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Sixteen: Wren

last update Terakhir Diperbarui: 2025-12-11 11:41:22

He enters the clearing like he owns it.

The air goes electric; every wolf in the circle drops their gaze, tails twitching just above the snow. The birds in the trees stop singing, the wind itself seems to pause. I feel it before I see him—a heaviness, a pressure against the skull, like the gravity in the room just doubled.

Then he’s there. Lucian Vale.

He is larger than any wolf I’ve ever seen, twice the mass of the biggest in the circle, coat shot through with pale and steel-gray, the kind of silver that reflects moonlight even when the rest of the forest is dark. He moves with the precision of a glacier—slow, inevitable, impossible to stop. When he lifts his head, the moon draws a perfect line down his spine, like a blade ready to cut the world in half.

My body goes rigid. Every instinct screams: Danger. Run. Hide. Die if you have to.

But I don’t run. I crouch lower, hackles up, and meet his stare.

He stops twenty feet away, just outside the reach of a lunge. The wolves on either side step back, giving him the stage. The cold gets sharper. My blood feels thin.

For a long, terrible moment, nothing happens. Just Lucian, just me, just the moon and the million eyes watching from the woods.

He bares his teeth.

Not a snarl—something else. A command.

The sound he makes is thunder, low and rolling, a challenge so deep it rattles the marrow. I answer with a shriek, high and desperate, but it feels like screaming into a hurricane.

He comes at me, not fast, but deliberate—each step a promise.

I break and run, but he’s already there, body slamming into mine with the force of a truck. I hit the ground, snow packed into my mouth and eyes, and for a second I can’t even breathe. His jaws clamp around my neck—not puncturing, not killing, just holding. The humiliation is nuclear. I kick and twist and snarl, but it’s nothing, not even sport for him.

His eyes find mine, even upside-down. They are dead cold, a blue so pale it’s almost white. But there’s intelligence there, too—a weighing, a calculation, like he’s waiting to see if I’ll do something interesting before he ends it.

The struggle leaves me. The energy burns out, leaves only the animal shame, the limp tremble of prey in the teeth of the alpha.

I want to spit in his face. I want to bite off my own tongue.

Instead, my body betrays me. The limbs go slack, the tail curls under, my belly shows itself to the moon and the entire fucking pack. I pant, mouth full of snow and defeat.

He lets go. He doesn’t even bother to check if I’ll run again.

I lie there, staring up at the moon. The circle closes, but now it’s looser, the tension gone. The pack knows who’s in charge.

Lucian gives a single, short bark. The others back off, heads down, tails low, as if even they’re embarrassed for me.

I try to stand, but my legs won’t answer. I settle for breathing.

He circles once, just to make sure I understand, then plants himself in front of me, eyes never leaving mine.

I don’t look away. Not because I’m brave. Because I have nothing else left.

Above us, the moon watches. So does the pack.

And so do I.

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  • The Stray Moon   Thirty-Seven: Wren

    The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.

  • The Stray Moon   Thirty-Six: Wren

    For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces

  • The Stray Moon   Thirty-Five: Wren

    The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua

  • The Stray Moon   Thirty-Four: Wren

    I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching

  • The Stray Moon   Thirty-Three: Wren

    Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner

  • The Stray Moon   Thirty-Two: Wren

    The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit

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