Where Was Deadstream Filmed And Which Locations Were Used?

For me, the most fascinating thing about 'Deadstream' is how the locations act like characters. The film was largely anchored to one main house—an isolated, run-down residence that the camera explores obsessively. That single-site approach gives the movie a real sense of place: every creak and hallway feels intentional because the filmmakers repeatedly returned to the same spaces, sometimes shooting deep into the night to capture authentic reactions. Surrounding shots—trees, trails, and a few roadside exteriors—were used sparingly but effectively to suggest isolation beyond the house walls. Production credits and interviews point to shooting being done around the Los Angeles area, with the team combining on-location interiors and a handful of soundstage or modified rooms for technical shots. Using practical locations rather than digital replacements helped maintain the claustrophobic, live-stream energy; the house breathes in the film and made me unsettled in the best possible way.

Quick take: 'Deadstream' was primarily shot in California, using a single eerie house as the film's core location. Most of what you see—the long corridors, the kitchen, the basement—was filmed on location in that one property, with surrounding woodland exteriors and a few roadside or exterior inserts to sell the remote setting. For tighter shots and complicated camera work they probably used a converted interior or small soundstage, but the film leans hard on real spaces. That dedication to practical locations is why the movie feels immediate and oddly cozy while also being creepy—I dug it.

Curiously, 'Deadstream' mostly feels like it was filmed in one immersive, claustrophobic place—and that's because the production leaned hard on a single main location: a secluded house and its nearby grounds. The movie's central set is an abandoned-looking home that functions as both the film's stage and its antagonist, with long night shoots and practical lighting that make the property feel alive. You can tell a lot of the tension came from actual on-site shooting rather than purely built sets.

Beyond that house, the crew used nearby wooded areas and small roadside exteriors to sell the idea that the streamer was stranded in the middle of nowhere. A few interior pickups and controlled shots were likely done on a soundstage or in converted rooms to fit rigs, cameras, and lighting. Overall the production stayed in the Greater Los Angeles region, favoring real locations to keep the found-footage vibe tight and believable—one of the reasons the scares land so well for me.

I love how 'Deadstream' keeps the geography simple and effective: the movie was filmed mainly in California, centered around that creepy house which is essentially the whole playground for the film. Most of the action is staged in and around that property—interiors, hallways, the basement, and the exterior yard—so the crew could maintain continuity and the feeling of being trapped. To support those on-camera sequences, nearby woods and a few roadside shots were used for establishing moments, and some inserts or controlled scenes were likely handled on a studio floor or converted room where camera rigs and lighting needed to be less intrusive. The end result is a cohesive, lived-in environment that makes the livestream conceit believable, and I really appreciate how grounded it all feels—intense and intimate in the best way.

I dove back into 'Deadstream' the other night and got kind of obsessed with where all that spooky footage was shot — the movie feels so single-minded in its locations that the house basically becomes a character. From what I've pieced together (and from digging through interviews and behind-the-scenes chatter), the whole film leaned hard into a one-primary-location approach, with a handful of nearby exteriors to sell the journey. The bulk of the movie was filmed in the Los Angeles area, which makes sense for an indie production: accessibility, crew availability, and a ton of suitably creepy older properties to choose from. The central setting is an actual, lived-in house that doubles as a dilapidated mansion — the creaky halls, the attic, basement, and the backyard all feel tangible because they are real spaces used extensively for both interior and exterior shots.

Because 'Deadstream' is primarily a livestream POV horror, a lot of the magic comes from how the filmmakers transformed that single house into multiple scary spaces. The production used the main house for essentially every interior sequence — the corridor scares, the kitchen stream setups, the attic exploration, and the basement confrontations. They leaned on practical lighting, real dust, and purposely chaotic set dressing to make the digital livestream aesthetic feel authentic. Outside that house, you’ll see the driveway and the overgrown yard used for things like the car arrivals and the eerie late-night walks. There are a few short road-adjacent scenes — a gas station, a motel facade, and a parking-lot stop — that were filmed at local businesses or quick-production-friendly locations near the main shoot base. Those exterior bits are brief but important for establishing the protagonist’s arrival and the illusion of travel.

Another layer I loved was how the filmmakers used nearby natural areas for atmosphere. There are moments that cut to a bit of woodland or scrubland — nothing heavy-duty like a national park, just the kind of unremarkable, slightly unkempt greenery you get in suburban fringes of Southern California. Those spaces are used sparingly but effectively: late-night walks, symbol-laden set pieces, and to give a sense that the house is isolated even when it's not that far from civilization. Production-wise, they kept the crew compact and used portable lighting rigs and practical camera mounts to maintain the livestream POV. That allowed them to shoot tight, handheld sequences inside tight rooms without a ton of intrusive flipping of the environment, which pays off on-screen big time.

All in all, the locations are a big reason 'Deadstream' works: a single, slightly ruined house, a handful of nearby exteriors like a gas station and motel, and some fringe woodland — all in and around the Los Angeles area. The constraints actually help the film, making everything feel claustrophobic and immediate. I still get chills thinking about how the house itself is almost a co-conspirator in the scares — brilliant use of place, in my book.