Why Are Crows Called A Murder In Folklore?

2025-11-25 21:02:01 19

4 Answers

Isaac
Isaac
2025-11-27 18:32:37
I get a kick out of how dramatic English can be — 'a murder of crows' sounds like something from a gothic comic and that's exactly why it stuck. The phrase comes out of medieval penchant for fanciful collective nouns; people in hunting circles and scribes loved naming groups with imaginative, sometimes moralized terms. Beyond the game, crows were everywhere in real-life scenes of death and war, picking at carrion and circling battlefields, so communities naturally linked them to doom.

There’s also a long habit of confusing crows and ravens in stories and art, which amplified the sinister vibe: ravens carry messages for Odin, crows appear with the Morrigan, and spooky literature like 'The Raven' keeps the tone murky. Combine the birds’ intelligence, midnight color, and eerie calls with human superstition, and you’ve got a name that’s as much storytelling as taxonomy. I enjoy saying it out loud — it feels like narrating a short, deliciously dark folktale.
Mila
Mila
2025-11-28 08:38:51
Etymology and cultural context collide in the name 'a murder of crows,' and that intersection fascinates me. Historically, English lists of collective nouns—partly jocular, partly emblematic—assigned arresting labels to animal groups; one notable source often linked to this tradition is the late-medieval compilation circulating as 'The Book of Saint Albans.' That text reflects social attitudes: crows, scavenging at battle sites and funerals, became symbolic of death, omen, and sometimes witchcraft. Languages and storytellers then reinforced those meanings over centuries.

Across different cultures, crows and their relatives play varied roles—messengers in Norse myths, harbingers in Celtic tales, cunning tricksters in some Indigenous stories—so the English label drew on a panoply of meanings rather than one factual behavior. There's also a linguistic tendency to anthropomorphize: a single evocative noun can encode moral judgments (danger, doom) that communities felt were apt for black, noisy, highly visible birds. I find it interesting that what began as playful nomenclature has outlived its practical origins and now reads like folklore itself, which says a lot about how language preserves mood and myth.
Alice
Alice
2025-11-28 19:15:27
I like to picture medieval villagers watching the dark shapes wheel above a battlefield and inventing dramatic names to make sense of it; 'a murder of crows' has that human urge to tell a story. The phrase carries both a playful tradition of fanciful collective nouns and deeper superstition: crows show up where death is — on battlefields, at funerals — so people associated them with ominous signs. Over time, literature and myth kept piling on: ravens and crows appear in Norse sagas, Celtic lore, and gloomy poems like 'The Raven', and that artistic echo amplified the grim nickname.

So it's half wordplay from medieval lists and half cultural projection, where the birds' black feathers and scavenging habits made them perfect symbols for mortality. Whenever I see them now I half expect a plot twist, which I kind of love.
Trent
Trent
2025-12-01 11:21:52
On foggy mornings when a cluster of crows drops onto the telephone wires, I always smile at how theatrical language can be. The phrase 'a murder of crows' comes from a weird and wonderful corner of history where medieval English writers loved giving groups of animals colorful collective names. One of the earliest records is in a hunting-manual style list from around the late 1400s often associated with 'The Book of Saint Albans', which paired crows with the dramatic label 'murder.' That list wasn't scientific; it was playful, allegorical, and steeped in the symbolism of the time.

Beyond playfulness, crows carried heavy symbolic baggage. They scavenge on battlefields and battle remains, their black plumage and harsh calls make them natural omens in many cultures, and they pop up alongside death and witchcraft in folklore across Europe. People long ago blurred crows with ravens—think of the grim birds in 'Macbeth' or Poe’s 'The Raven'—so the association with mortality and mischief stuck. There’s also the Celtic and Norse tradition where shape-shifting war-deities or prophetic birds mingle with human fate.

So the label is part linguistic whimsy and part cultural projection: humans assigning a dark, theatrical name to an animal that already looked like it belonged in stories about fate and funerals. I love that a single phrase can carry centuries of superstition, humor, and literary echo; it makes every flock feel a little mythic to me.
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