How Does George Kiss Lucy In 'A Room With A View'?

2025-06-15 19:01:03 253

3 answers

Naomi
Naomi
2025-06-17 03:35:50
George's kiss with Lucy in 'A Room with a View' is a raw, impulsive moment that shatters social norms. It happens in the Italian countryside, surrounded by violets—no grand romance, just sudden passion. He grabs her mid-sentence, his hands rough from farming, and kisses her so fiercely her hat tumbles off. The scene isn't sweet; it's chaotic, with Lucy's gloves getting muddy as she stumbles backward. What makes it unforgettable is the aftermath: George doesn't apologize. He just stares, trembling, while she flees. This isn't a polished Jane Austen moment—it's E.M. Forster screaming that desire doesn't follow etiquette. The kiss changes Lucy forever, making her question everything her sheltered English life taught her about love.
Hazel
Hazel
2025-06-20 14:03:32
In 'A Room with a View', George's kiss is a seismic event disguised as simplicity. Forster crafts it as a rebellion—against Lucy's stifling upbringing, against the rigid class system, even against the picturesque Florence backdrop that ironically cages her. The actual kiss lasts barely a paragraph, but its implications ripple through the entire novel.

George doesn't court Lucy properly. There are no stolen glances across ballrooms, no carefully chaperoned walks. Instead, he kisses her during a casual picnic, when she's chattering about something trivial. The spontaneity is key: his lips crash into hers mid-conversation, destroying her rehearsed ideas of romance. Forster emphasizes physical details—the scratch of George's unshaved chin, the way Lucy's parasol snaps shut as she drops it. These aren't romantic flourishes; they're proof that real passion is messy.

What fascinates me is how the kiss operates on two levels. For Lucy, it's terrifying—a violation of every 'proper' rule she knows. For George, it's an instinctive truth. He later tells her, 'I had to.' That tension between social conditioning and primal honesty becomes the novel's core conflict. The violets scattered around them during the kiss aren't just set dressing; they symbolize Lucy's buried sensuality, which finally erupts.
Charlie
Charlie
2025-06-20 19:45:49
George kisses Lucy like a man starving—no finesse, just desperate need. Remember, this is Edwardian England, where even holding hands required justification. Forster throws that rulebook out the window. The scene starts mundanely: Lucy complaining about a lack of chairs, George silent as usual. Then wham—he yanks her close, their teeth clacking. It's awkward, almost painful, which makes it feel real.

What I love is how Forster subverts romance tropes. There's no swelling music or perfect timing. George kisses Lucy precisely when she's being her most superficial, prattling about hotel views. That contrast is deliberate. The kiss isn't a reward for virtue; it's a demand for authenticity.

Afterward, Lucy doesn't swoon—she hyperventilates. George doesn't declare love; he just says, 'You see, you have to marry me now.' That bluntness shocks modern readers, but it underscores the novel's theme: true connection requires tearing down pretenses. The mud stains on Lucy's dress matter more than any love letter. They're proof that real passion is dirty, uncomfortable, and utterly transformative.
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3 answers2025-06-15 23:57:15
Lucy Honeychurch's transformation in 'A Room with a View' is like watching a flower finally bloom after being stuck in a too-small pot. At first, she's this proper, repressed English girl who follows all the rules, even when they make her miserable. Italy shakes her up—the colors, the passion, George's kiss—it all cracks her shell. By the end, she ditches the safe, boring guy society wants her to marry and goes for George, the one who actually sees her. It's not just about love; it's about her finding the guts to choose her own life, even if it scandalizes everyone back home.

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For anyone who's read 'A Room with a View', the romantic resolution is pure satisfaction. Lucy Honeychurch, after all her internal struggles and societal pressures, finally follows her heart and ends up with George Emerson. Their love story is the kind that makes you root for them from their first encounter at the pensione in Florence. George, with his raw honesty and passion, represents everything Lucy's sheltered English upbringing isn't—and that's exactly why she needs him. The scene where they reunite in the field of violets gets me every time. It's not just about choosing love over convention; it's Lucy becoming her truest self. If you enjoyed this, check out 'Howards End' for another of Forster's brilliant takes on love and class.

Why Is Italy Important In 'A Room With A View'?

3 answers2025-06-15 23:52:01
Italy in 'A Room with a View' isn't just a backdrop—it's the spark that ignites Lucy's rebellion. The chaotic beauty of Florence contrasts with England's stiff propriety, forcing her to confront her suppressed desires. Those Italian piazzas and hills become symbols of freedom, where stolen kisses under cypress trees feel more 'real' than any polite English tea. The raw passion of opera singers, the bloodlust in street fights—it all shakes Lucy awake. Even the titular 'room with a view' represents her choice: stay safe inside societal expectations or embrace the messy, glorious world outside. Italy doesn't change her; it reveals who she always was. Forster nails how travel cracks open souls. George's declaration of love at Fiesole wouldn't hit the same in Surrey—it needed those sun-drenched slopes to feel inevitable. The violets George tosses to Lucy aren't just flowers; they're pieces of Italy's wild heart she smuggles home. That final scene where she throws open the windows in Surrey? Pure Italy leaking into England.

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I just finished 'A Room with a View' and it absolutely has a happy ending, though it takes some twists to get there. Lucy Honeychurch finally breaks free from societal expectations and follows her heart, choosing George Emerson over the stuffy Cecil Vyse. That final scene in Florence, where they reunite in the same room with the view that started it all, is pure romantic satisfaction. What I love is how Forster makes the happiness feel earned—Lucy’s rebellion against her family and class isn’t easy, but it’s worth it. The ending leaves no doubt: love wins, even if it scandalizes Edwardian England.

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