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Five: Wren

last update آخر تحديث: 2025-12-10 12:06:14

I wake up to the smell of my own sweat and the feeling that someone’s poured acid into my arm and then duct-taped it back onto my body. The mattress underneath me is doing its best impression of a sponge, soaking through my shirt and the thermal layer beneath. Every time I try to turn over, I peel myself away from the damp in slow-motion, like I’m molting.

First conscious thought: Not dead. Second thought: Could be an improvement.

The room is dark, but the kind of dark that just exaggerates how shitty the lighting is during the day. My window’s cracked, letting in the wind that never actually leaves Pinecrest, and the draft needles my skin in a way that makes the sweat freeze to a chill. I don’t remember undressing, but there’s a scattered pile of clothes on the floor that suggests I made at least one good decision before passing out.

The next wave of pain crashes through, sharper now that my body’s caught up to reality. The attack comes back in flashes—teeth, fur, the burn of adrenaline. I try to flex my hand, but only the fingers on my left respond. My right arm is bandaged and braced against my chest with what looks like a cut-up bedsheet and a lot of hope. The wound throbs in time with my heartbeat, every pulse a little aftershock that threatens to split me open again.

I try to sit up and the world immediately disagrees. Everything tilts forty-five degrees and the walls slide sideways before snapping back. I manage to wedge myself upright, bracing against the headboard, which is just two planks nailed to the wall and a sticker that says “Suck Less.” The room is exactly as I left it: cramped, ugly, and somehow smaller than it was yesterday.

There’s a mug of water on the nightstand, probably from before the shift. The condensation on the side is the sexiest thing I’ve ever seen. I reach for it, but my hand is shaking so bad I barely touch the handle before knocking the whole thing over. It lands with a wet thunk on the floor, water pooling instantly, wicking into the layer of old dust and beer labels beneath my bed.

“Fuck,” I croak, but it comes out more like a hiss.

My throat feels like it’s been sandblasted. I would kill for a whiskey, but I know that’s the last thing that would help right now. The pain in my arm is blurring into my skull, a headache so intense it might be trying to break out through my eye sockets.

I flop back onto the pillow. The ceiling stares down, covered in nicotine stains and a Rorschach of mold that’s slowly colonizing the edges of the drywall. The peeling wallpaper, never properly stuck in the first place, is alive at the corners, shifting in the draft, breathing in and out with every pulse of my fever. I watch it crawl for a while, letting the room swim. Time gets weird—one second I’m counting the cracks in the plaster, the next I’m blinking through whole minutes, maybe hours.

At some point, I realize my phone is lying on my chest, screen smeared with sweat and fingerprints. I thumb it awake and check the time, but the numbers mean nothing. Two missed calls from Dana, a text that just says “???” and then another, all caps: ANSWER ME OR I’M CALLING THE COPS.

I consider texting back, but my hand isn’t cooperating. I let the phone slide off and hit the blanket with a thud. The motion nearly sends me off the bed, but I grab for the frame and manage to hold on. The pain almost makes me laugh. Almost.

My eyes drift to the window. Outside, the night’s gone blue-black, the kind of color that means morning is either hours away or will never come. I listen, trying to pick out the sounds that usually fill this part of town. Instead, I catch something else—low and distant at first, but getting closer. It’s the same howl I heard before, only this time it’s not alone. The sound splits and multiplies, a thread of voices winding through the trees at the edge of town.

I shouldn’t be able to hear it from here. The window’s shut, the insulation in the walls is thick as shit, and the only reason I could ever hear a pack of wolves at this distance is if they wanted me to. Or if I was already half feral myself.

My pulse spikes, but the fear isn’t as clean as it should be. There’s a shadow of excitement under the panic, something that feels a lot like wanting to answer back.

The draft from the window sharpens, and for a second I smell pine—real, sharp, sappy pine, not the air freshener kind. My head is full of static and the ghost memory of teeth in my skin. I press my left hand to the bandage on my arm, feeling the heat of infection radiate outward. It doesn’t scare me like it should.

Another howl. Closer now, and this time I hear it inside my chest.

I let myself fall back into the mattress, letting the sweat and the fever have me. The room breathes, the wallpaper peels, and the world narrows to the sound of my own blood, running hot and fast, trying to keep up with whatever’s coming next.

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  • The Stray Moon   Thirty-Seven: Wren

    The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.

  • The Stray Moon   Thirty-Six: Wren

    For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces

  • The Stray Moon   Thirty-Five: Wren

    The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua

  • The Stray Moon   Thirty-Four: Wren

    I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching

  • The Stray Moon   Thirty-Three: Wren

    Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner

  • The Stray Moon   Thirty-Two: Wren

    The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit

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