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CHAPTER 165: Midnight

Author: Mystique
last update publish date: 2026-07-18 17:46:31

POV: Selene Castellano

She read the forwarded email three times.

Then she got up, went to the kitchen and stood at the counter in the dark.

The email was simple. No message. Just an attachment. The foundation's Q3 financial report, internal version, not the public one. The one with donor names, unreleased grant decisions, and the land trust property addresses before public announcement.

She called Diana.

It rang twice.

"I know," Diana said. She was awake. Waiting.

"Who did you send it to?" Selene said.

"Selene—"

"Who?"

A pause.

"Richard Henderson," Diana said.

Selene sat down on the kitchen floor.

Not from weakness. Just because her legs made the decision independently.

"Henderson," she said.

"He contacted me six weeks ago," Diana said. "He said he had information about the foundation that he'd make public unless I gave him something useful. He knows people. The kind of people who could reopen questions about my cooperation deal. About whether I was actually coerced or whether I participated willingly."

"So you gave him our financial records."

"He said he just wanted to know the foundation's donor structure," Diana said. "That he wasn't going to use it to harm anyone. He just wanted—"

"Diana." Selene's voice was flat. "Stop. You gave our confidential records to the man who tried to absorb this foundation six months ago because he threatened you."

"I was scared."

"I know you were scared," Selene said. "And I'm sorry he threatened you. But you came to us after the Reeves situation. You called Avalon the night we found the car outside. You had a relationship with this family that meant something. And when Henderson threatened you, you chose yourself over all of it."

Silence.

"Yes," Diana said quietly. "I did."

"What does he want with the donor structure?" Selene said.

"I genuinely don't know," Diana said. "I gave him what he asked for, and I haven't heard from him since."

"How long ago?"

"Three weeks," Diana said.

"Three weeks," Selene repeated. "He's been sitting on it for three weeks."

"Yes."

"Which means he's waiting for something," Selene said. "The right moment. The nomination announcement. Something public."

"Selene, I'm sorry—"

"I can't talk to you right now," Selene said. "I need you not to contact anyone. Not Avalon. Not Catherine. Not anyone. Can you do that?"

"Yes," Diana said.

"One thing you can actually do correctly," Selene said.

She hung up.

She woke Avalon at one AM.

He was alert immediately, reading her face before she spoke.

"Tell me," he said.

She told him.

He sat on the edge of the bed, very still.

"Henderson has our donor list?" he asked again.

"Yes."

"And the land trust property addresses?"

"Yes."

"Before they were public."

"Yes."

He stood up.

"I need to call Margaret," he said.

"It's one in the morning," she said.

"Margaret will want to know now," he said.

He was already dialling.

Margaret answered on the second ring.

"Three things," Avalon said. "Henderson has our Q3 internal financials. Diana gave them to him three weeks ago under duress. And we need to know what he can actually do with them before he does it."

Margaret was quiet for exactly four seconds.

"I'll call our legal team now," she said. "What specifically is in the Q3 internal report?"

Selene listed it from memory.

Donor names. Unreleased grant decisions. Land trust property addresses. Internal budget projections for year three.

"The property addresses," Margaret said. "Before public announcement. That's the exposure."

"Why specifically?" Avalon said.

"Because Henderson can contact those property owners before the land trust does," Margaret said. "Offer them more money. Undercut the trust's ability to complete the transactions."

"He'd use it to destroy the land trust," Selene said.

"He'd use it to look like a saviour while destroying it," Margaret said. "Buy the properties himself. Announce some Henderson philanthropic initiative. Reframe himself after the SEC investigation." A pause. "It's actually very clever."

"How do we stop it?" Avalon said.

"Move faster than him," Margaret said. "How many properties are in assessment?"

"Four," Selene said.

"Contact all four owners tonight," Margaret said. "Lock in the transactions before Henderson can reach them."

"It's one in the morning," Avalon said.

"Henderson doesn't sleep," Margaret said. "Neither do we. Tonight."

Selene called James at one fifteen.

He answered on the first ring.

"I need the contact information for all four land trust property owners," she said. "Right now."

"What happened?" he asked.

She told him.

He was silent for exactly two seconds.

"I am sending the contacts now," he said. "I'm calling Nadia. We'll split the four between us."

"James—"

"Go," he said. "Call yours. I'll handle mine."

She called the first owner at one thirty.

A woman named Rosa Gutierrez, who is seventy three years old, and had owned her property in the Mission for forty years.

Rosa answered on the fourth ring, voice rough with sleep.

"Ms Gutierrez," Selene said. "My name is Selene Castellano Pierce. I'm calling from the Pierce Foundation. I'm sorry to wake you, but I need five minutes, and I cannot wait."

A pause.

"Is something wrong with the land trust?" Rosa said.

"Someone is going to try to reach you in the next twenty-four hours with an offer for your property," Selene said. "I need to know if you're still committed to the trust before that happens."

"Who is going to reach me?" Rosa asked.

"A man named Richard Henderson," Selene said. "He'll offer you more money than the trust. Possibly significantly more."

"Why are you telling me this?" Rosa said. "Most people wouldn't warn me."

"Because your property in the trust means a family who can't afford San Francisco gets to stay in San Francisco," Selene said. "Henderson's offer means he gets to feel good about himself while that family goes somewhere else." She paused. "I think you already know which one you want. I just wanted to make sure nobody got to you before I did."

Silence.

"I've owned this building for forty years," Rosa said. "My mother cleaned houses in this neighbourhood. My father painted them. I'm not selling to a man in a suit so he can put his name on something."

"Thank you," Selene said.

"Don't thank me," Rosa said. "Just make sure the trust moves quickly."

"The paperwork will be on your doorstep by nine AM," Selene said.

"Good," Rosa said. "Goodnight, Ms Pierce."

By three AM, all four property owners had been reached.

James had his two.

Nadia had hers.

Selene sat at the kitchen table with the results in front of her.

Four owners. Four commitments. All documented, all timestamped, all legally binding before Henderson could make a single call.

Avalon set a cup of tea beside her.

Sat across from her.

"All four," he said.

"All four," she said.

"Henderson has nothing now," he said. "The records are useless if the transactions are already committed."

"He still has the donor names," she said. "He could go to the press and make it look like the foundation's donors are compromised somehow."

"Can he?" he said.

"Amara says no," she said. "The donor list is clean, and there's nothing to compromise."

"So he has nothing," he said.

"He has nothing," she agreed.

She picked up the tea and looked at the window.

"We need to deal with Diana properly this time," she said. 

"Yes," he said.

"Not tonight," she said. "Tonight we sleep."

"Can you sleep?" he asked.

"Probably not," she said. "But I'm going to try."

She was almost at the bedroom door when her phone rang.

James.

She answered.

"Henderson called me," James said. "Two minutes ago, and he knows we've locked in the transactions."

"How?" she said. "It's three AM."

"He has someone watching the foundation's legal filings," James said. "He saw Nadia's paperwork hit the system."

"What did he say?" she asked.

"He said the donor list goes to the press tomorrow morning unless we give him something."

"What does he want?" she said.

"He wants a seat on the foundation board," James said. "His name on the work. That's all he's ever wanted."

Selene looked at Avalon.

He was already beside her.

He'd heard.

"Tell him no," she said.

"He'll go to the press," James said.

"Then he goes to the press," she said. "Our donors are clean. The work is clean. We have nothing to hide, and he knows it." She paused. "Tell him the answer is no. Tonight. Tomorrow. Every time he asks."

"And if he finds something?" James asked. "Something we don't know about."

Selene thought about that.

About the foundation's entire year.

The displacement bond acknowledgement. The oversight committee. The transparency reports. The conversations with Gloria Reyes and Rosa Gutierrez at one thirty in the morning.

"There's nothing to find," she said. "We've been honest about everything. That's the whole point."

She hung up.

Stood in the corridor with Avalon.

"He's not going to stop," Avalon said.

"No," she said. "He's not."

"Then we need to end this," he said.

"How," she said.

He was quiet for a moment.

Then: "We go public first. Everything. Diana. The records. Henderson's threat. All of it. Before he can shape the story."

She looked at him.

"Rachel Reeves," she said.

"She wrote the piece about the foundation honestly," he said. "I am sure she'll write this honestly too."

"It'll be messy," Selene said.

"It's already messy," he said. "The question is whether we control the mess or he does."

She stood in the corridor at three in the morning, thirty-one weeks pregnant, looking at her husband.

"Call Rachel Reeves," she said.

"Now," he said.

"Now," she said.

He picked up his phone.

Rachel Reeves answered on the second ring.

At three in the morning.

Like she'd been waiting.

"Mr Pierce," she said. "I wondered when you'd call."

Avalon looked at Selene.

"What do you mean?" he said.

"Henderson called me two hours ago," Rachel said. "He offered me the donor list exclusively and said it would be the story of the year."

"What did you say?" Avalon asked.

"I said I'd think about it," Rachel said. "Then I waited to see if you'd call first."

"Why?" Avalon said.

"Because the better story," Rachel said, "is always the one the foundation tells about itself."

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