I think a lot about her use of dual timelines. She didn't really employ it in her first decade of writing. Now, it's a staple. And she's so good at it—making the past timeline not just backstory, but an active, unfolding mystery parallel to the present. The intercutting creates this relentless comparative tension. You're constantly looking for clues in the past that explain the present. This structural sophistication is a massive evolution from the linear, chronological storytelling of her early career, and it's a big reason her recent books are so hard to put down.
The moral universe of her books has gotten more complex. Early on, there were clearer good guys and bad guys, or at least people who made mistakes but were ultimately decent. Now, everyone is shaded in grey. Victims can be perpetrators; seemingly nice people hide monstrous capacities. This ambiguity forces the reader to constantly re-evaluate, which is a more engaging and challenging experience. It reflects a more nuanced, or perhaps more jaded, view of human nature that comes through in the writing.
I have a slightly dissenting take. While I agree she's gotten more thriller-focused, I think some of her most nuanced character work is still in the mid-period books, like 'The Third Wife'. That was a bridge—domestic setting, but with a mysterious death and complex family webs. The evolution isn't a straight line to darkness; it's her learning to layer the suspense onto the character depth she already excelled at. Her latest books prioritize plot momentum, which is great for page-turning, but occasionally I miss the slower, more contemplative unraveling of a person's psyche she used to do.
I wonder if her work in multiple genres early on—romance, general fiction—gave her the toolkit to excel in thrillers. She knows how to write convincing relationships, which is the bedrock of any domestic suspense. The 'domestic' part is as important as the 'suspense'. A lesser thriller writer might skimp on the family dynamics to get to the action. Jewell never does. The fraught mother-daughter bond, the tense marriage, the weird friendship—they're all drawn with the same detail she used in her non-thriller days, making the suspense that erupts from them feel earned and devastating.
Yeah, what everyone else said. She got darker and better at plots. The new ones are real page-turners.
2026-07-23 14:25:00
5
View All Answers
Scan code to download App
Related Books
Sapphire (Book #3 of the Jewel Series)
Saphyre_Dragyn
10
13.9K
Sapphire - I had never seen a man as drop-dead gorgeous as Dylan. When his steel-grey eyes met mine, I knew I was in trouble. There was no way he would ever see me as anything other than Riley’s little sister. Fine, I am not ugly by any means, but I also know that with my blue hair and tattoos, most guys are turned off, and that doesn’t usually bother me, so why does it bother me regarding him? Of course, I would develop a crush on him. When he and two other teammates of Riley’s move in with us, I know I am in even deeper trouble. I swear, sometimes it appears that he is flirting, and what is with that pet name? There is no way Dylan is interested in me, is there?
Dylan - As soon as her sapphire blue eyes met mine, I knew she was mine. Her brother Riley was my best friend and teammate, so I knew this would be tricky. It became even trickier when I moved in with them. It didn’t take long for Riley to figure it out. Between my flirting and the pet name, I gave her more or less gave it away. We hashed out our problems, but then she was attacked. Now her stepfather has sent people after her; he has no idea who he is up against and who he pissed off. No one touches what is mine, and I claimed Sapphire that night in the bar. My precious jewel is that, MINE! He will regret trying to harm her; they all will.
Jessica Jane is invisible by design.
Quiet, soft spoken, and almost painfully unassuming, she spends her days hidden behind oversized glasses and paint stained hands in her elegant city art gallery. To the people around her, she is simply a gifted but awkward artist, a woman who keeps to herself and pours her emotions into hauntingly beautiful paintings that seem to possess an almost unsettling depth.
Critics call her work raw. Emotional. Alive.
They have no idea how right they are.
Behind the gallery walls lies a secret darker than anyone could imagine. Jessica's masterpieces are not created with ordinary paint. Mixed into every canvas is the blood of the men she chooses as her subjects, men she believes escaped justice, men whose cruelty mirrors the monsters that stole her childhood. By night she becomes someone unrecognisable. Elegant, calculated and merciless, hunting predators who believe they are untouchable.
As her artwork gains international attention and a determined investigator begins noticing disturbing patterns surrounding missing men, Jessica finds herself balancing two identities that are beginning to collide.
Because the closer the world gets to discovering the truth, the more dangerous Jessica becomes.
And buried beneath the blood, vengeance and carefully constructed masks is an even darker question:
Is Jessica Jane delivering justice... or becoming the very thing she has spent her life trying to destroy?
"After a messy break-up, police officer Matthew Haldon is fine living in his cabin out in the woods all by himself. He has his dogs to keep him company and his job to keep him busy.
He never expects to find love again, especially not with the woman he finds stranded on the side of the road during a blizzard. When Matt realizes that Holly Cook has nowhere to go, he invites her to stay at his cabin for the night.
Holly is dangerous, though: with her fiery red hair and her bubbly personality, she tempts Matt like no woman ever has. As the snowstorm rages outside, Matt and Holly share a night that neither will forget.
Yet Holly’s past isn’t about to let her go—and now, neither is Matt.
This title was previously published as Adore Me Ardently. It’s been rereleased with a brand-new look and with lightly edited content."
Rustlers and Romance:Desire in his eyes gave her a sense of power.Can life on his ranch be a fresh start from her volatile past?The flare of desire in his eyes filled her with a sense of power.An Uptown Girl and A Cowboy:A city slicker meets a world class outdoorsman.A rugged, stone-faced cowboy greets her with a mesmerizing stare. Will murderous evidence she innocently possesses kill her?Secrets and Deceptions:The years of separation have taken their toll, testing the strength of their love. Will she take the risk of revealing her secret? Can he leave the horrors of battle behind?The Saddle Creek Series is created by Lorelei Confer, an EGlobal Creative Publishing signed author.
I quit and dipped. City threw a parade.
Only Jenna Blake—my oh-so-gifted junior who claimed she could "see through killers' eyes"—lost it.
At her celebration banquet, she went full drama queen:
"I owe everything to Kate Mercer. Please, bring her back!"
I laughed. Cold. Not happening.
Last time around, I was the hotshot detective. But every clue I found? She dropped it first like she read my mind.
People started saying I was washed.
So I went all in—three months, no sleep, cracked a massive trafficking ring. Led the raid myself.
She beat me there. Again. Place was cleaned out.
Boom. She's the city's golden girl.
I'm the clown with no game.
Pressure got ugly. My head snapped. I died chasing the last scumbag.
Then—bam. I woke up. Same day. Raid morning. Round two.
Emerald was loved and accepted by all of her family. However, two family members took out their hate and anger on her from the moment she was born. They hated her mother. Her parents knowing this took her to their closest friend and ally Alpha Jason. He was the Alpha of the largest and strongest pack in the state of California. Emerald's mother being of the fae people cast a spell upon his land that not only protected the pack but her daughter as well. It was not found out until later that Emerald and his twin sons Devon and Nate were her mates. Unknown to all of them Emerald's jealous family members had promised to give her to the rogue Alpha Connor. He wanted her for her powers so he could make his pack the largest and strongest. Emerald grew up returned to Alpha Jason's land, but she can't understand why she is drawn back here. Alpha Connor's son Ryder has become alpha. There is also a new threat to Emerald that no one is aware of. The Vampire King has become aware of her existence and wants her as his queen. With her as his queen, he would become the most powerful supernatural in existence. Emerald has once again met her mates but with all her insecurities can they make it work. Emerald just wants to be happy and loved but with everything stacked against her will she ever find her happiness?
Her dialogue improved massively. Early books had conversations that could feel a bit functional—just moving plot or revealing backstory. In her recent work, dialogue crackles with subtext, hidden agendas, and character-defining quirks. You learn about people not just by what they say, but by what they clumsily avoid saying. That's a mark of a writer who's mastered her craft.
The pacing is where the change is most technically evident. The early novels took their time, building character and setting. Now, the hooks are immediate and visceral—a body, a disappearance, a bizarre confession on page one. The psychological unraveling happens at a breakneck speed, mirrororing the compulsive, binge-ready nature of modern reading habits. She's adapted to the 'just one more chapter' ethos perfectly.
They're just better plotted. Sorry, not sorry! The early books are charming character studies, but they can feel a bit aimless, like life. The thrillers are meticulously constructed puzzles. Every character, every subplot, every thrown-away line in chapter three pays off by the end. It's immensely satisfying. You can tell she's become a master architect of plot, whereas before she was more of a delightful chronicler of character. The thrillers give you both—the deep characters AND the ingenious, watertight plot. That's a hard combo to beat.