FAZER LOGIN
Aurora's POV
"Aurora, open this door. Are you dead or something?"
Megan's voice cuts through the bathroom door, sharp and annoyed, and then the handle jerks hard under her hand.
For one sick second, my whole body locks.
Dead.
The word slams into me so hard my fingers slip against the sink. I stare at my reflection and stop breathing.
Twenty-six. Alive. Unbroken.
But I died; I know I died.
I still remember the cold floor under my body. Damien is standing over me. Megan laughed behind him, like my life ending was a problem finally solved. I remember trying to breathe and getting nothing. I remember thinking, right before everything went black, that I should have never trusted any of them.
Then I opened my eyes here. Six years earlier. Same apartment. Same bathroom. Same voice outside the door.
"Aurora!" Megan bangs once more. "If you're alive, answer me!" I force air into my lungs and grip the sink harder.
This is real; I am back, and everyone who ruined me is still exactly where I left them.
I have three years before Damien steals my designs. Three years before my father stopped believing me. Three years before I end up on that floor.
Not this time.
"Aurora, I need your red dress. The one in your closet. Hurry up."
There it is. Not a hello. Are you okay? Not even fake concern; just take.
My throat tightens for a second, not from sadness but from the force of memory. I know that dress. I know exactly what she does with it. She wears it to the Cross Media dinner, spills wine on it, returns it without apology, then stands there and watches me cry like I am embarrassing her.
In my first life, I handed over everything.
I turn on the tap and splash cold water on my face.
Not this time. "It's at the dry cleaner," I say.
Silence, then suspiciously, "Since when do you dry-clean that dress?"
Since I stopped being stupid, I think. "Since I felt like it," I say instead. "Was there something else?" Another pause. Longer this time.
I can almost hear her thinking through it, testing the shape of my voice, looking for the old Aurora in it.
She won't find her.
A few seconds later, her footsteps move away.
I let out a breath and unlock the door.
Megan is in the kitchen, pouring herself coffee like she pays rent here. She does not turn around right away. She never rushes when she thinks she already has the upper hand.
Then she glances at me over her shoulder, and I see the exact moment she notices something is off. Not enough to name, but enough to bother her. She is wearing my cream sweater. The one she said she had not seen. Of course she is.
"Damien called," she says. "He wants to know if you're coming to his father's dinner on Friday."
"I haven't decided."
That gets her full attention.
She turns all the way around now, mug in hand, eyes moving over my face like she is checking for cracks. "You haven't decided?" she repeats.
"No."
Her brows lift. Just slightly. Megan has always been good at pretending her surprise is concern.
"You seem weird today."
I walk past her and pick up my phone from the counter, mostly so I have something to do with my hands. "I didn't sleep well." She keeps looking at me.
In my first life, that used to work. It used to make me explain myself. It used to make me rush to fix whatever she quietly suggested was wrong with me.
Today, I just let her stare. Something cold passes through her expression. Fast. Gone in a second, then the smile comes back.
"Tell Damien yes," she says lightly. "It'll be good for you to get out."
Good for me. I almost laugh.
What she means is useful for them.
Friday's dinner is not just dinner. It is a doorway. In my first life, Megan made sure I missed it. She convinced me to stay home and finish a design deadline that somehow became urgent that same afternoon. I believed her. She went in my place. By the time I understood what I had missed, Damien was already building his future on top of mine.
"I'm thinking about it," I say.
Megan studies me one last time, then shrugs and heads for the door like she is too above all this to care. She leaves. The second the door shuts, the apartment goes quiet.
Too quiet.
I stand there and press my palm flat against the counter to steady myself.
This is the part no one talks about in revenge fantasies. The part where your body remembers before your mind catches up. The part where every ordinary thing feels wrong because you already know how it ends.
My portfolio.
That is the first thing I move for.
I turn, cross the room fast, and pull open the drawer where I used to keep my main design folder. My fingers shake once when I touch it.
Still here.
I open it.
Page after page. Original sketches. Fabric notes. Draft labels. Early logo work. The first clean bones of the fashion line Damien later takes from me, piece by piece, while calling it love, partnership, and future.
I close the folder and hold it against my chest for one hard second.
Then I put it down.
One thing at a time. Friday first.
And somewhere inside Friday, whether I understand it yet or not, is another name I cannot stop thinking about.
Sebastian Reed.
I do not know him. Not really. But I know he matters. In my first life, I understood that too late. This time, I will be in that room when our paths cross.
My phone buzzes in my hand. I look down, expecting Damien, unknown number, just one message. I know you don't belong here, Aurora.
Every part of me goes still. I read it once. Then again, the air in the room changes.
Not because of the words themselves. Because of what sits underneath them.
Not who I am, but what I am.
My thumb hovers over the screen. My first stupid thought is Megan. My second is Damien. But no. Neither of them would say it like this. Neither of them knows enough to say it like this.
I put the phone down.
Pick it back up.
My pulse is loud now. Too loud.
I have spent every minute since waking up planning for Damien. Planning for Megan. For Victoria. For Friday. For every move I remember from the life that killed me.
I did not plan for someone who already knows I came back.
The phone buzzes again. same number.
One new message.
I can see you right now. Put the phone down and go to Friday's dinner. We need to talk. And Aurora, smile. You look exactly like her.
My blood turns to ice. Her, I look at the door.
Then the window, then the dark screen of the turned-off television. Whoever this is, they are not guessing. They are watching, not later. Not from memory.
Now.
Close enough to know where I am standing. Close enough to know what my face looks like while I read their message. Close enough to know there is someone else I am supposed to remind them of.
Someone tied to everything, I died, not understanding. My hand tightens around the phone so hard it almost hurts. This morning, I woke up thinking I was the only one carrying the truth.
I was wrong. Someone has been waiting for me to come back.
And they are close enough to see me breathe.
I am not the only one who remembers something I was never supposed to know.
And whoever sent those messages is already inside my second life.
Aurora’s POV“What did you just say?”I don’t recognize my own voice. The room has gone so quiet I can hear the faint electrical buzz from the screens on the wall. No one on the board speaks. No one in the study moves.Catherine doesn’t look at me. She looks at Nadia and says it again. “Because she was my husband’s daughter.”Nadia goes pale, not shocked pale. Worse than that. The kind that starts somewhere deep and works its way up until even breathing looks difficult.Sebastian doesn’t look at anyone. He stares at Catherine like she just reached into his chest and pulled out the last thing he still wanted to believe about his father and held it up for the whole room to see.Vincent says, “Enough.” It is the first time tonight the word sounds like it came from a man losing the shape of the room.Catherine turns her head slightly toward him. “No. Not enough. Not after all this time.” The board screens are still live. Every face is still there, watching. Good. Let them watch. Let them
Sebastian’s POV“Let her go.”My voice comes out flat, not loud, not emotional; it still cuts through the room.Vincent has one hand locked around Nadia’s wrist and the other braced at her shoulder, angling her just enough toward the window to make the threat believable. He doesn’t need a weapon. Not yet. He has always preferred people as leverage when paper stops working.The board screens are still live. Good, let them see him like this.Aurora sees it too. Her eyes flick once toward the monitor wall, then back to Vincent. She still has the bag. The pages. The evidence. Her face gives away nothing. Good girl.Vincent’s voice stays low. “Page one.”Nadia doesn’t fight him.That catches my attention. Not because she’s giving in. Because she’s thinking. Her body has gone very still in that dangerous way people do when panic would cost them more than pain.Arthur says, “You’ve already lost.”Vincent doesn’t look at him. “No. I’ve just run out of polite ways to win.” The woman on the cen
Aurora’s POV“Who authorized this session?”The voice blasts through the boardroom speakers before any of us move. Another screen lights up.Then another, men in suits. One woman with silver hair and sharp eyes. Faces arranged in neat little squares across the wall, all of them wearing the same expression: irritation first, confusion second.Then one of them sees the name at the top of the call.ADRIAN REEDAnd everything changes.“Adrian?” an older man says sharply. “What kind of sick joke is this?” No one in the room breathes.Sebastian is still in the chair. One hand on the table. Jaw is hard. Eyes fixed on the screens like he can force the room to obey if he stares long enough.Arthur moves first. He takes one slow step forward and says, “No joke. But if you disconnect in the next thirty seconds, Vincent Reed takes this company somewhere it does not come back from.”That gets them not trust, but attention. On the middle screen, the silver-haired woman leans in. “Arthur?” “Yes.” “W
Sebastian’s POV“What board call?”The question leaves my mouth before anyone else moves.Arthur’s voice comes through the speaker again, thinner now, rougher. “Emergency board session. Founder clause. If Vincent gets the vote before sunrise, he freezes every Foundation record and locks you out of the company system.”That lands exactly where it should, not in the room. I knew, of course, he would do it this way, not with blood. With bylaws, not by running. By making sure the truth cannot outlive the morning.Vincent smiles at that. Small. Controlled. Back in his hands now that the fight has moved onto ground he understands better than any of us. “I told you,” he says. “Paper changes empires.”Aurora lifts the gun a little higher, not at his head, but at his chest. “Then let's see how much yours changes when you miss the call.” For one second, even I stop and look at her. She is pale. Tired. Bruised. Her hand should be shaking more than it is; it isn’t. Good.Vincent sees it too. Inte
Aurora’s POV“Give me the page.”Vincent says it like the whole house still belongs to him.I’m on my knees on the stair, page one crushed in my fist; Victoria is on the floor behind me, Megan is sobbing somewhere to my left, and Sebastian is half crouched beside me, ready to move.And Vincent is smiling. I hate that smile. “No,” I say. He tilts his head slightly. “You’re running out of ways to say that and stay alive.” “Then I’ll start repeating myself.”Sebastian moves one step down, enough to put more of himself between Vincent and me. “You should leave.”Vincent’s eyes flick to him. “You’re still confused about who gives orders in this house.” “No,” Sebastian says. “I’m clearer than I’ve ever been.”Lucas is already moving Victoria away from the gun. Nadia comes up the stairs fast, stops when she sees Vincent, and goes completely still. Good. Let him see her. Let him look at the girl he spent twenty-six years trying to erase and understand she is still here.Vincent sees her. Some
Aurora’s POV“Turn around.”Sebastian says it before I do.Lucas has already started to. Good, because if I had to say it myself, it would sound too much like panic. And I am not panicking, not yet. Megan stayed with page one. Inside a room Vincent had already prepared to break.That was not an accident; that was a choice, and choices matter more than blood in families like this.The car turns hard at the end of the street. Nadia braces one hand against the back of my seat, still coughing slightly but steadier now. “She could be dead,” Nadia says. “No,” I say too quickly.Sebastian looks at me. I hear it too, too quick, too sure. So I force myself to say it again properly.“No. If Vincent wanted Megan dead, he had years to make it happen quietly.” I stare ahead. “He wants control. Not bodies. Bodies are messy.”Nadia is silent. Good. Let her think through that. Let all of us think through it.The windows of Reed House are dark now. Too dark. The kind of darkness that doesn’t mean slee







