INICIAR SESIÓNMarianna.
Alina Lindqvist.
In case you’re not a fan of motorsports, or if you’ve somehow managed to avoid the internet for the last five years, let me introduce you to Duane Richter’s public dating history. (And for the record, I haven’t been obsessively following his every move like a crazy fangirl; this information comes purely from Wikipedia, I swear.)
First, there was Sofia Adler, a fiercely competitive endurance driver. After they split, he briefly dated two high-profile influencers whose names blur together in a cloud of I*******m filters, VIP lanyards, and sponsored posts. And then he met the woman who seems to have been the most important to him: Alina Lindqvist. Their relationship has been notoriously on-and-off, providing endless fodder for the tabloids.
My primary takeaway from all of this data? He clearly has a very specific thing for tall, impossibly beautiful blondes.
Of course, knowing that intellectually doesn’t stop me from feeling a crushing, suffocating wave of insecurity the second I see her standing there.
She's even more beautiful in person, which seems cosmically, maliciously unfair. Tall—at least five-foot-ten, maybe more—with cheekbones that could cut glass and long legs that go on for approximately forever. She's wearing a white, tailored designer set, her blonde hair falling over her shoulders in perfect, effortless waves.
She is currently holding a crystal glass filled with Duane's expensive sparkling water, looking out the floor-to-ceiling windows. At the sound of my wet, squeaky sneakers on the marble, she turns.
Her ice-blue eyes drop to my generic plastic grocery bag, then travel slowly, deliberately up my body. She stares at me like I'm a cockroach that just crawled out of her soup.
"Who are you?"
Her accent is Swedish, clipped and precise.
"I—" My voice comes out as a squeak. I clear my throat, my face already burning with mortification. I try again. "I'm Marianna. Marco's sister. Marco Reyes? He's Duane's friend."
She doesn't say anything immediately. Instead, she takes a slow sip of her water, her eyes dragging over me once more. Taking in the oversized black hoodie—Duane's hoodie. The rolled-up grey joggers—Duane'sjoggers. The damp, chaotic nest of my unwashed hair. The red plastic handles of the Publix bag cutting off the circulation in my fingers. The general air of a "disaster human."
One perfect, arched eyebrow lifts.
"Marco Reyes," she repeats slowly, her tone dripping with bored condescension. "Right. I remember him. He's a bit... loud."
She takes a few steps toward me, her designer heels clicking sharply against the marble floor. She stops just a few feet away, close enough that I can smell her perfume—something floral, expensive, and completely intimidating. "And you're... living here?"
"Just for a few days." I'm talking too fast, the words tumbling over each other as I desperately try to defend myself against the unspoken accusations in her stare. "My brother's out of town and I had nowhere to stay because the airline lost my luggage, and Duane offered to let me crash in the guest room until Marco gets back. It's totally platonic. We're not—I mean, there's nothing—"
I'm making this worse. I can feel myself making this worse with every desperate syllable that comes out of my mouth.
Alina's lips curl into something that's almost a smile but not quite.
"Relax." She says the word like the very concept of me being stressed is beneath her. She waves her manicured hand dismissively. "I'm not worried."
"Oh. Good. Because there's really nothing—"
"I can see that."
She takes another step closer, her gaze dropping to the grocery bag I’m clutching to my chest like a shield. She leans in slightly, her eyes narrowing as she inspects the contents visible through the thin white plastic.
"Is that... store-brand peanut butter?" she asks, her voice a mixture of genuine disbelief and disgust, as if I've just brought radioactive waste into the penthouse.
"It's just some basic stuff," I mutter, shifting my weight, desperately wishing the marble floor would open up and swallow me whole. "For lunches."
Alina lets out a soft, breathy laugh. She reaches out with one hand—her nails are painted a flawless, glossy nude—and casually pinches the sleeve of the oversized hoodie I'm wearing. I freeze.
"This is Duane's," she states. It’s not a question. "The Monaco 2022 edition. He doesn't usually let people wear his things."
"I told you, the airline lost my suitcase," I say, my voice defensive, pulling my arm back slightly so her fingers fall away from the fabric. "He left some clothes out for me. Because I had nothing else to wear. That's it."
She hums, a low, dismissive sound in the back of her throat. She turns away from me, strolling over to the massive kitchen island and setting her crystal glass down on the pristine counter. She moves around the apartment with an easy, practiced grace, treating the space like she owns it. Like she belongs here, surrounded by all this grey marble and luxury, while I stand near the door like the hired help who accidentally wandered onto the main floor.
"So, you're the charity case for the week," Alina muses, leaning her hip against the counter. She crosses her arms, looking at me with cold amusement. "He always did have a soft spot for strays. It’s one of his more exhausting traits."
I bite the inside of my cheek hard enough to taste copper, forcing myself to hold my tongue. The plastic handles of the grocery bag feel like they are slicing through my skin.
"You're not exactly his type," she adds, her eyes doing one final, sweeping assessment of my appearance. It's not even delivered as an insult. Not really. It's just a statement of fact.
I'm not his type. And this woman—this statuesque, flawless, Swedish supermodel—is the exact his type.
"I know," I hear myself say, my voice embarrassingly quiet. "I wasn't suggesting—"
"Good." She picks up her phone from the counter, checking her screen, instantly bored with the conversation now that she’s established her absolute dominance. "Where is Duane?"
"I don't know. He wasn't here when I woke up."
She makes a sharp, irritated sound. Something between annoyance and disappointment. She taps her screen a few times, her perfect mouth pressing into a thin line.
I stand there for another agonizing ten seconds, clutching my frozen pizza and cheap bread, feeling approximately two inches tall.
"I'll just..." I gesture vaguely toward the dark hallway. Toward the guest room. Toward anywhere that's not here, pinned under the gaze of this impossibly beautiful woman who just effortlessly confirmed every single fear I've always had about myself.
She doesn't respond. Doesn't even look up from her phone as I finally break and shuffle past her toward the safety of the hallway.
I'm almost to the guest room door, my hand reaching for the handle, when her voice cuts through the quiet apartment.
"Don't get any ideas, Marianna."
I stop. I turn around slowly. She's looking up from her phone now.
"About Duane," she clarifies, her voice dropping to a low, warning register. "We're not done. We're neverdone."
I just nod. I can't summon a single word in my defense. I retreat into the guest room and quietly click the door shut behind me.
I set the groceries on the floor. I don't unpack them. I just sit on the edge of the bed and stare at the wall.
I don't cry. I'm too tired to cry.
But I lie there in the grey room, surrounded by grey walls and grey sheets and the lingering scent of a man I can never, ever have, and I think:
This is rock bottom. This has to be rock bottom.
Please let this be rock bottom.
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







