Mafia’s Virgin Bride

The elevator whispered closed behind me like a mouth sealing shut.

I stood frozen, palms pressed together in front of me like I was in church. The man beside me — tall, broad, blank-faced — didn’t look at me once. He hadn’t spoken since opening the black car door twenty minutes ago. Not when I asked where we were going. Not when I fumbled to tie my coat shut with trembling fingers. Not when I almost tripped on the marble floor of the lobby.

I had the feeling he’d been trained to ignore fear. Or maybe trained to enjoy it.

The elevator was a box of polished chrome and gold accents — it gleamed like wealth trying too hard not to. Each surface reflected my back at myself, distorting me into stretched shadows. My lips were too dry. My braid too tight. My jacket too thin for how cold I felt inside.

The numbers above the doors blinked upward slowly.

53… 54… 55…

I swallowed and glanced at my reflection again — eyes too wide, like prey. The kind of girl who’d say please if someone pressed a gun to her ribs. The kind who said yes before she was ready.

The city sprawled behind me through the glass rear wall of the elevator. New York looked strangely small from here — delicate and gray and unreachable. I wondered if my brother was looking up at the same building, wondering if I’d survive what was waiting above.

57… 58…

I glanced sideways at the man next to me. He didn’t blink. The line of his jaw was carved in stone. His black jacket had a faint lump beneath the arm — gun. Of course. The Morettis weren’t subtle.

My fingers twitched.

“Can I…” I started, then caught myself. The man didn’t turn. Didn’t even acknowledge that I had a voice.

I swallowed it down. I wasn’t here to talk.

I was here to sign myself away.

60.

The elevator stopped with a soft chime. The kind you might hear in a hospital. Sterile. Clean. No one to scream.

The doors slid open, and the silence that waited on the other side was worse than anything.

Just carpet, glass, shadows… and a cold voice down the hall saying,

The man beside me didn’t touch me, but I felt him move — a subtle shift of his shoulder, the stiff sound of fabric — and then I stepped forward like I was trained to.

The hallway stretched long and dead-silent. Carpeted so my boots made no sound. Soft lighting overhead, glass walls to the left and right. The city lights glimmered far below, indifferent. I walked like I was floating. Not in some beautiful, poetic way. Like I’d been cut loose from gravity. From myself.

At the end of the hallway: a set of tall, black glass doors. And behind them, the thing I had agreed to face.

The guard opened the door without knocking.

There were two men inside.

One sat behind a large obsidian desk, his hands folded in front of him like a statue waiting for worship. He didn’t rise. He didn’t smile. He didn’t speak.

The other stood at his side, slightly older, thinner, with a slim black folder in his hands. Lawyer. I could tell from the polished shoes, the neutral expression, the way he was already glancing at me like I was a signature line, not a person.

“Miss Russo,” the lawyer said, nodding once. “Please, come in.”

I took one step.

And then I saw him.

Dante Moretti.

I’d seen his photo once — in a file Giovanni had stolen from a rival courier. A surveillance image: grainy, dark, nothing more than a silhouette stepping into a car.

That did not prepare me for the real thing.

He didn’t look like a man. He looked like something carved out of night and sculpted into shape by control alone. Black suit, shirt buttoned to the throat, no tie. Hair black, short, cruelly neat. The kind of face people looked away from. Not because it was ugly — it wasn’t — but because it looked like it knew things about you you didn’t want to know.

And his eyes.

They were fixed on me with the stillness of a loaded gun.

No interest. No welcome. Just… calculation. Like he was assessing a piece of meat he wasn’t sure he wanted to buy yet.

“Please, have a seat,” the lawyer said again, gesturing to the leather chair across from Dante’s.

I sat.

The silence stretched.

I could hear myself breathing. I hated it. It sounded weak. Fragile.

The lawyer opened the folder. “You understand, Miss Russo, that this arrangement was offered as a means of settling your brother’s debt to the Moretti family.”

I nodded once.

He slid a thick stack of paper toward me. A silver pen beside it. “You are agreeing to a legal and binding marriage with Dante Moretti. You will have no claim to his fortune, his name, or any estate beyond what is stated in the agreement. You will act as wife in appearance only.”

Wife in appearance only.

Like that meant I’d be safe.

The lawyer continued reading, but my eyes flicked upward — to Dante.

He still hadn’t moved. Still hadn’t said a word.

But he was watching me.

Unblinking.

Like he was waiting to see which part of me would break first.

I looked down at the papers again, just to escape that stare. My throat was dry.

“You may review the terms,” the lawyer said. “Though I advise expediency. Mr. Moretti’s time is limited.”

Right. Of course it was.

Because people like me didn’t matter to men like him.

Just as I reached for the pen, a quiet clink broke the silence — Dante lifting a crystal glass from the table beside him. He sipped, slow. Watching me the entire time. It wasn’t thirsty. It was something else. Like the taste reminded him of what he already owned.

I swallowed. My hand hovered over the pen.

A single thought screamed through me: Don’t look up.

So of course I did.

And Dante smiled.

Just barely.

The kind of smile that didn’t reach his eyes, didn’t touch his face, didn’t offer comfort — it promised destruction.