What Author Interviews Discuss 'Practices Make Perfect'?

2025-09-12 00:37:40 341

5 Answers

Grayson
Grayson
2025-09-13 03:07:31
Ever stumbled upon those author interviews where they peel back the curtain on their writing process? I love how Haruki Murakami compares crafting prose to running a marathon—daily discipline, no shortcuts. In a 'Paris Review' chat, he admits rewriting entire drafts multiple times, treating words like clay. Neil Gaiman’s MasterClass snippets also hammer this home; he jokes about his early 'terrible' stories piling up before he honed his voice.

Then there’s Brandon Sanderson’s YouTube Q&As, where he geekily graphs his 10,000-hour journey to worldbuilding mastery. What sticks with me is how these giants frame 'practice' as playful experimentation, not drudgery. Murakami’s 'Colorless Tsukuru Tazaki' went through eight iterations—proof that even legends sweat the details.
Carly
Carly
2025-09-15 05:29:34
Stephen King’s memoir 'On Writing' isn’t an interview, but it reads like one—raw and conversational. He spills how pumping out pulp horror tales for pennies taught him pacing. Remember his famous 'write every day, even Christmas' line? Podcasts like 'Write Mind' dissect this too; N.K. Jemisin once said her 'Broken Earth' trilogy’s intricate magic system emerged from scrapped drafts of 'The Hundred Thousand Kingdoms.' Practice wasn’t just repetition for her—it meant unlearning bad habits.
Quentin
Quentin
2025-09-15 23:12:26
George R.R. Martin’s old convention panels are gold. He gripes about rewriting 'A Game of Thrones' chapters until his fingers cramped, stressing that 'good writing is rewriting.' Funny how his gardener vs. architect analogy still fuels debates—practice shapes both styles.
Samuel
Samuel
2025-09-17 13:21:29
Margaret Atwood’s interviews crack me up. She once quipped, 'If I waited for muse visits, I’d publish once a decade.' Her trick? Treat writing like baking—follow the recipe (practice), then tweak it. Her dystopian worlds in 'The Handmaid’s Tale' grew from decades of polishing political satire.
Peter
Peter
2025-09-18 00:21:03
Ursula K. Le Guin’s Berkeley lectures highlight this! She roasted her own debut novel’s clunky prose, saying 'every sentence I rewrote taught me rhythm.' Her later works like 'The Left Hand of Darkness' shimmer because she treated writing as a craft, not inspiration strikes.
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