로그인Isabella POV
The blue and red lights of the police cruisers pulse against the glass walls of the office like a strobe light. It is a rhythmic, accusing heartbeat.
Kidnapping.
Julian is smarter than I gave him credit for. He couldn't prove I was Isabella Vane with a shattered phone, so he decided to burn the whole house down. If I am found here, Liam goes to prison for abduction. If I reveal I am here willingly, the "Bella Smith" mask is shredded in front of the world. My father will drag me home in handcuffs of silk, and I will be back in the cage by midnight.
"Felix, go down there," Liam says. His voice is a low, dangerous calm. "Tell them I am finishing a meeting. Delay them for five minutes. Not four. Not six. Five."
Felix nods, his face the color of parchment, and disappears.
Liam turns to me. He is not panicked. He looks like a general watching a battlefield. He reaches out and grabs my shoulders. His grip is firm. It pins me to the reality of the moment.
"The police are in the lobby, Isabella. In five minutes, they will be through those doors. You have two choices."
He leans in close. I can see the reflection of the sirens in his dark pupils.
"Choice one: You walk out there. You tell them you are Isabella Vane. You play the victim. You tell them I lured you here. You go back to your father, you marry Julian, and you live the rest of your life as a calculator in a dress."
I feel a cold shiver of revulsion. "And choice two?"
"You trust me."
"Trust you?" I let out a jagged laugh. "You just admitted you’ve been stalking me since I left home. You’re using me as a weapon against my father. Why should I trust a man who sees me as a tool for revenge?"
Liam’s expression doesn't soften. If anything, it hardens. "Because I am the only person in this city who isn't afraid of Arthur Vane. And because right now, I am the only thing standing between you and a life of quiet desperation."
I look at the sapphire at my throat. It is heavy. It feels like a promise and a threat all at once.
"The service elevator is in the back of the filing room," Liam says, his voice dropping to a whisper. "It leads to the basement garage. There is a gray sedan parked in bay forty-two. The keys are in the visor."
"Where am I going?"
"To the one place Julian won't look. To the lion’s den."
The sound of heavy boots hits the marble floor of the outer office. The five minutes are up.
"Go," Liam says. He lets go of my shoulders. "Decide who you are, Isabella. A victim or a queen. But decide now."
I don't look back. I run.
The Garage
The service elevator is slow. Every second feels like an hour. When the doors finally slide open, the garage is silent and smelling of exhaust. I find bay forty-two. The gray sedan is unremarkable. It is the kind of car a middle-manager drives. It is perfect.
I find the keys. The engine purrs to life. I drive toward the exit, my heart hammering. Two police cruisers are parked at the entrance, but the officers are inside the building. I slip past them, turning onto the main road, blending into the sea of yellow taxis and morning traffic.
I follow the GPS coordinates Liam had pre-set into the car's dash. As I drive, I realize where he is sending me.
I am heading toward the Vane District. The heart of my father’s territory.
I pull into a gated apartment complex three blocks away from my father’s corporate headquarters. The security guard looks at the car, looks at my "Bella" glasses, and waves me through.
I find the unit. 50B.
I use the key from the glovebox. I expect a safe house. I expect a high-tech bunker.
Instead, I walk into a space that is filled with books, old blueprints, and the smell of cedar. It is a penthouse, but it is lived-in. There are photos on the wall.
I walk closer to the photos.
It is a younger Liam. He is standing next to a woman with a brilliant smile. They are standing in front of a small tech startup. The sign reads: Sterling & Vane.
My breath hitches.
My father never mentioned a partner. He always said he built the empire alone. But in these photos, Liam’s mother is at the center of everything. She wasn't just a partner. She was the architect.
I see a file on the desk. It is labeled: Project Medusa.
I open it. It is a blueprint for a software that can track every digital transaction in the city. It is the ultimate tool for corporate espionage. And at the bottom of the page is my father’s signature.
He didn't just steal her company. He stole her life’s work.
The door behind me opens. I spin around, the sapphire at my neck catching the light.
It isn't Liam.
It is a woman. She is older, her hair silvered at the temples, but her eyes are the same piercing dark as Liam’s.
"You must be the girl who broke Julian Miller’s heart," she says. Her voice is like velvet. "I’m Catherine Sterling. Liam’s mother."
"You... you're alive?" I stammer. "Liam said... he said the Vanes took your life."
Catherine walks into the room, leaning on a silver cane. "In the way that matters, they did. They took my name. They took my legacy. I’ve been a ghost for fifteen years, living in this beautiful cage Liam built for me."
She looks at me, her gaze lingering on the sapphire.
"You have your mother’s chin," she says softly. "She was a good woman. Too soft for Arthur."
"Why am I here?" I ask. My head is spinning.
"Because Liam thinks you are the missing piece," Catherine says. She sits in a velvet armchair. "He thinks you have the key to my father’s final encryption. The one he changed before he forced me out. Without it, Project Medusa is just a pile of code. With it... we can see everything Arthur Vane is hiding."
"I don't have a key," I say. "I was a child when all this happened."
"You have the sapphire," Catherine points to my neck. "Look at the setting, Isabella. Truly look at it."
I unclip the necklace. I turn the heavy stone over in my hands. On the back of the gold setting, there is a micro-engraving. It isn't words. It is a sequence of prime numbers.
The numbers I used to memorize as a game when I was six years old. My father called them my "princess codes."
I wasn't a princess. I was a backup drive.
Liam POV
I stand in the center of my office, my hands behind my back. Julian is standing next to a police sergeant, looking triumphant.
"There he is," Julian says, pointing a shaking finger at me. "The man who kidnapped my fiancée. Arrest him."
The sergeant looks at me. "Mr. Sterling, we have a report that Isabella Vane is on these premises."
"Search the building," I say calmly. "Search every inch. If you find a girl named Isabella Vane, I will go quietly."
The search takes forty minutes. They check the offices, the server rooms, the parking garage.
They find nothing.
"She was here!" Julian screams, his face turning a purplish red. "I saw her! She was dressed as an intern! Bella Smith!"
I look at the sergeant. "Felix, bring me the HR file for Bella Smith."
Felix hands over a folder. I hand it to the officer.
"Bella Smith is a real person," I say. "She is currently on a business trip to our London branch. She boarded a flight three hours ago. You can check the manifest."
Julian grabs the file. He rips it open. He sees the photo of a girl who looks vaguely like Isabella, but her features are different. It is a perfect deep-fake, planted in the system months ago.
"This is a lie!" Julian shouts.
"What is a lie, Julian, is your Miller Tech audit," I say, stepping forward. "The one my 'intern' finished this morning. The one that proves you’ve been embezzling from your own wedding fund."
The sergeant’s radio crackles.
"Sir, we have a problem. There’s a live broadcast hitting every major news network. It’s... it’s Isabella Vane."
Julian freezes. I turn toward the television on the wall.
The screen flickers. It is a video message. Isabella is standing in front of a neutral background. She is wearing the red dress. She looks like a queen.
"My name is Isabella Vane," she says to the camera. "I am not missing. I am not a victim. I am coming forward to announce that I am filing a federal lawsuit against my father, Arthur Vane, and my former fiancé, Julian Miller, for corporate fraud and the theft of Sterling intellectual property."
She looks directly into the lens. Her eyes are cold. Unbreakable.
"And to my father... I am coming for the throne."
The screen goes black.
Julian sinks into a chair, his head in his hands. The sergeant looks at me, then at Julian.
"Mr. Miller, I think you have some explaining to do."
I walk to the window. I look toward the Vane District. The war has moved into the light.
My phone buzzes in my pocket. A text from an unknown number.
The codes worked. I’m inside the system. But Liam... you forgot to tell me one thing.
I frown. I type back. What?
The reply comes instantly.
The police didn't find me because I left. But someone else found the safe house. I’m not alone.
I feel a cold jolt of adrenaline. I didn't send anyone else to the house.
I look at the security feed of Catherine’s apartment on my tablet.
The front door is standing open. Catherine is slumped in her chair, unconscious.
And standing over Isabella is a man in a black suit. He isn't a cleaner. He isn't a cop.
He is my father’s brother. The man who was supposed to have died ten years ago.
POV: IsabellaThe Oregon coast has a way of stripping a person down to their essentials. There is no marble here to reflect a curated image, no velvet to soften the edges of a hard day. There is only the salt, the cedar, and the relentless rhythm of the tide.I sat at the small, scarred wooden desk in the corner of our bedroom, watching the rain streak the glass. It was a different kind of rain than the ones in Manhattan—it didn’t feel like an omen of a corporate takeover. It just felt like a Tuesday.Before me lay a simple, leather-bound journal. It wasn't a tablet. It didn't have a login, a biometric scanner, or an encryption layer. It was just paper and ink. I picked up the pen and felt the weight of it in my hand.August 14th, I wrote. I forgot where I put my keys today. It took me twenty minutes to find them under a pile of mail. It was the most frustrating, wonderful feeling I’ve had all week.A year ago, forgetting was impossible. My mind had been a search engine, a perfect, cl
POV: IsabellaThe Virginia air was thick, heavy with the scent of damp earth and pine—a suffocating blanket compared to the sharp, clean ice of Iceland. We weren't flying private. We weren't even flying as the Rossis. We had crossed the border in the back of a refrigerated truck, buried under crates of produce, two ghosts returning to a haunt we had never actually lived in.Liam stood beside me in the tall grass of the valley, his eyes fixed on the structure ahead. It wasn't a tower. It wasn't a glass fortress. It was an old, converted farmhouse, surrounded by a high electric fence and a sea of black-eyed Susans. To a passerby, it looked like a rural retreat. To me, it felt like the source of a wound."This is where it started," I said. My voice was low, steady. "The 2014 trials. Before the Sterling money made it shiny.""Marcus was right," Liam said. He was holding a handheld thermal scanner Arthur had given us. The screen showed a massive heat signature deep beneath the floorboards
POV: LiamThe facility didn't just feel empty; it felt hollowed out. The silence left behind by the Julian Vane AI was a heavy, physical thing, a void where a god had once lived. Arthur Vance was already moving, his fingers dancing across a handheld terminal as he scrambled the local perimeter sensors."The Pension Board's contractors are landing at the geothermal plant four miles East," Arthur said, his voice clipped. "They aren't here for a deposition. They’ve been authorized to use 'extraordinary measures' to recover the Sterling lifeboat fund. To them, you aren't people—you’re the human passwords to three billion dollars."I looked at Isabella. She was standing by the window, her silhouette sharp against the moonlight. She looked different. The slight, constant tension in her shoulders had vanished. She was breathing with her whole body, her chest rising and falling in a slow, deep rhythm that made my own heart ache with a strange, fierce relief."The routing codes," she said, tur
POV: IsabellaThe port of Reykjavik didn't look like a sanctuary. It looked like the end of the world. Sharp, volcanic rock met a sea the color of bruised slate, and the air carried a chill that didn't just bite—it felt like it was trying to hollow you out from the inside.Liam held my hand as we stepped off the freighter's gangway. The dock was empty, save for a single, silver car idling near a stack of rusted shipping containers. There were no customs officials. No police. Just the low, haunting moan of the wind through the harbor cables."The manifest said they were expecting us," Liam said, his voice tight. He hadn't let go of the tablet. "But 'Reykjavik Control' isn't a person. It’s an automated relay.""My father’s voice, Liam," I whispered. "I know it. I lived with it in my head for years. That wasn't a recording. The inflection... it responded to the ship’s call sign.""We’ll find out," he said.We walked toward the car. The door opened automatically. There was no driver. The
POV: LiamThe Atlantic didn’t care about corporate hierarchies. It didn't care about the fall of the Sterling name or the death of a digital goddess. Out here, three hundred miles from the nearest coastline, the world was a vast, churning slate of charcoal grey and white foam.I stood on the narrow deck of the Seraphina, a mid-sized freighter that smelled of diesel and salt. The wind was a physical force, a cold hand pressing against my chest, threatening to push me back into the steel railing. I looked down at my hands. The bandages were gone, replaced by thin, pink scars that stung in the salt spray. They were the only physical proof I had left of the night at the medical wing."You should be inside," a voice said over the roar of the engines.I turned to see Isabella—Sarah—standing in the doorway of the bridge. She was wearing a heavy, oversized wool sweater Marcus had found in a thrift shop in Brooklyn. Her hair was pulled back, her face pale but clear. The waxy, translucent look
POV: IsabellaThe world was no longer made of data. It was made of cold air, the sharp scent of ozone, and the terrifying, heavy weight of my own limbs. The "Hum"—that constant, electric companion that had lived in the marrow of my bones for years—was gone. In its place was a silence so absolute it felt like a physical pressure against my eardrums.But the silence was a lie."The Share, Liam," my mother’s voice cut through the dark, sharp as a glass shard. "The gold foil. Place it on the table and step back, or I’ll find out exactly how much a human heart can take before it simply quits."I blinked, my vision slowly adjusting to the beam of the flashlight. The barrel of the gun was a dark, hollow eye inches from my face. My mother stood behind it, her lab coat stark and white, her face as motionless as the steel cabinets surrounding us. She wasn't a doctor anymore. She wasn't a CEO. She was a woman who had lost her godhood and was trying to buy it back with a bullet.Liam didn't move.







