FAZER LOGINAurora's POV
"You look tired."
That is the first thing Damien says when I open the door.
I almost laugh.
Not because it is funny, but because in my first life, those exact words used to send me straight back to the mirror. He said it with concern. He wore it like control. A quiet way of reminding me that even my face was something he had opinions about.
"Come in," I say, and step aside.
He walks past me, and something in his cologne, familiar, expensive, and deliberately chosen, makes my stomach turn in a way I don't let reach my face. He is smiling. That warm, easy smile that took me three years to see through.
I see through it now. "I made tea," I say, moving to the kitchen.
"Since when do you make tea at night?" "Since I felt like it."
I feel him pause behind me. Good.
I pour two cups and sit across from him and let him look at me. He is doing the thing he always does when something is slightly off; he gets softer. Shoulders drop. Voice drops. He leans in like he is letting me into a secret.
"I feel like I haven't really seen you lately," he says. "Like you've been somewhere else."
"I've been right here."
"You know what I mean."
I do.
He means the Aurora who made herself small so he could feel large. The one who handed over her designs without reading the contracts because he said, "Trust me," and she did. The one who watched her own name disappear from everything she created and told herself it was a partnership.
I pick up my cup. Take a slow sip. Set it down.
"Tell me about Friday," I say.
He talks.
I listen to everything underneath the words. The way he skips over the guest list too quickly. The way he drops one name like it is nothing, buried in the middle of a sentence, is casual, almost an afterthought.
Sebastian Reed.
My hand tightens slightly around my cup.
Sebastian Reed is not an afterthought. He is the CEO of Reed Global Enterprises. One of the most powerful men in this city. Damien dropping his name like a passing detail means Friday is not just a dinner.
It is a move.
And I am the piece he is planning to use.
In my first life, Megan convinced me to skip that dinner. I stayed home while she walked into every room I should have been standing in. By the time I understood what that one night cost me, everything was already gone.
"I'll come," I say.
Something flashes across Damien's face. Relief fast, involuntary, and immediately covered.
He reaches across the table and covers my hand with his.
"I'm glad." His thumb moves across my knuckles. "I want you there with me."
His hand is warm. Familiar. I remember when that warmth was the thing I built my whole sense of safety around. I remember what it felt like to believe it was real.
I turn my hand over under his and squeeze once gently, the way the old Aurora would, and watch the relief settle all the way into his face. Watch him decide that whatever was different about me tonight was temporary.
Manageable.
Already correcting itself.
Let him think that.
He stays another hour. When he leaves, he kisses my forehead and calls me his girl, and I close the door behind him and stand in the silence and count to ten before I move.
Then I go straight to my desk.
I pull out the notebook I started this morning, the one no one knows about, the one where I have been writing every name, every date, every move I remember from my first life with the precision of someone who already knows how the story ends.
I open it to Friday's page.
Write Sebastian Reed's name at the top. Stare at it.
In my first life, that name came to me too late. In this one, it keeps surfacing before everything else does, not like a memory, more like a direction. Like something the story is already moving toward, whether I plan for it or not.
I don't understand it yet.
But I am going to be in that room on Friday.
My phone buzzes.
I reach for it, expecting Damien to follow up with a text, warm and calculated, designed to close whatever distance he felt tonight.
Same unknown number, new message.
Friday. Don't be late, Aurora. I put the phone down.
Pick it back up and read it again.
This morning, they told me they could see me. They told me I looked like someone. They told me to go to Friday's dinner like they already knew I needed to be there before I knew it myself.
Now this.
They are not warning me.
They are not threatening me.
They are directing me with the calm, specific confidence of someone who already knows exactly how Friday ends and wants to make sure I show up for it.
My hands are flat on the desk.
My breathing is steady.
But my mind is moving fast now, faster than I can organize, because there is a thought sitting at the edge of everything that I have been trying not to look at directly since this morning.
What if this person isn't watching my second life unfold? What if they are the reason I got one? I look at the phone. I wrote Sebastian Reed's name in my notebook. At the door Damien just walked out of.
Three separate things that are starting to feel like they belong to the same sentence. I just don't know what the sentence says yet. Someone directed Aurora back to Friday's dinner before she decided to go herself.
Someone knew about Sebastian Reed before Aurora understood why his name mattered, and Aurora, who came back believing she was the one holding all the answers, is beginning to think that someone else wrote the questions.
Aurora’s POV“What did you just say?”I don’t recognize my own voice. The room has gone so quiet I can hear the faint electrical buzz from the screens on the wall. No one on the board speaks. No one in the study moves.Catherine doesn’t look at me. She looks at Nadia and says it again. “Because she was my husband’s daughter.”Nadia goes pale, not shocked pale. Worse than that. The kind that starts somewhere deep and works its way up until even breathing looks difficult.Sebastian doesn’t look at anyone. He stares at Catherine like she just reached into his chest and pulled out the last thing he still wanted to believe about his father and held it up for the whole room to see.Vincent says, “Enough.” It is the first time tonight the word sounds like it came from a man losing the shape of the room.Catherine turns her head slightly toward him. “No. Not enough. Not after all this time.” The board screens are still live. Every face is still there, watching. Good. Let them watch. Let them
Sebastian’s POV“Let her go.”My voice comes out flat, not loud, not emotional; it still cuts through the room.Vincent has one hand locked around Nadia’s wrist and the other braced at her shoulder, angling her just enough toward the window to make the threat believable. He doesn’t need a weapon. Not yet. He has always preferred people as leverage when paper stops working.The board screens are still live. Good, let them see him like this.Aurora sees it too. Her eyes flick once toward the monitor wall, then back to Vincent. She still has the bag. The pages. The evidence. Her face gives away nothing. Good girl.Vincent’s voice stays low. “Page one.”Nadia doesn’t fight him.That catches my attention. Not because she’s giving in. Because she’s thinking. Her body has gone very still in that dangerous way people do when panic would cost them more than pain.Arthur says, “You’ve already lost.”Vincent doesn’t look at him. “No. I’ve just run out of polite ways to win.” The woman on the cen
Aurora’s POV“Who authorized this session?”The voice blasts through the boardroom speakers before any of us move. Another screen lights up.Then another, men in suits. One woman with silver hair and sharp eyes. Faces arranged in neat little squares across the wall, all of them wearing the same expression: irritation first, confusion second.Then one of them sees the name at the top of the call.ADRIAN REEDAnd everything changes.“Adrian?” an older man says sharply. “What kind of sick joke is this?” No one in the room breathes.Sebastian is still in the chair. One hand on the table. Jaw is hard. Eyes fixed on the screens like he can force the room to obey if he stares long enough.Arthur moves first. He takes one slow step forward and says, “No joke. But if you disconnect in the next thirty seconds, Vincent Reed takes this company somewhere it does not come back from.”That gets them not trust, but attention. On the middle screen, the silver-haired woman leans in. “Arthur?” “Yes.” “W
Sebastian’s POV“What board call?”The question leaves my mouth before anyone else moves.Arthur’s voice comes through the speaker again, thinner now, rougher. “Emergency board session. Founder clause. If Vincent gets the vote before sunrise, he freezes every Foundation record and locks you out of the company system.”That lands exactly where it should, not in the room. I knew, of course, he would do it this way, not with blood. With bylaws, not by running. By making sure the truth cannot outlive the morning.Vincent smiles at that. Small. Controlled. Back in his hands now that the fight has moved onto ground he understands better than any of us. “I told you,” he says. “Paper changes empires.”Aurora lifts the gun a little higher, not at his head, but at his chest. “Then let's see how much yours changes when you miss the call.” For one second, even I stop and look at her. She is pale. Tired. Bruised. Her hand should be shaking more than it is; it isn’t. Good.Vincent sees it too. Inte
Aurora’s POV“Give me the page.”Vincent says it like the whole house still belongs to him.I’m on my knees on the stair, page one crushed in my fist; Victoria is on the floor behind me, Megan is sobbing somewhere to my left, and Sebastian is half crouched beside me, ready to move.And Vincent is smiling. I hate that smile. “No,” I say. He tilts his head slightly. “You’re running out of ways to say that and stay alive.” “Then I’ll start repeating myself.”Sebastian moves one step down, enough to put more of himself between Vincent and me. “You should leave.”Vincent’s eyes flick to him. “You’re still confused about who gives orders in this house.” “No,” Sebastian says. “I’m clearer than I’ve ever been.”Lucas is already moving Victoria away from the gun. Nadia comes up the stairs fast, stops when she sees Vincent, and goes completely still. Good. Let him see her. Let him look at the girl he spent twenty-six years trying to erase and understand she is still here.Vincent sees her. Some
Aurora’s POV“Turn around.”Sebastian says it before I do.Lucas has already started to. Good, because if I had to say it myself, it would sound too much like panic. And I am not panicking, not yet. Megan stayed with page one. Inside a room Vincent had already prepared to break.That was not an accident; that was a choice, and choices matter more than blood in families like this.The car turns hard at the end of the street. Nadia braces one hand against the back of my seat, still coughing slightly but steadier now. “She could be dead,” Nadia says. “No,” I say too quickly.Sebastian looks at me. I hear it too, too quick, too sure. So I force myself to say it again properly.“No. If Vincent wanted Megan dead, he had years to make it happen quietly.” I stare ahead. “He wants control. Not bodies. Bodies are messy.”Nadia is silent. Good. Let her think through that. Let all of us think through it.The windows of Reed House are dark now. Too dark. The kind of darkness that doesn’t mean slee







