7 Respostas2026-05-03
This underdog class always catches my eye, and generally I end up siding with the Jew, for no better reason than he's the class that at first glance everyone writes off as a joke, but secretly is really cool. Winning a tough fight with his spinning dreidel of death as opposed to blasting everyone with fireballs is very rewarding. What's really cool about this is that you're playing the game in a way that it didn't expect you to. Discovering hidden depths in a game is fun in and of itself, and this class has tons of it. He may not win in the statistical models, but he wins for me in terms of fun. The best choice is often the one you least expected to choose.
7 Respostas2025-09-25
The depiction of consent in the series is another topic of debate. However, when the show portrays Issei to be respectful and protective, even beneath his perversion, these are some of the more positive episodes of the series. These scenes reveal his core character in refusing a situation that would allow him to take advantage of someone, or entering a mode of wild fury to protect someone he cares about. The Juggernaut Drive, in particular, is a self-destructive attempt to protect someone. These episodes are some of the more compelling character studies in the series, and they rescue the loud pervert of the first half of the show from being a one-note gag.
7 Respostas2025-09-25
Another good way to look at this is that the character development episodes are the best, and often get overlooked by the big fights. The early season 4 Hero Oppai Dragon anime episode is amazing. It’s just a fun, low-key episode where the Harem are all at a pool, and you get to see a lot of the club members interacting with each other in different ways than usual. The way Issei grows in the mountain training episodes with Tannin from season 3 are also awesome. He’s trying his hardest without Rias there to save his butt, and it really shows his character development. These kinds of filler episodes are really the heart of the series.
9 Respostas2025-05-15
The payoff for all of Sarah’s journey in the Waterworks, S6E12 episode is her last scene on the bus, but the scene before on the phone with Jimmy is just as powerful. There Sarah finally reveals the truth about Jimmy’s death and at the same time closes a door and moves on from her past life. The way her voice cracks with emotion but she holds to her resolve in the same breath is incredible. That was a two-part emotional earthquake for this character.
10 Respostas2025-11-14
Honestly? No, it doesn’t really translate. The show is primarily audiovisual and it builds incrementally. Thus, to read a ‘hot story’ is to eat the sprinkles from a cupcake and miss the substance of the main part of the cupcake. There’s joy in the slow development of a character or story, in the repetition of a running gag, in the familiar set and sounds. A written summary of a single plotline to a show like this actually deprives the reader of the greatest pleasure that the show has to offer. Better to pick a show at random and watch some old, random episode than to have such a show ‘summarized’ for you.
7 Respostas2026-07-28
I kind of wrote a really long analysis of the ending of The Prisoner on a fan forum. Basically, the cranes fly south, then north, then south again. The story starts with a protagonist who leaves a burned village, and ends with a protagonist who is founding a very small village. The last chapter of the book describes a landscape which mirrors the description of the landscape in the prologue, but with certain key differences that show growth through decay. Instead of a tree that was stricken by lightning being dead, it's now nourishing new moss. It's not a happy ending, but it's generative. The protagonist of the book becomes part of the ecosystem's cycle, rather than trying to conquer it. If you read it looking for plot resolution, you'll be confused. But if you read it as a tone poem about human resilience within the cycles of nature, it's really beautiful.
9 Respostas2026-01-31
Character rules, people. While a spectacular short like ‘Festival of Sin’ might leave a nice, but fleeting impression, a short with solid characters can spark discussions among viewers for a much longer period of time, hence more likely to foster fandom and loyalty from fans. The distinct personalities of the girls in ‘Party Games’ (the wicked ones and the sweet ones) as well as the familiar yet twisted characters from ‘FandelTales’ make for very endearing, likable personalities, including the silent, yet very characteristic mime.
10 Respostas2026-03-25
The ending of The Ensemble as I envisioned it could be an economically aware ending. Ray had devoted his limited funds (and thus his time), in this venture. The end would read like a balance sheet. All Assets have gone to Zero. All Liabilities (exhaustion, car lost, money spent) are realized. In short, the venture goes bust. Ray liquidates the last asset, himself, and is returned to the point of departure. Ray’s letters to Symes would read like a businessman reading the business pages, disconnected but aware of all the other schemes and attempts to achieve the goals of others that are waged within the world of commerce, safe in his salaried position (or not). It would be the sad ending of a burnt-out entrepreneur, a young man who had the spark of the American Dream in him to try to achieve something of his own, but in the end it became a financially and emotionally ruinous adventure and he has to retreat to the comfort of his parents’ home. The metaphor holds.
10 Respostas2025-08-27
Contrary to that opinion, I think the 'Curry of Life' arc actually detracts from Team 7's prominence by mixing them with Team Guy. They are both in the story, yes, but it's a near 50/50 split between the two teams and an arc which could have been about power-granting curry and a combined effort by 6 genin. Instead it is a quirky concept and not particularly noteworthy for highlighing the peculiarities of Team 7.
However, as a story to see the unique relationships within Team 7, such as rivalry, love, and development under their mentors, this isn't the arc for that. For a story of that nature, it'd be a "crossover episode" stretched into an arc of 5 or so chapters, having the entirety of Team 7 sharing time in the story for fan service of interactions between some of the members such as Lee and Sasuke. Overall, it's more of a story that focuses on the entirety of the Konoha 11 (_lite_ version) as opposed to the 7 members of Team 7, so I wouldn't count this towards lists trying to show Team 7 most.
10 Respostas2026-06-13
Ugh. This seems counterintuitive to me. The goal of most horror is to have characters make mistakes while we watch from the safety of our own homes. Having it be ‘me’ would be way too anxiety-provoking. I suppose that’s the draw for some people though. It must be a really personal thing as to where one draws the line between fun-scary and too-scary. These discussions are really interesting to read though. As for me, I’ll stick to my third-person omniscient narrators.