LOGINAdrianWe held our council at three in the morning, in a kitchen with a dead woman in it, and nobody found it strange.She'd been laid out on the settlement by the dresser with a clean sheet to her chin and her white hair combed, and somebody, Theo, I think, had folded her hands over the head of her cane. Two candles burned at her feet. They gave a warm, low, steady light, and the shadows they threw on the plates behind her were soft and tall as the nave of a church. We sat round the scrubbed table with our tea going cold. Nobody sat in her chair."Let me say what we know," said Sienna.She'd slept for an hour on the flagstones. It had done something to her face. It had smoothed it, somehow, so that she looked younger and a great deal more dangerous, the way a blade does when it's been wiped. She stood at the head of the table with her mother's pencil in one hand and the Founder's book on its stand at her elbow, closed, with its cracked calf cover gleaming in the candlelight."Eighty
AdrianCorinne asked to see him at two in the morning, and I'd never admired anyone so much for asking.She'd been awake all night. We all had, but she'd done it with a kind of fierce stillness, sitting very straight on a hard chair in a corner of the kitchen with her hands folded and her eyes on the old woman's chair, as though it were a task she'd been given. When the clock struck two, she stood up. She smoothed the front of her borrowed cardigan. She looked across the room at me with the face she'd worn in a courtroom, pale and level and perfectly composed."Adrian," she said. "Would you take me to my husband?""Now?""Before the others come." She swallowed. "There isn't going to be another time."I didn't argue. I took the lantern from the dresser, and Elena, without being asked, got up and fell in behind us with a length of rope in her hand. We crossed the yard in the dark. The wind had dropped altogether, and the sea lay flat and black on every side like a held breath, and out a
AdrianShe sent for Sienna at one in the morning, and she didn't want anyone else in the room, which is how I knew she was dying.I don't think I'd have seen it. Not at first. She'd sat through the long night upright in the kitchen chair, with her white hair coming down and her cane across her knees, and she'd spoken when she was spoken to and been courteous to everyone, even to Julian, who'd been put in the annexe with his two men and the lawyer under Theo's watch. She had poured the tea. She had found a spare blanket for Corinne. She'd answered every question the reporter had asked about the books, with a dry exactness that never once flagged, and when Elena had come to sit beside her, a little shyly, and said she was sorry about the library, the old woman had patted her hand and said, "It was only paper, my dear. I've been waiting sixty years for someone to burn it."But when the clock on the dresser struck one, she had put down her cup and looked at the door to the yard and said,
AdrianShe woke at ten to midnight, in the keeper's kitchen, in a chair by the range, and the first thing she asked for was a pencil.I'd been watching her for an hour. We all had. They'd carried her in from the yard on the basket chair and set her down by the fire with a blanket over her knees, and the rest of us had drifted in and out like people at a bedside, not wanting to be in the room and not able to leave it. Corinne had made tea nobody drank. The reporter had found a first-aid box and done what he could for Margaux's hands, which was to wrap them in strips of clean linen and say, "I'm so sorry, I'm so sorry," in a kind of helpless chant until she told him, quite civilly, to stop. She lay now on the settlement by the dresser with her eyes shut and her breath whistling, and the old woman sat beside her with a hand on her forehead.Sienna hadn't moved from the stool at her mother's feet."There," said Sienna, very low. "There she is."The grey eyes had opened. They looked at the
AdrianThe first thing I did was the stupidest, and the second thing saved the book.The stupid thing was to run. I went for the tower door with my bad knee screaming and my heart going like a fist, across forty feet of wet rock, and I had my hand on the iron latch before I understood that a man who opens a door onto a fire is a man who's decided to feed it. Smoke was already coming out round the frame in thin grey ropes. Above me, the glass of the lantern room had gone from orange to a dull furious red, and somewhere up in that curved dark a pane cracked with a sound like a pistol.I took my hand off the latch."Don't," said a voice on my shoulder.Theo. He'd come across the yard faster than I'd have believed, in his worn green jacket, bareheaded, and he stood beside me looking up at the tower with the calm of a man who has watched a great many things burn. "You open that and the stair draws like a chimney. Forty feet of iron spiral, painted a hundred times. It'll go up in a rush.""
AdrianI counted a hundred and twelve steps going down, and I'd never in my life wanted so badly to take them three at a time.The knee wouldn't have it. It never does, when it matters. I came down the iron spiral behind Sienna with one hand on the rope rail and the other pressed flat against the cold wall, listening to my own boots on the treads and the wind in the stone. Elena was behind me. Behind her, Corinne and the reporter, breathing hard. The old woman had gone ahead of all of us. I'd seen her pass me on the landing at the fortieth step, a small bent shape with a cane, and I'd never known anyone that age move so fast on a stair.At the bottom, the door to the kitchen stood open at night."Wait," I said.Sienna stopped. She stood with her good hand on the frame and her face turned to the yard, and I came up beside her and looked past her shoulder.The picture hadn't changed. I'd hoped, stupidly, that it would. A crown of bare rock the size of a tennis court, scoured flat by a c







