LOGIN
The grand city of Dourado, built in white stone and adorned with gold was under catastrophic siege. Flames raged along the rooftops and along the edges of the great Igrexa that stood in the centre of Dourado– its massive domes and towering speres gleamed faintly beneath layers of ask and smoke. Flames licked up the sides of towers and bursts from windows. The golden domes reflected the firelight, creating a haunting contrast between beauty and devastation. Thick plumes of black smoke coil into the sky, blotting out much of the light and from above, fiery projectiles streak downward leaving trails of flames and smoke as they arc toward the city. Broken stone, shattered arches, and collapsed building litter the ground. The once-grand archway that led into the city stands partially intact, its structure cracked and crumbling, framing the destruction beyond like a grim monument to what has been lost. Splintered wood, fallen masonry and torn banners cover the street which leads toward the arch. Small human figures in the distance flee amidst the destruction as fires burn in multiple spots across the ground, as the city is overwhelmed from all sides.
Under the once grand archway, several Golden knights lay, their once golden armour, now stained by ash and dust. Among them is a lone knight, kneeling amid the shattered remains. The knight’s once pristine white and gold armour, intricately engraved with ornate patterns– floral motifs and filigree etched into the metal– is now dulled, scratched and smeared with dirt and blood. The gold accents still catch faint light, but they contrast starkly with the grime and damage. His shoulder plates are broad and sculpted, and a pale, weathered cloak drapes from them, pooling around him on the rubble-strewn ground. His long, blond hair fall in loose strands around his face, slightly dirty from the ash and rubble. His pale face is marked with smudges of soot, faint cuts and bruises. He is on his knees; his amber eyes fixed on his sword laying forgotten on the floor amongst the rubble in front of him. The swords ornate and gold hilt matched his armour. The blade stained with fresh, dark red blood, streaking unevenly along its length.
A man approaches the kneeling knight, his heavy, predominantly back armour clinks as he approaches. The knight’s amber eyes roam upward from the rubble covered ground, noting the deep red accents in the dark knight’s armour and the dark chainmail underlayer visible under his neck. As soon as golden knight saw his face, he knew who he was, Mestre Escuro. Mestre had a stern, intense expression accompanied by his sharp, angular structured face, defined cheekbones and slightly furrowed brow. His skin was pale, contrasted by subtle shadows that deepened the contours of his face. His unnaturally red glowing eyes seemed to emit their own light as he stared down at the kneeling golden knight. His cold unblinking gaze suggested power and menace. His long, slightly unkept, black hair, fell past his shoulders in damp-looking strands, framing his face unevenly.
Behind him stood a short, hunched man, his posture bent forward in a predatory, almost animalistic way. “Should we kill him, Mestre Escuro?” he asked and stepped forward eagerly. His face was skeletal, with deeply sunken cheeks and sharp, exaggerated bone structure. His skin looked sickly yellow, mottled and uneven and his expression was sinister– lips pulled back into a crooked, unsettling grin that reveals worn, uneven teeth. His eyes were dark, slightly shadowed, giving him an almost feral gaze that was directed toward the kneeling golden knight. His hair was thin and stringy, clinging in greasy strands to his scalp. “Not yet, Salvaxe.” Mestre Escuro said and held up his right hand. Salvaxe was wearing a dark brown tattered cloak that made him look out of place among the others who wore armour. On his right arm was a network of blackened veins spreading beneath the skin. These veins were thick, branching and unnatural, clearly visible from his upper arm down to his hand.
The kneeling knight’s gaze fixed on the black veins, having seen them before during battle and on the soldiers that attacked the city. Those with the black veins were called the Corrompido, men and women corrupted by the darkness of Mestre Escuro. “Perhaps our fallen knight would like an opportunity to safe what remains of Dourado?” Mestre Escuro said and watched the knights face intently. The golden knight slowly rose from the ground, not bothering to pick up his sword. “You mean, you will leave? Just like that?” he asked with a shaky voice. “No, not just like that,” Mestre Escuro says slightly irritated. “In exchange for a sacrifice. What is your name?” The golden knight cleared his dry throat and then said, “Luz.” He shifted on his tired feet. “What kind of sacrifice?” Mestre Escuro smirked and said, “Become one of the Corrompidos. Sacrifice yourself and your innocence.” Luz hesitated and took a small step back. An image of a young girl flashed in his mind, her bright smile and red hair. “I will do it,” he says with a deep voice and looks directly into Mestre Escuro red eyes. Mestre smirks more widely. “Good,” he says maleficently.
As the water touched Salvaxe’s skin, he felt something. Like a shadow crawling up his back. He managed to place the girl on the floor before his body went still. His body locked tight, his muscles seizing into a rigid statue. His eyes remained wide, fixed on the girl he had just pulled from the water, but they were vacant– the light in them dimming like a candle being smothered. The girl on the floor began to cough– a wet, rattling sound– her skin turned a pale purple. This shocked Estrela. Salvaxe did not recover either, his skin going pale yellow as he stood frozen and stiff beside the fountain. Estrela’s body moved to the fountain, her eyes darting between their seizing girl and the frozen Salvaxe. “What is this?” she demanded, her voice cracking. “They are impure,” she announced. Escuro’s blood ran cold. He looked from Salvaxe’s rigid, unblinking face to the girl gasping for air on the stone floor, then
Salvaxe walked over to the cable, crouching beside it. He reached out and touched the thick, braided material. It was not hemp or rope– it felt like something organic, cold and slightly rubbery, pulsing with a faint, internal rhythm. “You are right about that,” he said, pulling his hand back. “It is not just a cable. It is like a vein.” He looked at the torch on the wall, then back at the cable. “If we can’t cut it, maybe we can short it out? or burn it? He paused, his brow furrowing. “But if this thing is connected to the fountain and the fountain is connected to… whatever the old man was talking about… maybe we should not be touching it at all.” He stood up, wiping his hands on his trousers. “Wait. It the device is gone, and someone took it… where would they go?” Salvaxe asked, as the question popped into his head. “It was probably Estrela,” Escuro said with a deep voice, his min
Salvaxe did not argue. He just nodded, his hand lingering on the hilt of his knife for a second longer than necessary before he turned toward the direction of the cave. When they finally approached the cave mouth carved into the cliff of the mountain, below where the ruins were, the sun was already setting. The entrance of the cave was completely covered by a luminous, circular magical barrier. The barrier glows in vivid shades of blue and white, its surface alive with swirling energy and branching, lightninglike veins that crackle across it. The effect is both fluid and volatile, as if water and electricity have been fused into a single, unstable force. It casts a faint, cool glow onto the surrounding rock, subtly illuminating the cave’s edges and the nearby ground. Salvaxe stopped short, his hand going to his chest. The cool pulsing light from the barrier washed over them, painting their faces in flickering shades of electric blue. “What the hell i
“If we go back down there and stop the water from flowing? What then?” Escuro asked, still not sure if he entirely beliefs all this. The old man’s eyes darted to the corner of the room, as if checking to see if the shadows themselves were listening. “You go down there, you are walking into a throat,” he said, his voice low and urgent. “The mechanism is not just a lever. It is connected to something. Something that breathes.” He picked up the mug again but did not drink. His fingers drumming a nervous rhythm against the clay. “If you stop the flow, you might seal it back up. Or you might provoke what is underneath to come looking for you. There is no clean way out of this, boy. You either let it happen and watch the whole valley turn into something unrecognizable, or you go down there and pray you are faster than whatever is waiting.” He paused, his gaze settling on Escuro. “Fine,” Escuro said and
“The ground there is thin,” the old man said, his voice dropping to a low murmur. “Not thin like a worn rug. Thin like skin over a wound that will not heal. The things that live on the other side– they do not care about your names, or your gods, or your little wars.” He picked up on of the mugs, turning it slowly in his hands. “When you went in there, last time, you brought something back with you. Not on your backs, not in your pockets. Something inside. Something that sits in the dark parts of your mind and waist.” He looked directly at Salvaxe, then shifted his gaze to Escuro. “Look, we do not have time for this,” Escuro said impatiently. “Tell us about the fountain.” The old man let out a short, dry laugh that had no warmth in it. “You do not drink for that fountain. You do not even touch the water with your bare skin if you can help it.” He pointed the iron rod toward the window, toward the direct
As Escuro and Salvaxe approached the cottage an old man came out. He has long, unkempt grey hair that falls in uneven strands around his face and shoulders, tangled and coarse, while his thick beard– also grey and streaked with darker remnants– spreads across his chest in a wild, natural mass. There are deep lines carved into his face, especially around his eyes and mouth, giving him a weathered, almost carved appearance, as though time itself has etched its passage into his skin. He was dressed in worn, layered clothing made of rough wool frayed at the edges and patched in places. A thick fur coat is draped over his shoulders, heavy and unrefined, its texture coarse and uneven. The sleeves of his garments are tattered, revealing glimpses of his aged hands, which are rough and calloused. The old man stood in the doorway of his cottage, one hand gripping the warped wooden frame the other trembling at his side as he spotted the two figures emerging through the trees.
“I did not get hurt,” Amelia defended confidently. “And I already told you I am not leaving you.” Luz’s amber eyes searched her face as her confidence settled something within him. “You are impossible,” he said, a hint of his old warmth creeping into his
The fighting continued for several hours before Cidade dos escravos was official concurred. Hours of brutal combat later, the sounds of battle gradually faded into the distant echoes of corrompido shouts and the crackle of flames consuming surrounding houses. Luz stood amidst the carnage, his bla
Arrows continued to fly, but Lau kept the pressure on. Each time an archer found a clear shot, a crossbow bolt seemed to arrive from another angle. She moved constantly, never remaining in one place long enough to be targeted. Soon the dozen archers were scattered along the battlement rather than
“By the Gods,” Cassandra muttered, raising her shield instinctively. “That is no ordinary fire– it is magical in nature.” Luz’s amber eyes narrowed with calculation rather than panic. The prisoner’s ability to disrupt holy wards with fire was unexpected b







