How Does Alice Walker Use Symbolism In 'Everyday Use'?

Parents like to say every child is a part of them. In our house, I was but a splinter under the skin. Mom and Dad were a blended couple. They could not bring themselves to truly punish my stepbrother and stepsister, so they had me and turned me into their cautionary example. When my brother came last in his class, Dad locked me in a dog crate under the blazing sun to teach him what happened to people who refused to study. When my sister started dating too young, Mom drugged me and dumped me in a homeless encampment to show her what could happen if she was not careful. Then one day, Dad found a takeout receipt in the trash. He forced poisoned food into my mouth and made me swallow. "Today, I am going to teach you all a real lesson. This is what happens when you eat whatever you want behind our backs." Even as I coughed blood and writhed on the floor, Dad threw me into the punishment room. My brother and sister rushed to confess and begged Mom to let me out. But Mom only said coldly, "You two will learn this lesson properly today. When you have learned it, I will let him out." I sat on the floor as blood soaked through my shirt. As my consciousness faded, I finally understood. Dad, your last cautionary lesson had to be taught with my life.

Mom is always very strict with both my elder sisters, Esther and Emily Kingston. She always wakes them up at 5:00 am to make them study. And if they refuse to wake up, Mom will grab an embroidery needle and stab it into my arm. When fresh blood spills out, Esther and Emily will both get a fright and scramble to their desks at once to begin studying. Sometime during the year-end exam, Esther gets one easy question wrong, and I receive ten lashes with Mom's belt. Emily gets only the second-highest score in class, and I am forced to kneel on glass until my knees turn bloodied and torn. Esther and Emily feel sorry for me and fall to their knees, begging Mom to have mercy on me and promising that they will study hard and make her proud of them. Mom smiles happily and says that this teaching method works very well. However, after the SATs, Esther applies for a college out of state, and Emily tells Mom that she is eloping with a young man whom she has fallen in love with. Mom is so angry that she yanks me over and stuffs me into a huge fish tank before beginning to fill it up with water. She then takes a video of me, threatening to drown me alive if they don't listen to her and do exactly as she says. The water keeps rising in the tank. I feel scared, but I don't struggle because Mom always tells me that the only reason for my existence is to be made an example out of for Esther and Emily. She often quotes Shakespeare's "Othello", telling me about how I am the "sacrificial" dog one beats to scare a lion and teach it obedience. I think that I am considered quite a qualified dog after all, right?

I, Darlene Cooley, have an ability. Whenever I touch an object, I can see the scenes it has experienced over the past day. I've been married for five years. Every time I help my husband, Bernard Hoffman, tidy up his suits or organize his briefcase, what I see are conference rooms, whiteboards, and workstations. Once in a while, I appear in those scenes. He'll be secretly reading my messages under his desk, the corners of his mouth lifting unconsciously. Bernard is so gentle that it feels almost unreal. In winter, he places my slippers by the heater to warm them up. No matter how busy his business trips are, he video calls me right on time. When I casually mention I feel like eating caramel popcorn, he drives halfway across the city to stand in line for it. My friends all say I'm blessed, and I feel the same way. That is, until yesterday, when he comes back from a trip. I go to help him unpack, and the moment I touch that gray cashmere sweater, a flood of images rushes in. Bernard is sitting across from a short-haired woman. Her eyes are bright, and a shallow dimple appears when she smiles. He listens to her speak, earnest and focused, with his head tilted slightly to one side. A faint smile lingers at the corner of his mouth. It's been a long time since he has listened to me speak like that. The vision ends. I crouch in front of the suitcase, my hand still resting on the cashmere sweater, unable to snap out of it for a long while. Then, I stand up and walk over to the cabinet, where I pull out my own suitcase.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Mom said I needed to toughen up, so she made me walk home alone. "You're ten. Everyone else can do it. Why can't you? If you were even half as capable as your cousin, I wouldn't have to worry so much." I shook my head and signed, [I can't hear. Crossing streets isn't safe.] She gave me that look. Total disappointment. Then she walked off with my cousin, Sadie. What Mom didn't know was that before school let out, Sadie had stopped me. Said she was helping Mom make me independent. Then she snatched my hearing aid. Now the whole world was silent. I followed the crowd down the sidewalk. At a small intersection, a car spun out, horn blaring. Everyone scattered. Everyone but me. I couldn't hear it. My spirit rose above the street. Below, my body lay in a pool of blood. Mom... Sorry. I couldn't do this independence thing.

In Hollow Creek, there was an old custom: if you turned thirty and still were not married, the community chair would arrange for you to come home and meet potential matches. When I told Marcus about it, he laughed coldly. “What kind of backwoods tradition is that supposed to be? “Constance, I said I would marry you, and I will. But pressuring me is something else.” Then he took out the ring and casually handed it to Hannah. She accepted it with a blush. “I was going to propose,” he said. “But since you want to act like this, maybe we should cool off for a while.” The ring I had waited years for was handed to someone else like it meant nothing. For a moment, I just stood there, stunned. Marcus walked out of my office with an easy confidence, the corner of his mouth lifted in a victorious smile. Hannah held the ring out to me. I did not take it. “Keep it,” I said. “Wasn’t it meant for you anyway? “You wear it. It suits you.” Her face went pale. I showed her to the door. Before closing it, I said, “Tell Mr. Vale that he and I are done.”