What Is The Main Message Of The Five Love Languages Of Children Ending?

Rhea Ravelle, heiress of a powerful and influential family, goes against her family's wishes and cuts ties with them. She chooses to marry Carter Jamison, a man with a failing career and two children born out of wedlock. For six years, she raises his children as if they were her own and helps Carter rebuild his crumbling business. Under her care, the kids grow into kind, well-mannered little stars, and Carter's company finally makes it big and goes public. But right at the celebration marking his entry into high society, the biological mother of his two children suddenly shows up. And Carter, who is usually so calm, completely loses it. He begs the woman to stay, making Rhea the laughingstock of the entire city. That night, he doesn't come home. Instead, he takes the children and runs straight back to his old flame, playing house as a happy family. Soon after, Carter files for divorce. "Thanks for everything, Rhea. But the kids need their birth mother." The children's mother also says, "Thank you for taking care of them all these years. But a stepmother will never compare to a birth mother." So blood beats love? If that's how it is, then she's done playing stepmother. However, the children reject their birth mother flat-out, and they don't want Carter either. They declare, "Rhea is our only mom! If you're getting divorced, then we're going wherever she goes!"

The seventh time Dante Moretti served me divorce papers, I was sitting with my son in a cheap diner on Chicago's South Side. I forced a smile and brushed my hand over my son's hair. "Just wait a little longer, sweetheart. This time, Mommy will get custody of you." He stayed quiet for a long moment. Then he looked up and asked, “Mommy, how much do you need to sell me for before you're happy?” Before I could answer, he pulled a handwritten divorce agreement from his backpack and pushed it toward me. "I know you keep fighting Dad for me because you want more money from him." "I wrote the agreement for him. Please sign it. Dad is already tired. Stop making his life so hard." His handwriting was crooked, but every word had been written with care. Dante would give me three million dollars. At the bottom, in my son's childish scrawl, was one more line. [After you take the money, don't bother me, Dad, and Serena anymore. Let us be happy.] Serena was Dante's childhood sweetheart. The woman he trusted more than his own wife. For five years, I had stood against Dante's family, his lawyers, and half the Chicago underworld just to keep custody of my son. For him, I would've walked away with nothing. But the child I had raised for eight years had already chosen another mother. So why shouldn't I give their perfect little family exactly what they wanted?

In the fifth year of raising Nathan Hale, the son of Chelsea Hale and her first love, Lucas Garrison, Nathan drives toward me in his toy car, causing my lower leg bone to break. When the doctor patches me up, I finally think things through. Some children will never recognize me as their guardian no matter how much love and care I devote into raising them. The same goes to the grown-ups. That's why I decide to divorce Chelsea. She's a little annoyed by my request, so she questions me loudly, "All this over an accident? Nate already said that he didn't do it on purpose!" I look at Chelsea calmly. "It's precisely because of that."

When I'm about to apply for medical insurance for my son, Connor Sawyer, who's about to start his first year in kindergarten, I'm told that I'm not his biological father at all. "Are you sure this is your son? The system shows that his father is an entirely different person." I don't respond at all. Instead, I secretly take a photo of the unfamiliar-looking address before tracking it down. It turns out that it's actually a residential area right by my own. The moment my wife, Giselle Lambert, sees me, she freezes momentarily. At the same time, she blocks the door subconsciously with her hand. "In the end, you still found out about the truth. But there's no use kicking up a fuss, you know. I never mistreated you in any way over the past three years, after all." When I notice the familiar figure standing behind Giselle, I feel my limbs going cold. That person is actually my younger brother, Vincent Sawyer, who has just graduated from college. Vincent hands Giselle a glass of water before smiling at me apologetically. "Don't blame me, Hayden. The doctor says that I'm severely depressed, so I can't handle hearing a child's cries at all. I'm really thankful to you for raising Connor on my behalf in the past few years." At that moment, Connor, who's supposed to be waiting for me in my car, rushes into the apartment. He runs into Vincent's arms happily before turning to look at me. "Don't cry, Uncle Hayden. Daddy says you're a good person, so he's asked you for help. Mommy tells me that if I call you 'daddy' in your home, I'll get to visit my real daddy during the weekends."

As her ears started ringing, the lump in her throat growing, the words he spoke faded into the background. Her eyes welled up, and her breath hitched, she had heard him right? “Earth to Rebecca, hello?!” He replied to her in an annoyed tone. She took a deep breath, “After 20 yrs you really don’t want a life with me” she managed to speak slightly above a whisper. She had been his rock, put his needs first, never said no to his frivolous spending, and had loved him enough for the both of them; yet in the small bedroom in their city apartment he stood with divorce papers in hand. She hadn’t been naive about the rough patch that they were navigating, but they had always worked past because Rebecca had always put her husband 1st. “Rebecca I don’t love you and no level of your love is going to undo these divorce papers. I can’t even stand to be in this room with you, but I want to be on a united front when we tell the kids.”

Growing up in a broken home and opposite a married couple who did nothing but fight, Diana Young swore off marriage and everything to do with it. People say that love ends when marriage starts and since marriage is love's destination, it was kind of ironic. But Diana believed it was all the bit true.Everyone's disappointed at the pot of gold that is not found at the end of the rainbow. Love was like that, she thought. A disappointment. Perhaps she just needed the right person to show her the real pot of gold. What is really found at the end of love, because maybe, just maybe, love doesn't end at all.