What Are The Best Tips From Great Leads Book?

2025-11-11 09:58:40 115

5 Answers

Gavin
Gavin
2025-11-12 05:12:24
What surprised me about 'Great Leads' was its psychological depth. The 'empathy bridge' technique—where you mirror the reader’s inner monologue ('Bet you’re skimming this while pretending to work')—makes them feel seen. I tested this in a Reddit post about burnout, and it became my most upvoted thread. The book also cured my addiction to 'clever' leads that confuse more than captivate. Now I aim for 'simple + urgent,' like a tweet that went viral: 'My dog taught me a lesson about debt, and it hurt.' The 'name-dropping' tip (citing unexpected experts, e.g., 'A 1923 circus manual explains modern marketing') became my secret weapon for LinkedIn articles. Who knew a book on leads could make writing feel like a magic trick?
Ian
Ian
2025-11-13 19:29:11
Reading 'Great Leads' felt like uncovering a treasure map for writing—it’s packed with gems that transformed how I approach hooks. One standout tip is the 'curiosity gap,' where you tease just enough to make readers itch for more. I used this in a blog post about unsolved mysteries, dangling a cryptic clue before revealing the full story, and engagement skyrocketed. Another game-changer was the idea of 'emotional priming,' where you set the mood before the lead even hits. Like describing the eerie silence before a storm to introduce a thriller piece. The book’s emphasis on specificity (e.g., 'the cracked leather of the old detective’s chair' vs. 'he sat down') made my descriptions 10x sharper. I now keep a swipe file of irresistible leads from novels and ads, dissecting why they work—it’s like weightlifting for creativity.

Honestly, the biggest shift was realizing leads aren’t just introductions; they’re promises. The book’s breakdown of 'contract leads' (where you outright tell readers what they’ll gain) helped me ditch vague openings. Instead of 'Tips for better sleep,' I’ll write 'The military trick that cured my insomnia in 3 nights.' It’s wild how tiny tweaks can hook people like a fish—except I’m the one reeling them in!
Vanessa
Vanessa
2025-11-15 00:49:06
My D&D group groaned when I made them read 'Great Leads' for campaign hooks—until our sessions became unskippable. The 'mystery object' tip (describing a cursed ring’s scars before explaining its origin) had players interrogating NPCs for hours. We also stole the 'false assumption' tactic ('You think the king is the villain…’) to subvert tropes. Now I prep sessions by writing 10 terrible leads first (the book’s 'bad ideas spark great ones' method). Last week’s opener—'The tavern burns. Your ale is free. So is the arsonist’—got cheers. GMing leveled up hard.
Ulysses
Ulysses
2025-11-15 23:31:20
I applied 'Great Leads' to my FanFiction, and wow—comments went from 'nice' to 'HOLY CRAP WHAT HAPPENS NEXT?!' The book’s 'drop-in-the-action' approach worked perfectly for my 'Attack on Titan' AU; instead of setting the scene, I opened with Levi mid-swing, blades screeching against Bone. Readers said they 'couldn’t scroll away.' Another tip: using sensory bombs (e.g., 'the metallic stench of blood' vs. 'it was scary'). My smutty WIPs benefited from the 'taboo tease' tactic—hinting at forbidden tension without explicit details. Now I obsessively study manga first pages to see how they hook instantly, like 'Chainsaw Man’s' 'I got a devil’s heart' opener.
Aiden
Aiden
2025-11-17 18:34:10
'Great Leads' reshaped my entire workflow. The 'pain-agitate-solve' structure is pure gold—I used to jump straight to solutions, but now I lean into the frustration first ('Tired of receipts piling up like a paper Avalanche?'). The book’s 'twist on a cliché' tip also saved me from boring openings; instead of 'Time is money,' I’ll write 'Your calendar is a thief stealing your joy.' Pro-level stuff! The chapter on 'question leads' warned against yes/no questions (too easy to dismiss), so I craft ones that demand mental engagement, like 'What’s the one expense you keep lying to yourself about?' Bonus takeaway: leads thrive on rhythm. Mixing short, punchy sentences with longer, flowing ones creates a magnetic pull—I practice by rewriting movie taglines.
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