Where Did The Brown Cameraman Train For Documentary Work?

Seven years with a photographer, and I don't have a single decent photo of myself. "I only shoot landscapes, not people," my boyfriend, Dwayne Norton, always tells me. He even claims he broke up with his ex because she kept forcing him to take her picture. So, for seven years, I play nice. I never ask and never push. Until today, when I'm scrolling through social media and see a post from my influencer best friend, Aviana Reed. "My personal photographer has been shooting me for seven years. Every single shot is a masterpiece!" In the comments, there's a reply, "It's an honor to shoot my muse." The profile picture is pitch black. The tone is so familiar it leaves me completely numb. He doesn't hate shooting people. He just hates shooting me. Dwayne, since there's no room for me in your lens, then this time, there's no room for you in my world either.

In my third year working overseas as a war correspondent, a grenade blast left me wounded and stripped me of my memories. The PTSD that followed was severe enough to keep me in a psychiatric hospital for two years. It wasn't until two months ago that I finally remembered who I was. The day I came home, my best friend and my husband met me at the airport, both of them crying harder than I was. Russell Ellison's eyes were red-rimmed, but his voice was as gentle as ever. "The new place is all set up. Move in for now. I'll come keep you company after work." I went back to our old house instead. The moment I pushed the door open, I saw a wedding photo hanging on the wall. The bride in it wasn't me. It was my best friend. A key turned in the lock outside. The man who was supposed to be buried in work at the office walked in, fingers laced with hers. A child was tucked against his chest, calling him "Daddy" in a small, unsteady voice. I stood frozen, too stunned to breathe. We'd only been apart for two years. So how was their child already three?

At three in the morning, the class monitor, Hayden Clark, suddenly posted a message in the group chat announcing that the graduation photos would be taken the morning after next. He then sent a payment QR code in the chat, where each student had to pay 50 dollars for the graduation photos. I told Hayden that I had my thesis defense scheduled for the morning after next and asked if the time could be changed. He immediately snapped back at me, “Is your time the only time that matters? If you can’t come, then get lost!” Wanting to keep the peace, I paid the money and went through great trouble to rearrange my schedule. But when the day for the photos finally arrived, Corin Vale told me, “The graduation photos were already taken yesterday!”

At the start of graduation season, my boyfriend took more than two hundred photos of Madison Vale. Chase Whitman was president of Westbridge University’s photography club. He knew how to find flattering light and how to coax people out of stiff smiles. Madison stood beneath the maples outside the library in a white dress, her graduation cap tucked under one arm. “Am I taking up too much of your time?” she asked. Chase checked the last few shots and smiled. “You make my job easy.” When it was finally my turn, he barely looked at me. “Stand by the tree.” He clicked the shutter twice and lowered the camera. “Done.” I stared at him. “That’s it?” He turned the screen toward me. In one photo my eyes were half-closed; in the other, a branch shadow slashed diagonally across my face. “Can we try again?” Chase sighed. “Avery, you always tense up. Fifty more takes won’t change that.” Ten minutes later, my phone buzzed. He had posted in the Westbridge Buy: Twenty dollars for someone to spend ten minutes taking a few graduation photos of my girlfriend. Nothing fancy. She just needs something usable. Half an hour later, a stranger replied. I sent him my location, then added: Just so you know, I’m not very photogenic. His answer came almost immediately: That usually says more about the photographer than about the subject. When Rowan Hayes arrived, he looked at Chase’s two photos and said, “He didn’t even try.” An hour later, he sent me the raw files. No filters, no heavy retouching. Just me on the library steps, my hair loose in the wind and my eyes brighter than I remembered them being.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

In 1940 Hitler gifted a Mercedes car to the then monarch of Nepal, Tribhuvan Bir Bikram Shah Dev. The story revolves around this historical fact; however the main plot of the novel is the romance between a Nepal princess and a man from Kerala, a South Indian state. Both these characters are real people. The man from Kerala is the protagonist of the story. He was in Kathmandu in 1989 to pursue his post-graduate studies. One of his classmates at Tribhuvan University was a princess, a relative of the then monarch, King Birendra Bir Bikram Shah Dev. One day she showed him the Mercedes car, which at that time had been abandoned by the royal family and was resting at the Nepal Engineering College compound. The protagonist was a bit skeptical of Hitler's motive in gifting the car to the Nepal king, but since the princess could not give him a credible reason disregarded the matter. After about 22 years the protagonist and the princess come together and travel to Mt. Everest to unearth Hitler's motive in gifting the car to the Nepal king. On the scary and freezing slope of the highest peak in the world they come to know about many unknown facets of Hitler and the main reason behind the fall of the Nepal kingdom. Along with that they also come to know about their past lives, which was scarily excruciating, at the same time thrilling. It is this revelation about the past lives of the protagonist and the princess that binds the story together.