GIANNAThe dream starts with painting. I'm in the studio, the windows are open, the mild wind blowing the scent of lavender smell into the room. The light is golden and too warm, the way light only is in dreams, and everything slightly overexposed with soft edges. I'm working on a canvas I don't recognize, brushstrokes I don't remember starting. Then he's behind me.I don't hear him come in. I feel him through the heat of his body close to my back, close enough that I can feel his breath on my neck but we're not yet touching. The no-touching clause exists somewhere outside this room, in a contract neither of us signed in this version of the world.He takes the brush from my hand. Sets it down on the table, carefully, the way he does everything and his fingers wrap around my wrist, warm, firm, deliberate and begin to trail up my forearm to the bend of my elbow, to my shoulder. Every inch of contact leaves heat behind, sinking through my skin into the muscle, the bone. I turn to face
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