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When the apocalypse came, she lost everything. Starving, hunted, and desperate, she trusted the one man she loved… only for him to betray her in the cruelest way possible. He stole her last supplies to please another woman and left her to die in a sea of the undead. But death wasn’t the end. She woke up days before the world collapsed. After cutting ties with her ungrateful ex and his parasitic family, a mysterious voice awakens in her mind, LUS, a Level-Up System designed to help her survive the coming end. With knowledge of the future and a system guiding her every move, she begins to prepare. She stockpiles resources, builds a base, and learns how to fight back against the horrors that once destroyed her. And when the apocalypse arrives again… she’s ready. But survival isn’t the only thing waiting for her in this new life. A silent killer who watches her like prey. A manipulative genius who wants to unravel her secrets. A gentle protector who sees the girl she hides. And a dangerous man who thrives in chaos. As the world burns and power shifts, they’re all drawn to her, each with their own motives, each with their own darkness. Even her past refuses to stay buried. Because now, the man who once abandoned her is back, broken, desperate, and begging for a second chance. Too bad she has no time for regrets. Not when she’s busy rising to power… and building a kingdom in the ruins of the world.

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Clara Sterling is twenty-seven, polished, and on the move. After being wrongly blamed for a student’s breakdown at her previous school in Boston, she accepts a mid-semester teaching position at Blackwood, a prestigious private academy known for its reputation and the secrets. She hopes for a fresh start. Instead, she encounters Gabriel Vane. At nineteen, Gabriel is sharp and carries an unexpressed grief. He is the student who resists management and demands attention. After losing a year to his father’s death, he returns to Blackwood feeling incomplete but more unpredictable. When Clara steps into Room 14 on her first day and meets his intellectual challenge, something inside him stirs for the first time in a long while. What starts as a battle of wits over a poetry anthology evolves into a connection neither can put into words or control. Gabriel hacks into her private file, and instead of reporting it, Clara replies to his note. The distinction between teacher and student blurs gradually until one rainy Tuesday afternoon in a locked classroom, it vanishes completely. Yet Blackwood is keeping an eye on them. Someone has reported their interactions to the headmistress. Even worse, someone removed pages from Clara’s file before her arrival, indicating that she didn’t get the job despite her scandal in Boston. She was chosen because of it. As their relationship deepens and threats converge, both Clara and Gabriel must confront the same question: what does it cost to want something you were never meant to have? The Lesson Plan is a dark, slow-burning forbidden romance about desire, grief, and the precarious space between authority and intimacy.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.

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