What Is The Ending Of 'THE TRAGEDY OF THE VILLAINESS'?

I found out I was the villainess of a romance novel called Sunshine Donna when I was already pregnant. For twenty-two years, I'd chased Renato Gatti without a shred of shame. Then came three years of marriage, just the two of us, wrapped up in each other. I'd thought it was everything. Then his true love showed up. According to the story, I was supposed to fall apart. I'd torment the girl, sabotage their relationship, and in the process, destroy myself. A bullet through the forehead. That was how it ended for Gianna Milano. I looked up. Renato was across the room, phone in hand, the ghost of a smile on his lips. He'd met her. Fine. This time, I'd step aside. But when I asked for a divorce— He cried. He begged me to stay. He threw the entire East Coast at the problem, just to keep me from walking out the door.

My mother was the villainess of a story. When I was born, the story came to its end. In the past, she was a rich heiress who drowned herself in luxury and pleasure. At present, everyone condemned her and spat in her path. After my father, the male lead of the story, betrayed her, her family went bankrupt. She knew nothing and had no skills, but for me, she was willing to learn from scratch.

She died once in fire while the man she loved watched her burn without a single step forward. Elena Vale was the villainess of a romance novel—written to be hated, destroyed, and discarded at the end of the story. And she did die exactly like that. Until she woke up at the beginning of it all. The night of the Arden Charity Gala. The night everything was supposed to start. This time, Elena remembers everything—every betrayal, every humiliation, every moment she was written to lose. But instead of begging for survival… She chooses revenge. Because if the world insists she is the villainess, then she will become one they cannot control. A woman who does not beg for love. A woman who builds power instead of tears. A woman who turns her ending into a beginning of destruction. And as she rises, something strange begins to happen. The male lead who once ignored her starts watching. The heroine who was supposed to replace her starts trembling. And the system that once promised her survival begins to warn her: [WARNING: Villainess behavior exceeds original plot limits.] But Elena is no longer afraid of the story. She is rewriting it. And this time… she will be the one they fear.

I transmigrated into the role of a gorgeous villainess, tasked with tormenting my childhood buddies. I forced Maddox, Mr. Tough Guy, into putting on a sexy dress, essentially killing his chances of a social life. I grabbed the bottom of the ever-aloof Zane and made him red in the face. I kicked Damian, the crybaby, into the ground, and all he could do was glare at me through his tearful eyes. My aggressive antics only fueled their resentment. “One of these days, I’ll get you.” I winked at them without a care. “I’ll be waiting.” The day they crossed paths with the female lead would be the day I left this world. Their revenge didn’t scare me one bit. Little did I know, the time would come when I would be proven wrong. While I scrambled to get away in tears, he said softly, “Save your strength. The night is still young.”

(book 1) Taika was a little different from other transmigration, she didn't wanted vengeance neither or wealth, she wasn't betrayed by her close ones neither did she get killed by anyone. In fact Taika had a normal peaceful life, a lovely parents and doting siblings and great friends who supported her when she was facing hardship or trouble. Like a bad dream her prefect life shattered one very night, her life took a double turn when she woke up only to find out she is dead and was bond to a transmigration cycle without her consent. She became a life puppet to the system cycle, due to her pure character she had to take twisted classes in order to be a villainess. And it was killing her...no matter how hard she struggled... she could never escape this suffering or tortured it was a cycle which she had to pass through and eventually became them.

The dagger goes in before she understands her consort is the one holding it. ——— My consort is the one holding the blade. I fall into the Forbidden Zone with his voice in my ear — *You were never going to be the queen this kingdom needed, Rose is everything you are not* — and every stroke downward the Hollow drinks my color, my voice, my breath. As I sink through the dark I understand, in a rising tide of memory I can no longer outrun, what I refused to see: my cousin Rose has been his lover for three years. My uncle Rick has been my father's killer for seven months. I hit the Hollow's floor among the skeletons of seven women who came before me. I should die there. A black pearl pulses in the dark and asks me one question. I say yes. What rises from the Forbidden Zone is not the princess they pushed. My scales burn blood-red shot through with molten gold and piercing teal, edged in obsidian. My voice shatters coral when I choose. I can drain a merfolk's power until their scales grey to driftwood, and I can shift any being between human and merfolk form. But the pearl hungers. Black veins creep across my chest with every life I take. And the throne I want back? It was never the prize. It was the trap. ——— Will Irene become the villainess her kingdom fears? Or will she remember the girl they buried long enough to choose what kind of queen to be? And the older sister who has been waiting two hundred years to use her — what happens when Irene decides the family she was born into is not the one worth dying for?