Mag-log inThe snap of bone isn’t the worst part. It’s the way she keeps fighting after—muscle memory, pure and simple, every inch of her still straining for air even as I bear down and make it clear there’s none left for her.
My knee is wedged against her ribcage, just behind the foreleg. If I shift my weight a centimeter, she’ll break again, so I don’t. The other wolves ring us in a perfect kill circle, eyes bright in the dark, weapons loose at their sides but ready. Even the ones I trust most keep their hands in plain view. This is about law, but it’s also about theater.
She thrashes, a cyclone of claws and teeth and snapping fur. I keep my left hand clamped in the ruff at her neck, thumb jammed behind her ear to keep the jaws away. My right presses into her shoulder until I can feel the pulse hammering underneath, equal parts terror and refusal. She’s lighter than I expected. The thought almost makes me laugh.
Moonlight is the only witness—diluted through the pine branches, pooling over the wolf’s mangled coat and painting my own skin in a static electricity of blue-white. The steam from her breath rises in frantic plumes, each one smaller than the last, but her eyes—amber, wild, fixed on mine—never blink. It’s not hate I see there. Not yet. Just the blank, starved look of a thing that’s been cornered too long.
The pack watches in silence. Jace is nearest, jaw clenched, the silver baton held low at his thigh. Tessa stands by, face unreadable, hands empty but arms tensed for the lunge if I miss my cue. Beyond them, two more wolves, all but vibrating with anticipation or fear. Above, the forest canopy is a glass ceiling for the moon. The world holds its breath.
I lean closer, lips against her ear, and let the old words spill out. “Let go,” I say, not loud. “It’s over.”
For a second, she goes still. A single shudder rolls from nose to tail. I don’t know if she understands the words, but she knows the tone. She remembers. That’s the problem with turned wolves—they remember everything.
Then the real shift hits.
It starts at the spine, right beneath my grip. I feel it before I hear it, the vertebrae seizing and then cracking in a chain reaction down her back. She bucks, tries to rear up, but I anchor her head to the ground and brace for the rest. Her claws rip divots in the frozen earth, scrabbling for leverage. The toes flex, curl, and then the nails retract, human digits pushing out through black pads, skin pale and bloodless in the cold.
Her body convulses. The hindquarters collapse, bone compressing in a sickening cascade of pops. Fur sloughs off in patches, matting to the ground with blood and spit. The muzzle caves inward, teeth receding, jaw reshaping itself with a wet, tearing sound that would haunt anyone who hadn’t done this a hundred times before. Her tongue lolls, then jerks back as the mouth reverts to something that can form words instead of just hunger.
The howl she lets out is not a wolf’s. It splits the night anyway, a pure agony that hammers through the trees and bounces back with all the force of a rifle report. The wolves around us all flinch; even Tessa’s hands go up reflexively, as if she’s shielding her face from shrapnel. I grit my teeth and keep my hold steady, because this is the part where most lose consciousness, and if she doesn’t, she’ll try to kill herself or me before her brain figures out which side it’s on.
Her body shrinks, compresses, the pelvis realigning with a sick crack, knees bending forward until her whole frame folds in on itself. The fur is almost gone now, replaced by the raw, exposed skin of a human, pink and ugly in the cold. The blood on her face is mine; I recognize the cut above my knuckles from the night’s first grapple. The rest is hers, from the break, the shift, the refusal to yield.
I loosen my grip just enough to allow her neck to pivot, but not enough for her to bite. Her eyes open, wider than any human’s should be, the yellow gone now, replaced by something darker—almost brown, almost familiar.
The air is dead silent. Even the wind has stopped, as if the woods are embarrassed by what’s just happened.
She sags under me, every muscle quivering, breath coming in sobs. The others look away, pretending to care about the darkness beyond the circle, but they’re all staring with the corners of their eyes. Wren Cade, the bar girl, the stray, lies naked and shivering in the snow, and nobody knows what the fuck comes next.
I let my hand slip from her neck. Her skin is burning hot. It steams in the cold, an animal glow that smells of sweat, blood, and something sweeter—honeysuckle, maybe, or just the memory of it.
I don’t move. Neither does she.
It takes a long minute before anyone says a word. Even then, it’s barely more than a whisper.
“Alpha?” Tessa, voice tight.
I nod, not breaking eye contact with the woman beneath me.
The pack stays put, weapons slack, waiting for the order.
But for now, all I do is hold her there, letting the moon draw silver lines across her spine, the air full of steam and shame.
Let them watch. Let them remember what it looks like to survive.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







