2 Answers2026-08-20 00:33:29
Megan McDonald’s 'Stink' series (the younger sibling to Judy Moody) has moments of that gross-out, body-humor Dahl was so good at, but for a much younger audience. Think mysteries involving dead frogs, stinky cheese, and other kid-pleasingly disgusting topics. The humor is broad and physical.
It’s obviously simpler and less layered than Dahl, but at its core, it understands that some of the biggest laughs for that age group come from the forbidden and the icky. It validates a child’s fascination with the weird and the gross without moralizing, which is a small but important part of Dahl’s appeal. It’s a gateway into that type of humor.
4 Answers2026-08-20 21:18:41
Don't forget about 'The Bad Guys' series by Aaron Blabey! It's a graphic novel series presented like early chapter books. The text is large and simple, and the art is hilarious, featuring a crew of 'bad' animals trying to be good. The humor is fast, slapstick, and full of sight gags. While it's not a diary, the episodic nature and the strong visual component make it a huge hit with the same audience. The books are short, satisfying, and encourage binge-reading.
Blabey's other series, 'Thelma the Unicorn', is for a slightly younger crowd but shares that same vibrant, funny illustration style. For the 'Tom Gates' age group, 'The Bad Guys' is a surefire win. It proves that you don't need a traditional narrative to hook readers; sometimes, bold visuals and a great concept are everything.
4 Answers2026-08-20 00:38:53
For a slightly older reader who loves the illustrated, humorous format, 'Mightier Than the Sword' by Drew Callander and Alana Harrison, illustrated by Ryan Andrews, is interactive and meta. The reader is the protagonist, and the book gives you choices. The tone is playful, fourth-wall-breaking, and silly. The illustrations are fun and integral to the choose-your-path style. It's more of an activity/game book than a straight narrative, but the humor is energetic and engaging. It shares 'Tom Gates' willingness to play with the form of the book itself to create a fun experience.
3 Answers2026-08-20 19:11:33
The 'Fleabag' series by Helen Stephens is an early reader series, but don't let that fool you. The stories about a mischievous, loving dog are full of heart and humor, and the illustrations are integral. It's a great stepping stone for a younger sibling who wants to be like the older kid reading 'Tom Gates'. The visual storytelling is clear and funny, teaching how pictures and words work together to build a joke.
5 Answers2026-02-15 05:48:59
If you loved the chaotic, doodle-filled fun of 'Tom Gates is Absolutely Fantastic', you're probably craving more books that mix humor, relatable kid problems, and a touch of artistic flair. 'Diary of a Wimpy Kid' by Jeff Kinney is an obvious pick—Greg Heffley’s misadventures have that same blend of cringe and comedy, plus those iconic stick-figure drawings. But don’t stop there! 'Timmy Failure' by Stephan Pastis is another gem, with its deadpan humor and absurd detective antics. For something a little more British, 'Billionaire Boy' by David Walliams has that over-the-top silliness Tom Gates fans adore.
If you’re after more doodles, 'Middle School: The Worst Years of My Life' by James Patterson (with illustrations by Chris Tebbetts) is packed with pranks and rebellion. And for pure, unfiltered kid-logic chaos, 'My Big Fat Zombie Goldfish' by Mo O’Hara is a riot. Honestly, half the fun is discovering how each series puts its own spin on the 'mischievous kid + drawings' formula. I’ve lost count of how many times I’ve reread these while waiting for the next Tom Gates installment!
2 Answers2026-06-12 19:35:29
Writing a middle-grade boy's story that grabs attention isn't just about action—though yeah, a good chase scene or weird sci-fi gadget never hurts. It's about making the stakes feel real, even if the world is fantastical. Take 'Percy Jackson'—demigods and prophecies, sure, but at its core, it's about a kid who feels like an outsider, trying to prove himself. That relatability is key. Middle-grade readers are sharp; they can sniff out condescension or overly simplistic morals. Give your protagonist flaws—maybe he's impulsive, like Greg in 'Diary of a Wimpy Kid,' or struggles with honesty, but make those flaws part of his growth.
Dialogue is another make-or-break. Kids this age talk fast, joke around, and interrupt each other. Read contemporary MG books aloud to test the rhythm—does it sound like actual 10-year-olds, or like an adult trying to 'kid-speak'? And don’t shy away from emotional depth. 'Wonder' worked because Auggie’s insecurities weren’t glossed over. Balance humor with moments where the character feels vulnerable, whether it’s failing a test or losing a friendship. Lastly, keep the pacing tight. Chapter endings should make them want to flip the page—a cliffhanger, a revelation, or even a well-timed sarcastic remark.
2 Answers2026-08-20 15:35:41
Blume was so good at writing boys, too. For that, check out Dan Gemeinhart. 'The Honest Truth' and 'Some Kind of Courage' are adventures with huge hearts. They feature boys in difficult circumstances showing grit and vulnerability. Mark, in 'The Honest Truth', running away with his dog, has that same stubborn, misguided, yet deeply understandable drive as some of Blume's protagonists.
3 Answers2026-08-20 08:40:58
I feel like we’re missing a key element: the Britishness. Part of Lottie’s charm is the very specific UK boarding school/summer holiday context. For that, maybe try the older ‘Mallory Towers’ or ‘St. Clare’s’ books by Enid Blyton. They’re dated, but the boarding school camaraderie and mild mischief are the progenitors of this whole genre. The humor is gentler and more old-fashioned, but the setting and the focus on friendship groups are spot-on.
3 Answers2025-12-31 04:06:42
If you loved the quirky mythology and humor in 'Who Let the Gods Out?', you’re in for a treat with similar middle-grade gems. 'The Storm Keeper’s Island' by Catherine Doyle is a fantastic pick—it blends Irish folklore with adventure, and the protagonist’s journey feels just as whimsical yet heartfelt. The way Doyle weaves magic into everyday life reminds me of how Maz Evans made ancient gods feel so modern. Plus, the emotional depth sneaks up on you, just like in 'Who Let the Gods Out?'.
Another great choice is 'Percy Jackson and the Olympians', though it’s a bit more action-packed. Riordan’s humor and fast-paced storytelling are a perfect match for fans of Evans’ work. And if you enjoy the idea of kids stumbling into divine chaos, 'Aru Shah and the End of Time' by Roshani Chokshi offers a fresh twist with Hindu mythology. The balance of humor, heart, and high stakes is spot-on.
2 Answers2026-08-20 13:27:42
I gotta throw in a vote for 'The Hoboken Chicken Emergency' by Daniel Pinkwater. It's short, bizarre, and laugh-out-loud ridiculous. A boy brings home a 266-pound chicken. That's it. That's the plot. Pinkwater's deadpan narration of escalating chaos is genius. It's not school humor, but it's the kind of weird, specific book a 'Big Nate' fan would love to discover.