Who Is The Author Of 'Black T Girl Top Nia'?

I get a kick out of tracing the threads between classic erotica and the modern femdom romance scene, so here's my take from a more bookish, long-haul-reader perspective. If you want authors who consistently show up in discussions and lists, start with Laura Antoniou — her 'The Marketplace' series is practically canonical for consensual power-exchange worlds where female masters and mistresses are central figures. It’s layered, character-driven, and treats the dynamics with a calm seriousness that appeals to people looking for romance plus psychological depth. Another essential name is Anne Rice writing as A. N. Roquelaure; the 'Sleeping Beauty' trilogy is infamous and influential for blending fairy-tale retelling with explicit BDSM themes. It’s controversial and not for everyone, but it shaped how erotic fantasy and dominance were pictured in later decades. Tiffany Reisz’s 'The Original Sinners' books also deserve mention — they’re edgier romance with dominant women who have complex interior lives and real romantic stakes, so readers who want emotional payoff alongside kink often find her work satisfying. If you’re hunting for more contemporary or anthology-style takes, look for editors and curators who focus on erotica and kink: anthologies and collections often surface excellent femdom stories from a variety of voices. Tristan Taormino is one figure who has curated and written around sexual expression and kink in thoughtful ways. For a classic counterpoint, Pauline Réage’s 'Story of O' is historically pivotal even though it centers on submission rather than femdom — it’s useful to read as context for how power and eroticism have been framed over time. Finally, the indie world is huge: many modern femdom romances live on digital platforms and indie imprints, so scanning tags like 'female domination', reading reader reviews, and checking content warnings helps you find consensual, romance-forward work. Personally I love when a book balances tenderness and power — the best femdom romance makes dominance feel like a language two characters learn together, and that’s what keeps me coming back.

Hunting for Rio Morales commissions has been one of my guilty pleasures lately, and I’ve noticed a few names pop up repeatedly among high-quality, commission-friendly artists. Stanley 'Artgerm' Lau, BossLogic, Sakimichan, Ilya Kuvshinov, Loish, WLOP, Ross Tran and Samdoesarts are big names who either create stunning Spider-Verse-adjacent fan art or have the kind of commission setups that attract character portrait requests. These folks are known for clean lines, striking color, and dynamic poses — perfect if you want Rio in a dramatic, cinematic style reminiscent of 'Spider-Man: Into the Spider-Verse'. If your budget is more modest, hunting through Twitter/Instagram tags like #commissionsopen, #fanartcommission or searching 'Rio Morales commission' on Etsy and ArtStation surfaces lots of emerging artists who nail the familial warmth of Rio and Miles for far less. I usually check recent commission samples, read turnaround time notes, and confirm usage rights before sending a deposit. Personally, I love how different artists interpret Rio — some go for the soft, maternal portrait while others lean into superhero-era grit — and that variety keeps me coming back for more.

I still get a little thrill seeing the meta shift in 'Skullgirls'—this season feels like a fresh puzzle. If I had to name the characters at the very top right now, I'd put Parasoul, Peacock, Cerebella, Squigly, and Robo-Fortune in that upper echelon. Parasoul's neutral is just absurd: her zoning tools plus authoritative corner control make her a nightmare to approach, and on a team she brings assists that lock down space for follow-ups. Peacock remains the queen of chaos; her projectile game and ability to dominate matches from a distance forces opponents into raw mistakes, and in the right hands she converts those into huge wins. Cerebella is my pocket grappler pick—her mix of armor, command grabs, and explosive single-touch damage keeps her perma-relevant. Squigly has climbed or stayed high because of her aerial pressure and comeback potential; she can flip momentum in the blink of an eye and her mid-screen success is scary. Robo-Fortune rounds out the top tier for me because players exploit her movement and tricky setups; she's a character that rewards creativity and stage control. Beyond raw chars, this season’s big story is team synergy—some characters look better purely because their assists create unblockable or near-unblockable routes. I love how the meta still values mind games and setups over pure raw stats; watching a well-constructed Parasoul/Peacock team dismantle a rushdown squad never gets old.

If you're aiming to get Erza Scarlet sketched by a top-tier artist, I usually start like this: hunt down artists whose style vibes with the armored, fierce-yet-elegant energy Erza has in 'Fairy Tail'. I search on Pixiv, Twitter/X, Instagram and ArtStation using tags like #erzascarlet and #commissionsopen, and I peek at convention guest lists and artbook credits to spot names people actually queue for. I make a shortlist of 5–10 artists and study their commission pages so I know who does what — colored paintings, chibi, lineart, speedpaints, or full backgrounds. Next I prepare a clean brief: a few reference images (anime screenshots, manga panels, cosplay refs if I want a realistic look), a clear pose or mood, preferred color palette, final dimensions (print or web), and whether I want the piece for personal display or commercial use. I include a realistic budget range and ask about availability, expected turnaround, deposit amount, and revision limits. For payment I note which platforms the artist accepts (PayPal, Ko-fi, or bank transfer), and I respect their deposit policy — most top artists require 30–50% upfront. Finally, I message politely: short greeting, compliment a specific piece of theirs, concise brief, budget, and deadline. I always confirm rights (personal vs commercial), ask for progress shots if they offer them, and tip for speed or extra revisions. When it arrives, I credit both the artist and the original creator and bask in the glow of a perfect Erza — worth every penny, honestly.

Every time I head into the Wilderness to hunt dragons I get this little electric buzz — brutal black dragons show up in the eastern Wilderness, specifically around the Lava Maze / Chaos Temple area in the multi-combat zone. From memory and a lot of runs, they tend to patrol the lava-maze-ish corridors and the open ground east of the Chaos Temple; that whole chunk of the Wilderness is their home turf. They’re proper high-risk targets because you’re in multi-combat and in deep Wilderness, so expect other players to be nearby and ready to PK. If you want to actually reach them I usually teleport to Edgeville and run straight north across the ditch, then head east toward the Lava Maze/Chaos Temple coordinates on your map. Bring reliable dragonfire protection — an anti-dragon shield or antifire potions — and decent melee or ranged gear. I tend to use Protect from Magic if I’m getting smacked by their fire, and have a teleport ready (varrock/house/looting tele) if things go south. Drops are worth it but not guaranteed; I always keep my prayers on and my mount of patience ready. It’s a tense, rewarding spot and I love the adrenaline, even if I lose a pack once in a while.

If I had to build one all-out melee kit for putting Brutal Black Dragons down fastest in 'Old School RuneScape', I’d focus on sheer single-target DPS plus a way to chew through their defences. My go-to combo is a high-accuracy stab or crush weapon (depending on your gear) paired with heavy strength bonuses, Piety, and a Dragon Warhammer/Bandos Godsword for the defence drop. For me that usually looks like a 'Ghrazi rapier' for raw stab accuracy and fast consistent hits, or the 'Abyssal bludgeon' if I want heavy crush damage — either of those will outpace most other melee choices on a single target. I slot a 'Dragon warhammer' in the inventory to smash their defence whenever the special is up; that little defence nerf multiplies your DPS over the fight. Armor-wise I favor a strength-focused setup: 'Bandos' chest and tassets (or the strongest hybrid chest you’ve got), 'Barrows gloves', 'Primordial boots' or 'Dragon boots', and an 'Amulet of torture' or 'Strength amulet'. Bring prayer gear (a switch to a prayer-boosting cape or using a 'Fire cape'/'Infernal cape' depending on what you own), and always run 'Piety'. Inventory should be super attack + super strength (or a single super combat potion), plenty of high-healing food like sharks/rocktails, a couple of restore potions for prayer, and an antidragonfire potion or an antifire shield — Brutal Blacks will spit dragonfire. Playstyle: burst with the Warhammer/Godsword special early to lower Defence, then pound them with rapier or bludgeon while keeping prayers up. If you want absolute fastest, a maxed player with 'Ghrazi rapier' + 'Dragon warhammer' specials timed perfectly will usually net the quickest kills; the bludgeon shines if you prefer higher max hits against their defences. Personally, I love the rhythm of popping that special then watching the HP drop — feels super satisfying every time.

Quick heads-up: respawns in old-school generally stick to the same engine rules during events unless Jagex clearly says otherwise. From my experience hunting tough monsters, brutal black dragons follow the usual NPC respawn rhythm for their location — they don't get magical instant respawns just because there's a world event going on. Expect a spawn cycle on the order of a few dozen seconds (roughly 30–60s in most open-area camps), although high-value or instanced encounters can take longer. What changes during events is mostly what spawns are allowed to exist at all. If the event replaces NPCs in an area, or the event triggers a cutscene or temporary instancing, that can pause or remove normal spawns. Otherwise, each world keeps its own independent spawn state, so world-hopping is still the fastest way to find fresh brutal blacks if you're farming. I also watch the in-game event messages and patch notes — Jagex will call out any special spawn changes for festival content. Personally I prefer to farm outside peak event hotspots to avoid weird spawn suppression; it's more predictable and I can keep a steady kill rate while still enjoying the seasonal hype.

I get excited talking about why the brutal black dragon in 'Old School RuneScape' is considered such a money-maker, because it’s one of those encounters that mixes dependable loot with the chance for big spikes. First off, the core reason is simple: the resources it drops—bones and hides—are always in demand. Bones feed prayer training and hide is used in crafting, so those items have a steady buyer base. On top of that steady income, the Brutal Black Dragon has a handful of rarer items on its table that can sell for a lot on the Grand Exchange when they show up, and that possibility of a rare high-value drop makes every kill feel like it could pay off big. Beyond mere drops, how you kill them matters. The fight is fast if you optimize your setup—good gear, the right potions, and an efficient route between spawns. That translates directly to GP per hour: more kills, more loot. There are also QoL synergies like slayer assignments or group routes that reduce travel and downtime, so your effective hourly profit goes up. Some players take advantages like safe-spotting or multi-targeting to keep their kill speed high and their losses low. Finally, market dynamics push the profitability higher. When fewer people farm them—or when new content increases demand for hides/bones—the price spikes. Conversely, if more players flood the market, incomes dip, but because the drops are numerous and partly alchable or useful for skilling, it rarely becomes worthless. Personally, I love the rhythm of farming them: it’s satisfying, occasionally nail-biting when a rare pops, and reliably fills the bank over time.