasy novel, history novel and so on. If you are a reader, high quality novels can be selected here. If you are an author, you can obtain more inspiration from others to create more brilliant works, what's more, your works on our platform will catch more attention and win more admiration from readers.